Vienna Universal Exhibition (9 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Unframed Print. Condition: Very Good. A single sheet print, image area approx. 18 x 28 cms. With another page containing a floor plan. A grand exhibition hall with domed architecture, symbolizing international progress and cultural exchange. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; Unframed Prints : Old; PRINTS : Buildings & Places. Cosmo Books : 28 years selling on ABE; 28 years of taking care of customers on ABE; A seller you can rely on.

Paperback. Condition: New. Print on Demand. This book gives the reader a comprehensive overview of the wines of the world as they were exhibited at Vienna in 1873. It provides a rich historical look at the viticulture of some of the worldâs most well-known and revered wine regions, such as Bordeaux, Burgundy, and the Rhine. The author also discusses the rise of sparkling wine production in places like Champagne and beyond. With topics ranging from the ideal geological and environmental conditions for growing grapes to the fermentation and aging process, this book provides both a sweeping historical survey of the world of wine in the 19th century and a deep dive into the practices and methods that bring the world's most famous wines to our tables. The depth of the authorâs knowledge of the subject is evident on every page. This book is a must-read for any wine enthusiast, wine collector, or historian. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1873 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 10 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1873 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 9 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 9.

Four stereoview albumen photographs sized 6 x 3 in. mounted on printed card stock sized 7 x 3.2 in. w/ photographer's imprints & text w/in fore-edge borders, printed captions for 3 of four on versos (minor shelfwear, dustsoiling, 1 w/ minor staining to left fore-edge), still a nice set. Four very scarce albumen stereoview photographs visually capturing the Gallery of Fine Arts at the historic 1873 Universal Exhibition of Vienna, which was intended to mark the silver anniversary of Emperor Franz-Joseph I, and far surpassed any of the others in area with 233 hectares, featuring 53,000 exhibitors from 35 countries in 194 pavilions. Featuring the first appearance of the emerging Meiji-era Japan, along with many pavilions promoting the world's progress in industry, art, education, and agriculture. The massive rotunda featured 70,000 square feet and a huge number of exhibits, including the clocks seen here in the photos. Also featured are the Belgian, Moroccan, Jury Pavilion, and the Swedish. Unfortunately the Exhibition lost massively due to a cholera outbreak in Vienna, and the stock market crash of 1873 9 days after the Fair opened. Still, although losing the modern equivalent of $ 200 million, and severely depressing the local finances, vendors were pleased, and 7 million did attend the Fair. Klosz (1844-1913) was an exceptionally successful Viennese photographer, whose postcards, CDV's, and albums documented Austro-Hungarian events. Kramer (1835-1892) was an early and longtime noted photographer in Vienna from 1858 until his death, and was the co-founder and director of the Vienna Photographers Association, the organization which shot over 2200 different images for the 1873 Vienna Fair; Frankenstein (1843-1918) photographed landscapes and architecture in and around Vienna, and across the Austro-Hungarian Empire. See: Erin Hyde Nolan, You Are What You Wear: Ottoman Costume Portraits in the Elbise-i Osmaniyye, Ars Orientalis, Freer Sackler (2021); Vienna, Austria 1873 Exposition Universelle, JDP Econ Publications (2017).