9780198122722 - Women, Writing, and Revolution, 1790-1827 by Kelly, Gary (23 results)

Hardcover. VII, 328 S. Ehem. Bibliotheksexemplar mit Bib.-Signatur und Stempel. Guter Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature on spine. Good condition, some traces of use. mo4846 0198122721 Sprache: Englisch Gewicht in Gramm: 550.

Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.25.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. UK hardback first impression. VG overall with some pencil underlining to early pages. \The jacket is VG with some spine fade and light wear.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0198122721.

Hardback. Condition: Good. Reprint. Hardback. Dust Jacket. 8vo. pp 342. Original publisher's black cloth, lettered gilt on spine. ISBN: 0198122721 Minor signs of ex library status otherwise very good indeed in very good indeed dust jacket.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0198122721.

Condition: New.

Condition: New. In.

Hardcover. Condition: new. Hardcover. The French Revolution stirred a bitter debate in Britain about the nature of civil society and the political nation. This is an original and lively study of contemporary women writers' efforts to base a reformed state and national culture on virtues and domains traditionally conceded to women. The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of MaryWollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, andcontroversial genres and public and political themes to men. Women writers therefore undertook bold literary experiments which were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, Britain's most widely-read eyewitness to the Revolution; the determined feministand self-styled `female philosopher' Mary Hays; and Elizabeth Hamilton, relentless `feminizer' of supposedly `masculine' discourse, from satire to social reform, classics to theology. This isa wide-ranging and lucid contribution to current debates concerning the intersections between women's writing, revolution, and Romanticism. Women, Writing, and Revolution 1790-1827 combines an illuminating survey of women's writing in this period with detailed analyses of the critically neglected work of three important women writers: Helen Maria Williams, Mary Hays, and Elizabeth Hamilton. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. The French Revolution stirred a bitter debate in Britain about the nature of civil society and the political nation. This is an original and lively study of contemporary women writers' efforts to base a reformed state and national culture on virtues and domains traditionally conceded to women. The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of MaryWollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, andcontroversial genres and public and political themes to men. Women writers therefore undertook bold literary experiments which were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, Britain's most widely-read eyewitness to the Revolution; the determined feministand self-styled `female philosopher' Mary Hays; and Elizabeth Hamilton, relentless `feminizer' of supposedly `masculine' discourse, from satire to social reform, classics to theology. This isa wide-ranging and lucid contribution to current debates concerning the intersections between women's writing, revolution, and Romanticism. Women, Writing, and Revolution 1790-1827 combines an illuminating survey of women's writing in this period with detailed analyses of the critically neglected work of three important women writers: Helen Maria Williams, Mary Hays, and Elizabeth Hamilton. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. The French Revolution stirred a bitter debate in Britain about the nature of civil society and the political nation. This is an original and lively study of contemporary women writers' efforts to base a reformed state and national culture on virtues and domains traditionally conceded to women.The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of Mary Wollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, and controversial genres and public and political themes to men. Women writers therefore undertook bold literary experiments which were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, Britain's most widely-read eyewitness to the Revolution; the determined feminist and self-styled `female philosopher' Mary Hays; and Elizabeth Hamilton, relentless `feminizer' of supposedly `masculine' discourse, from satire to social reform, classics to theology.This is a wide-ranging and lucid contribution to current debates concerning the intersections between women's writing, revolution, and Romanticism.

Buch. Condition: Neu. Neuware - The French Revolution stirred a bitter debate in Britain concerning the nature of civil society and the political nation. This is an original and lively study of the efforts of contemporary women writers to base a reformed state and national culture on virtues and domains traditionally conceded to women. The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of Mary Wollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, and controversial genres, and public and political themes, to men. Women writers therefore undertook bold literary experiments that were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, the eyewitness to the Revolution most widely read in Britain; the determined feminist and self-styled 'female philosopher' Mary Hays; and Elizabeth Hamilton, relentless 'feminizer' of supposedly 'masculine' discourse, from satire to social reform and from classics to theology.

Hardback. Condition: New. The French Revolution stirred a bitter debate in Britain about the nature of civil society and the political nation. This is an original and lively study of contemporary women writers' efforts to base a reformed state and national culture on virtues and domains traditionally conceded to women.The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of Mary Wollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, and controversial genres and public and political themes to men. Women writers therefore undertook bold literary experiments which were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, Britain's most widely-read eyewitness to the Revolution; the determined feminist and self-styled `female philosopher' Mary Hays; and Elizabeth Hamilton, relentless `feminizer' of supposedly `masculine' discourse, from satire to social reform, classics to theology.This is a wide-ranging and lucid contribution to current debates concerning the intersections between women's writing, revolution, and Romanticism.

Condition: New.

Hardcover. Condition: new. Hardcover. The French Revolution stirred a bitter debate in Britain about the nature of civil society and the political nation. This is an original and lively study of contemporary women writers' efforts to base a reformed state and national culture on virtues and domains traditionally conceded to women. The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of MaryWollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, andcontroversial genres and public and political themes to men. Women writers therefore undertook bold literary experiments which were derided and suppressed in their time, and which are still misunderstood. Gary Kelly investigates this hitherto neglected achievement by combining a wide survey of women's writing in its historical context with detailed analyses of three leading women writers: Helen Maria Williams, Britain's most widely-read eyewitness to the Revolution; the determined feministand self-styled `female philosopher' Mary Hays; and Elizabeth Hamilton, relentless `feminizer' of supposedly `masculine' discourse, from satire to social reform, classics to theology. This isa wide-ranging and lucid contribution to current debates concerning the intersections between women's writing, revolution, and Romanticism. Women, Writing, and Revolution 1790-1827 combines an illuminating survey of women's writing in this period with detailed analyses of the critically neglected work of three important women writers: Helen Maria Williams, Mary Hays, and Elizabeth Hamilton. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Usado - bueno.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: new. Questo è un articolo print on demand.