ISBN: 9780345443373 - Mutant (22 results)

Hardback. Condition: Very Good. Cultural Authority in the Age of Whitman deals with narratives of cultural legitimation in nineteenth-century US literature, in a transatlantic context. Exploring how literary professionalism shapes romantic and modern cultural space, Leypoldt traces the nineteenth-century fusion of poetic radicalism with cultural nationalism from its beginnings in transatlantic early romanticism, to the poetry and poetics of Walt Whitman, and Whitman's modernist reinvention as an icon of a native avant-garde. Whitman made cultural nationalism compatible with the rhetorical needs of professional authorship by trying to hold national authenticity and literary authority in a single poetic vision. Yet the notion that his 'language experiment' transformed essential democratic experience into a genuine American aesthetics also owes much to Whitman's retrospective canonization. What Leypoldt calls Whitmanian authority is thus a transatlantic and transhistorical discursive construct that can be approached from four angles: this book begins with an overview of transatlantic contexts such as the 19th-century literary field (Bourdieu) and the romantic turn to expressivism (Taylor); a detailed analysis of how Whitman's positions develop from the intellectual habitus and cultural criticism of Ralph Waldo Emerson follows, and in a third section Whitmanian authority is located within three conceptual fields that function as contact zones for European and American theories of culture: romantic notions of national style as a kind of music; place-centered concepts of national aesthetics; and traditional ideas about the aesthetic effects of democratic institutions. The final section, on Whitman's reinvention between the 1870s and the 1940s, discusses how the heterogeneous nineteenth-century perceptions of Whitman's work were streamlined into a modernist version of Whitman's nationalist program.…

Hardback. Condition: Fair. Cultural Authority in the Age of Whitman deals with narratives of cultural legitimation in nineteenth-century US literature, in a transatlantic context. Exploring how literary professionalism shapes romantic and modern cultural space, Leypoldt traces the nineteenth-century fusion of poetic radicalism with cultural nationalism from its beginnings in transatlantic early romanticism, to the poetry and poetics of Walt Whitman, and Whitman's modernist reinvention as an icon of a native avant-garde. Whitman made cultural nationalism compatible with the rhetorical needs of professional authorship by trying to hold national authenticity and literary authority in a single poetic vision. Yet the notion that his 'language experiment' transformed essential democratic experience into a genuine American aesthetics also owes much to Whitman's retrospective canonization. What Leypoldt calls Whitmanian authority is thus a transatlantic and transhistorical discursive construct that can be approached from four angles: this book begins with an overview of transatlantic contexts such as the 19th-century literary field (Bourdieu) and the romantic turn to expressivism (Taylor); a detailed analysis of how Whitman's positions develop from the intellectual habitus and cultural criticism of Ralph Waldo Emerson follows, and in a third section Whitmanian authority is located within three conceptual fields that function as contact zones for European and American theories of culture: romantic notions of national style as a kind of music; place-centered concepts of national aesthetics; and traditional ideas about the aesthetic effects of democratic institutions. The final section, on Whitman's reinvention between the 1870s and the 1940s, discusses how the heterogeneous nineteenth-century perceptions of Whitman's work were streamlined into a modernist version of Whitman's nationalist program.…

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Very Good. Cultural Authority in the Age of Whitman deals with narratives of cultural legitimation in nineteenth-century US literature, in a transatlantic context. Exploring how literary professionalism shapes romantic and modern cultural space, Leypoldt traces the nineteenth-century fusion of poetic radicalism with cultural nationalism from its beginnings in transatlantic early romanticism, to the poetry and poetics of Walt Whitman, and Whitman's modernist reinvention as an icon of a native avant-garde. Whitman made cultural nationalism compatible with the rhetorical needs of professional authorship by trying to hold national authenticity and literary authority in a single poetic vision. Yet the notion that his 'language experiment' transformed essential democratic experience into a genuine American aesthetics also owes much to Whitman's retrospective canonization. What Leypoldt calls Whitmanian authority is thus a transatlantic and transhistorical discursive construct that can be approached from four angles: this book begins with an overview of transatlantic contexts such as the 19th-century literary field (Bourdieu) and the romantic turn to expressivism (Taylor); a detailed analysis of how Whitman's positions develop from the intellectual habitus and cultural criticism of Ralph Waldo Emerson follows, and in a third section Whitmanian authority is located within three conceptual fields that function as contact zones for European and American theories of culture: romantic notions of national style as a kind of music; place-centered concepts of national aesthetics; and traditional ideas about the aesthetic effects of democratic institutions. The final section, on Whitman's reinvention between the 1870s and the 1940s, discusses how the heterogeneous nineteenth-century perceptions of Whitman's work were streamlined into a modernist version of Whitman's nationalist program.…

Hardback. Condition: Fair. Cultural Authority in the Age of Whitman deals with narratives of cultural legitimation in nineteenth-century US literature, in a transatlantic context. Exploring how literary professionalism shapes romantic and modern cultural space, Leypoldt traces the nineteenth-century fusion of poetic radicalism with cultural nationalism from its beginnings in transatlantic early romanticism, to the poetry and poetics of Walt Whitman, and Whitman's modernist reinvention as an icon of a native avant-garde. Whitman made cultural nationalism compatible with the rhetorical needs of professional authorship by trying to hold national authenticity and literary authority in a single poetic vision. Yet the notion that his 'language experiment' transformed essential democratic experience into a genuine American aesthetics also owes much to Whitman's retrospective canonization. What Leypoldt calls Whitmanian authority is thus a transatlantic and transhistorical discursive construct that can be approached from four angles: this book begins with an overview of transatlantic contexts such as the 19th-century literary field (Bourdieu) and the romantic turn to expressivism (Taylor); a detailed analysis of how Whitman's positions develop from the intellectual habitus and cultural criticism of Ralph Waldo Emerson follows, and in a third section Whitmanian authority is located within three conceptual fields that function as contact zones for European and American theories of culture: romantic notions of national style as a kind of music; place-centered concepts of national aesthetics; and traditional ideas about the aesthetic effects of democratic institutions. The final section, on Whitman's reinvention between the 1870s and the 1940s, discusses how the heterogeneous nineteenth-century perceptions of Whitman's work were streamlined into a modernist version of Whitman's nationalist program.…

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. First Edition, First Printing with full number line. Unread Fine book with bruised spine base in Near Fine dust jacket. All our books are bubble wrapped and shipped in a sturdy box with Delivery Confirmation. NO remainder mark, NO previous owner markings or inscriptions, NOT price clipped, NOT a Book Club Edition, NOT an Ex-Lib. Dust jacket covered in protective clear wrapper.…

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. 1st Edition; Minor Shelf Wear on DJ.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A doctor is called to a conference on the hazards of bio-engineered foods, A powerful company uses genetic breakthroughs to engineer disease resistant crops, while activists warn that new DNA strains will wreak havoc on the environment. But the danger is greater than anyone could see.326 pages, references. Published @ $19.95.…

Hardcover. Condition: Collectible - Acceptable. Dust Jacket Condition: Fair. First Edition. First edition by number code. Dust jacket has some shelf wear.

Softcover. Condition: Fine. First Edition. We're always buying collectible book collections. Contact us for details. We're happy to provide pictures of any book priced at $10 or more, please just ask! SOFT COVERED Advanced Reading Copy. Virtually no wear to the covers! ! Covers are clean and bright. Edges are sharp. The book itself is in Near Fine condition with no marks or scratches. The binding is straight and tight, pages are white. NO remainder mark. …

Softcover. Condition: Near Fine. Advanced Reading Copy (ARC). No creases, so not read, front cover a bit flaired.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Book in Mylar cover. First Edition, First Printing. No remainder marks, no ink markings. NOT priced clipped. In well packed Boxes - no padded envelopes. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Ed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition stated first printing of a fine hardcover in a fine dustjacket. Featuring Richard Steel ER doctor and geneticist Kathleen Sullivan investigating genetic engineering gone wrong in New York City. This copy is inscribed and signed by the author. Inscribed by Author.…

Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Cloth (hardcover) in mylar protected dustjacket, gilt title, (9.5 x 6.5 inches), 326 pages. First Edition/First Printing with number "1" on publisher's number line. SIGNED by author on title page. A medical thriller with real science at its core, written by a former ER doctor. An exceptionally clean, tight copy in like unclipped jacket, collector fine condition. Signed by Author(s).…

Hardcover. Condition: Collectible; Fine. Dust Jacket Condition: As New. First Edition. This hardcover book is Fine, being square and tight. The boards and spine have no wear with pristine lettering. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. This copy is signed by the Author on the title page without inscription. July 2001. Signed by Author(s).…

Condition: FINE. First printing. A medical thriller by a former ER doctor - Dr. Richard Steele "is being recruited into a movement to examine the hazards of genetically modified foods, a job that takes him to an explosive conference in Hawaii. . With genetic researching opening new doors, one man has realized that altered strains of DNA cannot only change the make up of plant life--they can create the deadliest weapon of mass destruction ever unleashed upon the world." SIGNED on the title page. 326 pp. Fine in fine dust jacket.…

Quarter Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. The book is signed by the author on the full title page. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. SIGNED by the AUTHOR on the Title page. Signature only. A First edition, First printing. Book is in Fine condition. Boards are clean, not bumped. Fore edges are clean. Interior is clean and legible. Not remaindered. Dust Jacket is in Fine condition. Not chipped or crinkled. Not price clipped. Dust Jacket is covered by Mylar Brodart. All-Ways well boxed, All-Ways fast service. Thanks. Signed by Author(s). Book.…