William Wendt (41 results)

Paperback. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. small tear on back cover Satisfaction 100% guaranteed.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. very clean softcover. no marks. clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Trade Paperback. Condition: Very Good. No Jacket. Standard used condition. Reading copy or better. Used Game Book.

Trade Paperback. Condition: Good+. No Jacket. Some bumping and peeling to corners, scuffing at head and foot of spine, light page wear. Used Game Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 450 copies printed. Very good in publisher's black cloth with silver lettering on the spine. In a very good clipped dust jacket showing some edgewear. A sticker ghost on the back panel. 8vo. 71pp.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. B/w (illustrator). 1st. 1st edition; dj w/lite weear, lite foxing on flaps, unclipped price, in mylar; red c w/gilt titles, lite wear only, 384 clean, unmarked pages; dj w/chipping, tears, unclipped price.

Soft cover. Condition: Very Good. Card covers show light soiling, mostly along the spine. Internally clean. Designed and printed by John Laursen at Press-22. 49 pages. An tribute anthology of poems written for and about William Stafford (1914-1993), former United States Poet Laureate. Includes work by Ursula K. Le Guin, Kim Stafford, Richard Hugo, Ingrid Wendt, Marvin Bell, George Venn, David Ray, Kit Stafford, Bret Stafford, and several others.

First edition. Oblong softcover. 64 pages. Exhibition catalog for a show that ran November 14 through December 17, 1989. Introduction by Constance W. Glenn. Essays by Diane M. Roe, Lynn O'Brien, and Patricia Colby-Hanks. Text of a conversation on Wiliam Wendt by Thomas K. Enman, Nancy Dustin Wall Moure, Jean Stern, and John Alan Walker. Includes 21 plates of which 8 are in color. A close to near fine copy in wrappers and from the Cranbrook Academy of Art Library with their stamp to the verso of the front cover and laid in complimentary card.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: New. Dust Jacket Condition: New. William Wendt (illustrator). 2008 - Sealed Hardcover w/ DJ in bumper box. Book is in New condition, sealed and has not been opened. Bumper box may have some very light bumping to corners. Pictures available upon request. AL SKU-222430 Rare Case.

Paperback. Condition: Good. 2003 White Wolf Publishing paperback edition. Some reading wear else good condition.

Condition: FINE. Laguna Beach 1977 1st Laguna Beach Museum of Art. Exhibition Catalogue. Limited to 1000 copies. Sm.4to., 64pp., color and monochrome illustrations, green wraps with gilt lettering. FINE. Like New.

Hardcover. Condition: New. Dust Jacket Condition: New. Brand new in shrink wrap! Gift quality, with dust jacket. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. Shipping may be extra due to weight.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Kartoniert / Broschiert. Condition: New. Wurden Kriegshelden, politische Fuehrerhelden und Superhelden zum Thema unzaehliger Studien, hat sich die Forschung bisher kaum mit der Heroisierung gewoehnlicher Menschen auseinandergesetzt. Das Buch schliesst diese Forschungsluecke am Beispiel der USA, Deutsch.

Condition: New. Prof. Dr. Joerg Ruepke teaches Religious Studies at Erfurt.Prof. Greg Woolf teaches Ancient History at the University of California, Los Angeles.The Roman Empire was home to a fascinating variety of different cults and religions. Its enormous extent, the .

Soft cover. Condition: Very Good. Photographs Throughout (illustrator). 1st Edition. Viii, 96, Xii + Ads At Rear. Stated First Printing. Lightly Used, No Chips Or Tears Or Fading Or Stains. Inscribed In Pencil On Front Cover From Julia Braden Wendt To Her Pupil And Friend Pasquale G. Napolitano; Additionally Inscribed "In Veneration And Thankfulniss (Sic) From Your True Friend Reschen With Lots Of Love", Probably To Wendt. Per Wikipedia, Julia Bracken Wendt, (1870-1942) Was A Notable American Sculptor Born In Illinois. Unsupported At Home Following The Death Of Her Mother When She Was Nine Years Old, She Ran Away From Home At Thirteen. By Sixteen She Was Working As A Domestic Servant For A Woman Who Recognized Her Talent And Drive, And Paid To Enroll Her In The Art Institute Of Chicago. There She Studied With Lorado Taft And By 1887 She Had Advanced To Become His Studio And Teaching Assistant. In 1893, During The Columbian Exposition She Was One Of Several Women Sculptors Nicknamed The White Rabbits Who Helped Produce Some Of The Architectural Sculpture That Graced The Exposition Buildings. She Was Awarded A Commission To Produce Illinois Welcoming The Nations, A Sculpture For The Fair. The Work Was Later Cast In Bronze And Unveiled At The Illinois State Capitol.In 1906 She Married Painter William Wendt And Moved To Los Angeles, California Where She Continued Her Success. In California She Taught At The Otis Art Institute And, With Her Husband, Was Instrumental In The Founding Of The California Art Club In 1909, Which Was Developed On The Premise Of Allowing Women And Sculptors Into The Membership. Wendt Was A Member Of The National Sculpture Society And Exhibited And Was Featured In Both The 1923 And 1929 Exhibitions And The Resulting Catalogues. Her Work Can Be Found In: Los Angeles County Museum Of Art, Chicago Historical Society, The Civil War Monument, Missionary Ridge, Chattanooga, Tennessee, The Laguna Art Museum, Harvard University Portrait Collection, Old Los Angeles City Hall (Now Located In The Natural History Museum Of Los Angeles County), Lincoln Park, Los Angeles, California, As Well As In Numerous Private Collections. Exhibitions: World's Columbian Exposition, Chicago, 1893; Annual Exhibition, Palette Club, Aic, 1895; Annual Exhibition Of Works By Chicago Artists, Aic, 1899-1910 (9 Times); St Louis/Louisiana Purchase Exposition, 1904 ; Chicago Municipal League, 1905 ; Pan-California Expo, San Diego (Ca), 1915 ; California Art Club, 1918 ; Solo Exhibits With Husband, Aic, 1909-21 ; National Sculpture Society, 1929 National Sculpture Society, Los Angeles (Ca) Museum. Awards: Commission, "Illinois Welcoming The Nations" For Columbian Exposition, Chicago, 1892 ; Commission, Exposition Park, Los Angeles (Ca). Commission, Battle Monument, Missionary Ridge (Tn) ; Sculpture Prize, Chicago, 1898; Municipal Art League Prize, Chicago, 1905 ; Gold Medal, Pan-California Expo, San Diego (Ca), 1915; Harrison Prize, Los Angeles (Ca), 1918.

First edition, number x of 14 copies retained for presentation, signed by Wemdt amd Stafford. 71 pp. Illustrated by Rick Hock. 1 vols. 8vo. Original black cloth-backed marbled boards. Fine 71 pp. Illustrated by Rick Hock. 1 vols. 8vo First edition, number x of 14 copies retained for presentation, signed by Wemdt amd Stafford.

Gilt-Debossed Boards. Condition: Very Good. No Jacket. First Edition. 94pp, 71 b&w illustrations. In a protective clear acetate dustwrapper. This monograph on the noted California Plein Air painter William Wendt was issued by the renowned Stendahl Art Gallery at Los Angeles' Ambassador Hotel in 1926. It includes texts by Antony Anderson, Fred S. Hogue, Alma May Cook and Los Angeles Times art critic Arthur Millier along with seventy-one reproductions of his work with commentary. A bright, handsome example of the 1926 first edition of this uncommon item lacking its dust jacket additionally BEARING THE BOLDLY SIGNED PRESENTATION "To Dr. and Mrs. Arthur Cecil. / William Wendt." in ink beneath the artist's frontispiece portrait showing some light wear and soiling to the boards, a bit of spotting to the inside covers and endpapers, and some typical mild age-toning to the extremities of the the pages that reproduce the artworks. It has been priced accordingly. Signed Presentation Copy from the Artist. Artist Monograph.

Gebundene Ausgabe. Condition: Gut. 1., Aufl. 319 S. Gebrauchtes Exemplar in gutem Zustand. Stempel 'Mängelexemplar' am Buchschnitt. KEINE Eintragungen/Markierungen. "Die Seelen der Schwarzen" ist das erste Manifest der Bürgerrechtsbewegung, eine kritische Bestandsaufnahme der Situation der Schwarzen in den USA nach dem Bürgerkrieg, der die Sklaverei abschaffte und durch eine neue Form der ökonomischen Abhängigkeit und ein System der Apartheid ersetzte. Du Bois schildert in 15 Kapiteln seine persönlichen Erfahrungen im Süden der USA, formuliert politische Ziele und entwickelt nebenbei eine moderne empirische Soziologie, von der Max Weber über alle Maßen begeistert war. Nach 100 Jahren ist dieses Buch von ungebrochener Aktualität, sowohl was die Form, eine moderne Mischung aus theoretischen und erzählerischen Texten, angeht, als auch in Hinsicht auf seine zentrale Fragestellung: Wo verlaufen die Demarkationslinien der Kulturen? "Das Problem des 20. Jahrhunderts ist das Problem der Hautfarbe." W.E.B. Du Bois. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 522.

Gebundene Ausgabe. Condition: Sehr gut. 1., Aufl. 319 S. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. "Die Seelen der Schwarzen" ist das erste Manifest der Bürgerrechtsbewegung, eine kritische Bestandsaufnahme der Situation der Schwarzen in den USA nach dem Bürgerkrieg, der die Sklaverei abschaffte und durch eine neue Form der ökonomischen Abhängigkeit und ein System der Apartheid ersetzte. Du Bois schildert in 15 Kapiteln seine persönlichen Erfahrungen im Süden der USA, formuliert politische Ziele und entwickelt nebenbei eine moderne empirische Soziologie, von der Max Weber über alle Maßen begeistert war. Nach 100 Jahren ist dieses Buch von ungebrochener Aktualität, sowohl was die Form, eine moderne Mischung aus theoretischen und erzählerischen Texten, angeht, als auch in Hinsicht auf seine zentrale Fragestellung: Wo verlaufen die Demarkationslinien der Kulturen? "Das Problem des 20. Jahrhunderts ist das Problem der Hautfarbe." W.E.B. Du Bois. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 522.

Gebundene Ausgabe. Condition: Gut. 1. 319 S. Gebrauchtes Exemplar in gutem Zustand. KEINE Eintragungen/Markierungen. "Die Seelen der Schwarzen" ist das erste Manifest der Bürgerrechtsbewegung, eine kritische Bestandsaufnahme der Situation der Schwarzen in den USA nach dem Bürgerkrieg, der die Sklaverei abschaffte und durch eine neue Form der ökonomischen Abhängigkeit und ein System der Apartheid ersetzte. Du Bois schildert in 15 Kapiteln seine persönlichen Erfahrungen im Süden der USA, formuliert politische Ziele und entwickelt nebenbei eine moderne empirische Soziologie, von der Max Weber über alle Maßen begeistert war. Nach 100 Jahren ist dieses Buch von ungebrochener Aktualität, sowohl was die Form, eine moderne Mischung aus theoretischen und erzählerischen Texten, angeht, als auch in Hinsicht auf seine zentrale Fragestellung: Wo verlaufen die Demarkationslinien der Kulturen? "Das Problem des 20. Jahrhunderts ist das Problem der Hautfarbe." W.E.B. Du Bois. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 522.

Paperback. Condition: Brand New. 274 pages. 8.75x5.75x0.61 inches. This item is printed on demand.

Paperback. Condition: Brand New. 274 pages. 10.00x7.50x0.61 inches. This item is printed on demand.