Published by Oxford University Press, Oxford, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
Seller: Gotcha By The Books, Brisbane, QLD, Australia
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Add to baskethardbound. New edition, with a previously unpublished preface by Lewin, and foreword by Edward Gollin, of Lewin's seminal work of musical analysis, first published in 1987 and so widely acclaimed that it has an acronym all its own, being generally referred to as GMIT; musical examples throughout; Very Good tight clean copy in like dustwrapper. Dustwrapper. 258pp. 8vo. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press Inc, New York, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. David Lewin's Generalized Musical Intervals and Transformations is recognized as the seminal work paving the way for current studies in mathematical and systematic approaches to music analysis. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. Known by most music theorists as "GMIT," the book is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement. Appearing almost twenty years after GMIT's initial publication, this Oxford University Press edition features a previously unpublished preface by David Lewin, as well as a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying inter-relating chords. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Published by Oxford University Press Inc, New York, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketHardcover. Condition: new. Hardcover. David Lewin's Generalized Musical Intervals and Transformations is recognized as the seminal work paving the way for current studies in mathematical and systematic approaches to music analysis. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. Known by most music theorists as "GMIT," the book is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement. Appearing almost twenty years after GMIT's initial publication, this Oxford University Press edition features a previously unpublished preface by David Lewin, as well as a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying inter-relating chords. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketCondition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
Published by Oxford University Press OUP, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketCondition: New. pp. 292 Index.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to baskethardcover. Condition: New. In shrink wrap. Looks like an interesting title!
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press Inc, New York, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketHardcover. Condition: new. Hardcover. David Lewin's Generalized Musical Intervals and Transformations is recognized as the seminal work paving the way for current studies in mathematical and systematic approaches to music analysis. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. Known by most music theorists as "GMIT," the book is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement. Appearing almost twenty years after GMIT's initial publication, this Oxford University Press edition features a previously unpublished preface by David Lewin, as well as a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying inter-relating chords. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketHRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press Inc, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketHardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 590.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketBuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying inter-relating chords.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand pp. 292 Illus.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketCondition: New. PRINT ON DEMAND pp. 292.
Published by Oxford University Press, 2007
ISBN 10: 0195317130 ISBN 13: 9780195317138
Language: English
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Add to basketCondition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Lewin, one of the 20th century s most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying inter-relating chords.Über den AutorOver.