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Published by University of Chicago press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Language: English
Published by Univ of Minnesota Pr, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Condition: New. Num Pages: 336 pages, Illustrations. BIC Classification: 3JJ; DSA; HBJD; HBTZ1; JFC. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 229 x 152 x 19. Weight in Grams: 464. . 2000. First edition. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by University Of Minnesota Press Aug 2000, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Analyzes the impact of historical trauma on contemporary culture.How to approach the Holocaust and its relationship to late twentieth-century society While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler's List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg's book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust.Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth KlÜger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history. 336 pp. Englisch.
Language: English
Published by University Of Minnesota Press, 2000
ISBN 10: 0816634599 ISBN 13: 9780816634590
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Analyzes the impact of historical trauma on contemporary culture.How to approach the Holocaust and its relationship to late twentieth-century society While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler's List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg's book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust.Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth KlÜger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history.