Isbn: 9780300175752 - El Anatsui at the Clark (clark Art Institute) (5 results)

- Softcover
Seller: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.G.J. Askins Bookseller
Contact seller5-star sellerAssociation member: SNEAB
Condition: Used - Very good
£ 15.57
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Soft cover. Condition: Very Good. 48 page exhibition catalog with color illustrations. Exhibition was at Clark Art Institute 12 June-16 October, 2011. El Anatsui in conversation with Chika Okeke-Agulu, and essay by Alisa DaGamma. Exhibition photos, further readings and credits. No flaws.

Language: English
Published by Sterling and Francine Clark Art Institute, 2011
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
£ 58.40
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Softcover, 48 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Language: English
Published by Clark Art Institute (edition First Edition /First Printing), 2011
- Softcover
Seller: BooksRun, Philadelphia, PA, U.S.A.BooksRun
Contact seller5-star sellerCondition: Used - Very good
£ 77.45
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Paperback. Condition: Very Good. First Edition /First Printing. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

- Softcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller2-star sellerCondition: New
£ 1,538.53
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Paperback. Condition: New. 9.1 X 8.8 X 0.3 inches; 45 pages.

- Softcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller2-star sellerCondition: New
£ 1,538.53
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Paperback. Condition: New. The Ghanaian-born sculptor El Anatsui (b. 1944) is one of the most significant artistic innovators of our time, merging personal, local, and global concerns in his visual creations. By weaving together discarded aluminum tops from Nigerian liquor bottles, Anatsui creates large-scale sculptures called gawu ("metal" or "fashioned cloth" in Anatsui's native language) that demonstrate a fascinating interplay of color, shape, and fluidity. In an illustrated essay, Alisa LaGamma provides a brief history of El Anatsui's career and an analysis of his practice. The catalogue also includes a never-before-published conversation between noted artist and curator Chika Okeke-Agulu and Anatsui, as they discuss the themes of history, economy, sustainability, and identity explored within Anatsui's work. Dramatic photographs of the installations at the Clark provide a unique look at these immersive sculptures, including Intermittent Signals (2009) and Delta (2010), in the contemplative spaces of Stone Hill Center.…