Walsh Willie (29 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fine.

Hardcover. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Condition: Very Good. Very mild shelfwear. I note every flaw I find, so buy with confidence.

Condition: new.

Paperback. Condition: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: As New. Slight shelf wear only.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . .

Condition: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condition: New.

Paperback. Condition: Brand New. 180 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Paperback. Condition: Brand New. 247 pages. 8.75x5.50x0.75 inches. In Stock.

Condition: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance.&Uumlber den AutorrnrnFintan Walsh is Lecturer in Th.

Condition: New. Print on Demand.

Paperback. Condition: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

Taschenbuch. Condition: Neu. Neuware - In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

Paperback. Condition: new. Paperback. In the wake of Irelands recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Childrens Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. Getting Known: Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the Worlds Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 247 pages. 8.75x5.50x0.75 inches. In Stock. This item is printed on demand.

Paperback. Condition: new. Paperback. In the wake of Irelands recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Childrens Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. Getting Known: Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the Worlds Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.