ISBN: 9780300055283 - Music & Spectacle in Baroque Rome – Barberini Patronage Under Urban Viii (3 results)

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  • Language: English

    Published by Yale University Press, 1994

    0300055285 / 9780300055283

    • Hardcover

    Seller: HPB-Emerald, Dallas, TX, U.S.A.HPB-Emerald

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    Condition: Used - Very good

    £ 71.83

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    hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Yale University Press, 1994

    0300055285 / 9780300055283

    • Hardcover

    Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd

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    Condition: Used - Good

    £ 70.19

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    Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Language: English

    Published by Yale University Press, New Haven, 1994

    0300055285 / 9780300055283

    • Hardcover

    Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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    Condition: Used

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    Hardcover. Small quarto. Hardcover. Maroon cloth boards in green illustrated jacket with white titles. xxiv, 369 pages : illustrations ; 26 cm. It has long been acknowledged that Pope Urban VIII Barberini and his nephews were the greatest artistic patrons of seventeenth-century Rome, but it is less well known that the family also supported a wide array of musical activities at the papal court. This book - the first comprehensive examination of the musical productions and festivals sponsored by the Barberini family - discusses what music was written under their patronage, why it was commissioned, and how it related to the political, religious, and aesthetic program of the family. Frederick Hammond argues that music was central to the Barberini concept of promoting the majesty, legitimacy, and moral virtue of the papacy and the reigning family. Drawing on extensive research in Italian archives as well as on the artistic, social, and cultural history of the period, and employing a wide repertory of visual materials, he describes the structure of Barberini finances and their artistic, political, and intellectual goals; the musicians, instruments, libraries, and performances in their households; and specific productions of church music and operas. The result is a fascinating portrait of one of the most ambitious and fruitful patronage programs ever to exist. VG. Light touches of shelfwear otherwise clean and unmarked.…