ISBN: 9780500284513 - Installation Art in the New Millennium: The Empire of the Senses (14 results)

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Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. "Wonderfully illustrated and wide-ranging.does an excellent job of showing the charged, dynamic conversation taking place between artist and audience." â"Library Journal Over the past decade Installation art has achieved mainstream status within contemporary visual culture. Its ascendancy has given rise to new terms and affected not just art but also fashion, movie design, and club culture. The new "immersive" Installation reflects a desire for sensual pleasure, as the viewer is totally enveloped in a hermetic and narcissistic artwork, as illustrated by the American artist Doug Aitken and the Japanese artist Kazuo Katase, among others. New dynamics have developed between the artist and institutions, and Installation is more than ever an open-ended experiment that transforms the museum into a cultural laboratory, as seen in the work of Hans Haacke. Installation refuses to accept fixed boundaries, and practitioners, such as the Mexican Jose Dávila, are now looking to forge relationships of exchange on a global level, collaborating with specialists in other non-art areas. In a rapidly changing world, time and memory become key concerns, and artists such as Christian Boltanksi and Damien Hirst prefer to construct their own spaces of memory. The culmination of these processes has made the audience itself the key site of the Installation, as witnessed in the works of Vanessa Beecroft, Gary Hill, Mariko Mori, and Bill Viola. Introduced by Jonathan Crary, Professor of Art History, Columbia University, the book is completed by a chronology, details on the works included in the book, further reading, and an index. 317 illustrations, 268 in color.…