Willilam Simon Douglas Gomery Robert (1 results)

Soft cover. Condition: Very Good. Softcover, 179 pgs. Tight binding, light foxing to edges. Includes "Orson Welles: An Introduction," by guest editor Willilam G. Simon; "Between Works and Texts: Notes from the Welles Archive," by James Naremore; "Orson Welles and the Hollywood Industry," by Douglas Gomery; "Orson Welles, Beginning to End: Every Film an Epitaph," by Paul Arthur; "Interpreting CITIZEN KANE," by Noel Carroll; "Welles Before KANE: The Discourse on a 'Boy Genius'," by Robert Sklar; "Orson Welles as Performer," by Michael Anderegg; "Incompletion, Simulation, and the Refusal of the Real: The Last Films of Orson Welles," by Scott Bukatman. The latter section is a "Dossier on IT'S ALL TRUE," consisting of three articles: "Orson Welles, Brazil, and the Power of Blackness," by Robert Stam; "Context for an Unfinished Text: Towards an Understanding of IT'S ALL TRUE," by Susan Ryan; "IT'S ALL TRUE as Document/Event: Notes Towards an Historiographical and Textual Analysis," by Catherine Benamour. And finally: "Orson Welles: A Catalogue of Works." including films he directed, unrealized film projects, film acting appearances, films he narrated, and his radio, television, and theatre credits.…