Isbn: 9780955406331 - the Artist's Studio (12 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Soft cover. Condition: Very Good. From the Library of John Russell Taylor.

Softcover. Condition: VG. Light corner bumping. Quarto. Softcover. Glossy illustrated wraps. 103 pages : illustrations (chiefly color) ; 30 cm. Originally published by Hogarth Arts in association with Compton Verney to accompany the exhibition 'The Artist's Studio', Compton Verney, 26 Sept.-13 Dec. 2009 [and] Sainsbury Centre for Visual Arts, Norwich, 9 Feb.-16 May, 2010./ Includes bibliographical references. …

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> The diverse range of studio types in use today does, however, have one element in common studios dependence on galleries or museums to bring their work to a broad or target audience. Calleries provide an invaluable platformi for gaining a greater understanding of how artists work today. It is, then, fitting that one of Britain's most ambitious and inclusive art galleries, Compton Verney, should provide the venue for what is the UK's first in-depth exploration of this enduring phenomenon - the 2009 exhibition The Artist's Studio-which this book was originally designed to accompany. Our thanks go to all the lenders to the exhibition and, of course, to the artists themselves, many of whom have opened the doors of their studios to make this project possible. We are delighted to include newly commissioned works for The Artid's Studio exhibition at Compton Verney, and would like to particularly thank Mark Fairnington. Paul Ryan and Siprid Holmwood for their responses to the subject. Sigrid Holmwood will take up the role.…

Paperback. Condition: Near fine in wraps. First Edition. 21 x 30cm 103pp Glossy exhibition catalogue, well illustrated in colour. 6 essays by Martin Postle, John Milner and others.

Soft cover. Condition: Near Fine. 1st Edition. First Published by Hogarth. W13.

Soft cover. Condition: Fine. 2009, 8.5 x 11.5 inches approx, 103 pages, profusely illustrated in colour | this copy appears unread and barely distinguishable from new | carefully packaged and dispatched from UK within two working days.

Condition: New.

Paperback. Condition: New. This book is first published to accompany the major exhibition at Compton Verney, a great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late-sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and CÃ zanne, to Lucian Freud and Francis Bacon. A mass of spectacular color images illustrate the story, including major works of art and important photographs showing the likes of Andy Warhol, Frank Auerbach and Lucian Freud at work. A special feature is the inclusion of illustrations of the original works of art by several contemporary artists that were specially commissioned to explore the theme of the exhibition. The book is written in a lively and accessible manner, yet presents a cutting-edge scholarly account of this fascinating subject. --Giles Waterfield is an independent curator and writer and associate lecturer at the Courtauld Institute of Art. …