Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: Lost Time Books, Brattleboro, VT, U.S.A.
Hardcover. Condition: As New. Excellent, unread, like-new condition.
Condition: New.
Hardcover. Condition: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Hardcover. Condition: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Hardcover. Condition: New. New in plastic wrap. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.
Hardback. Condition: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.
Condition: As New. Unread book in perfect condition.
Hardback. Condition: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.
Condition: New.
Hardcover. Condition: Brand New. 72 pages. 9.00x7.00x0.25 inches. In Stock.
hardcover. Condition: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
Language: English
Published by D Giles Ltd 2021-01-18, 2021
ISBN 10: 1911282700 ISBN 13: 9781911282709
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Condition: New. In.
hardcover. Condition: New. Shipped from the UK within 2 business days of order being placed.
Condition: New.
Hardcover. Condition: Brand New. 72 pages. 9.00x7.00x0.25 inches. In Stock.
Condition: As New. Unread book in perfect condition.
Condition: New.
Condition: New.
Hardback. Condition: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.
Condition: New. Über den AutorrnrnWilliam Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a num.
Hardback. Condition: New. Designed to foster critical engagement and interest the specialist and non-specialist alike, each book in the Frick Diptych series illuminates a single work in the Frick's rich collection with an essay by a Frick curator paired with a contribution from a contemporary artist or writer. The White Horse (1819) by John Constable (17761837) is the first of the series of the "six-footers," monumental landscapes of the English countryside that would become the artist's most famous works. Constable described the scene as "a placid representation of a serene, grey morning, summer." Years later, he said, "there are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest - this is mine". An essay by Aimee Ng, Frick Curator, paired with a contribution by artist William Kentridge bring to life one of Constable's most serene depictions of rural life, the artist's personal favorite. AUTHORS: William Kentridge (born 28 April 1955) is a South African artist whose work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions. Aimee Ng is a curator at The Frick Collection, New York, and is a specialist in Italian Renaissance art. 38 colour illustrations.