Language: English
Published by University of Georgia Georgia Museum, Athens, GA, 2002
ISBN 10: 0915977451 ISBN 13: 9780915977451
Seller: Kurtis A Phillips Bookseller, Roswell, GA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Large tan-boards hardback with a bronze-colored dust jacket now protected in a new archival-quality, removable Mylar plastic cover. This copy has an "opened-only-once-or-twice" look & feel. No crushes to the boards' corners. Illustrated. Stored in sealed plastic-wrap and mailed (bubble-wrapped) in a sturdy cardboard box. Due to weight and low-price; international orders are subject to a postal surcharge. We ship daily from Roswell, Ga. Serving satisfied customers since 1999.
Language: English
Published by Univ of Georgia Georgia Museum, 2002
ISBN 10: 0915977451 ISBN 13: 9780915977451
Seller: Mahler Books, PFLUGERVILLE, TX, U.S.A.
Hardcover. Condition: New. Dust Jacket Condition: As New. 2 **Ships in a Box to Prevent Damage During Shipping** This book is brand new; never used or opened. No remainder marks. The dustjacket has some shelfwear. ; 11.90 X 9.20 X 1.50 inches; 360 pages.
Language: English
Published by Univ of Georgia Georgia Museum, 2002
ISBN 10: 0915977451 ISBN 13: 9780915977451
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title!
Language: English
Published by Univ of Georgia Georgia Museum, 2002
ISBN 10: 0915977451 ISBN 13: 9780915977451
Seller: SHIMEDIA, Brooklyn, NY, U.S.A.
Condition: New. Satisfaction Guaranteed or your money back.
Hardcover. Condition: new. Hardcover. The book offers for the first time an in-depth look into the mechanisms that governed opera production in Eastern Adriatic theatres during the late Habsburg era, against the backdrop of a lively cultural mix resulting from the coexistence of Austrian, Italian and Croatian elements. From the archives of the Istrian and Dalmatian coast, a large amount of unpublished documentary material has emerged concerning the operatic activity of coastal theatres during the late Habsburg era. The analysis of the discovered documents has made it possible to meticulously reconstruct the mechanism of subsidising opera seasons, the process of searching for and choosing an impresario by theatre managements, or the way in which a theatre season was proposed. The operatic repertoire performed in individual locations, the movements of artistic staff and stage material were mapped over almost sixty years. The working conditions of singers and musicians were discussed on the basis of the various contracts found in the area. The book is also enriched by an important census of impresarios and agents active on the eastern Adriatic coast, which reveals the identities and strategies of those who personally managed the complex opera networks. The Management of Opera. Eastern Adriatic Theatres (1861-1918) reconstructs the complex system of operatic production and organisation in the theatres of Istria, Rijeka and Dalmatia in light of the networks between impresarios, theatre managers, singers, musicians and publishers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Hardcover. Condition: new. Hardcover. The book offers for the first time an in-depth look into the mechanisms that governed opera production in Eastern Adriatic theatres during the late Habsburg era, against the backdrop of a lively cultural mix resulting from the coexistence of Austrian, Italian and Croatian elements. From the archives of the Istrian and Dalmatian coast, a large amount of unpublished documentary material has emerged concerning the operatic activity of coastal theatres during the late Habsburg era. The analysis of the discovered documents has made it possible to meticulously reconstruct the mechanism of subsidising opera seasons, the process of searching for and choosing an impresario by theatre managements, or the way in which a theatre season was proposed. The operatic repertoire performed in individual locations, the movements of artistic staff and stage material were mapped over almost sixty years. The working conditions of singers and musicians were discussed on the basis of the various contracts found in the area. The book is also enriched by an important census of impresarios and agents active on the eastern Adriatic coast, which reveals the identities and strategies of those who personally managed the complex opera networks. The Management of Opera. Eastern Adriatic Theatres (1861-1918) reconstructs the complex system of operatic production and organisation in the theatres of Istria, Rijeka and Dalmatia in light of the networks between impresarios, theatre managers, singers, musicians and publishers. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.