Verey Charles (17 results)

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st edition. Near Fine. 8vo, 12pp, stapled wrappers with printed dustwrapper. A nicely designed chapbook of poems by Charles Verey. Light wear/toning to dustwrapper. Not Signed.

Stapled Wrappers. Condition: Very Good. First Edition. no date. (12pp.) Cover handled at edges, tissue end papers a little foxed & rusted staples replaced. 0.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 100pp, stapled wrappers. Uncommon 1970 issue of this highly prized little magazine from Wales, includes experimental/concrete work by Henri Chopin, Charles Verey, et al., and poetry from a range of contributors. Mimeographed leaflet for another title laid in. Unmarked copy, light outer wea and toning. Not Signed.

Condition: very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm4to, hardcover with dust jacket, slight scuffing on pages, foxing on inside cover and outside edges of pages, 192 pages, index included, photographs.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 176 pages : color illustrations ; 29 cm ; ISBN: 031227551X; 9780312275518; 9781841881423 LCCN: 2002-281759 ; LC: SB466.G8; Dewey: 712/.6/094241 ; OCLC: 46401271 ; purple cloth in color photographic dustjacket ; Contents: The setting -- The view from the house -- The cottage garden -- Wild flower meadow and woodland garden -- The arboretum and walled garden - Organic gardening at Highgrove. ; "When the marriage of Lady Di and Prince Charles fell apart, rumor had it part of the problem had to do with his gardening obsession. Gossip columns claimed Charles paid more attention to his gardens than his wife. The Garden at Highgrove takes readers on a tour of Charles`s favorite creation--a maze-like garden surrounding the estate where he has primarily lived for the past 20 years. Various styles thrive within the boundaries of the property: wildflower meadows, formal hedgerows, outdoor rooms, carefully plotted tapestries of Queen of Night tulips. If Diana complained of neglect, Highgrove`s landscape looks like it has been lavishly doted on. In one series of photos, we see the transformation of a large plot, viewed from the house, as it has been completely erased and re-created year to year. Who has time to complete and then entirely redo a garden on a regular basis? A prince, of course. Although the landscape glows with a vibrant, almost artificial green, Charles has long been a committed organic gardener. In the introduction he recalls the period when he came around to the cause of environmentalism. While driving through a declining English countryside in the 1960s and 1970s, "I remember longing to heal the countryside, to bind up its wounds and to reclothe it in its rightful form." The Garden at Highgrove will inspire gardeners, even those who don`t live in palaces, who are looking for images of elegance and can`t afford a staff to keep the hedges perfect. --Emily White" ; Candida Rose Lycett Green was a British author who wrote sixteen books including English Cottages, Goodbye London, The Perfect English House, Over the Hills and Far Away and The Dangerous Edge of Things. Her television documentaries included The Englishwoman and the Horse, and The Front Garden. Unwrecked England, based on a regular column of the same name she wrote for The Oldie since 1992, was published in 2009. ; FINE/FINE. Book.

Stapled Wrappers. Condition: Very Good. Margaret Miitchell (cover) (illustrator). First Edition. 15pp. 250 copies of which 25 were signed by all three poets. This one of the ordinary copies inscribed briefly on the title page by the DIAS co-director, Sharkey (using his full signature) to Fred Hunter (pioneering founding father of British radio journalism who also ran Steam Records, that recorded Bunting's Briggflatts, & sat on the radical Artists Placement Group's committee along with John Latham & Barbara Severini. Covers fractionally rubbed & handled with a touch of rust to staples. A scarce association copy between two fugitive yet pivotal counter-culture figures. Signed by Author(s).

Paperback. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Book. Issue 4 of the poetry periodical edited by Thomas A Clark. (Note there is thought to be no issue 2) published between 1967-68. First Edition 8vo. 12 pp., stapled. Condition - a very fresh clean copy, some (unobtrusive and expected) creasing to the tissue pages laid in before the first & after the last page, otherwise fine. Overall near fine.

Condition: Fine. Gloss wraps printed black on white, staple bound. Printed at Compton Press. 256 x 134mm. 16pp. Includes text and an illustration by the artist. Condition: Fine.

Condition: Very Good. First edition. Paperback. Slim octavo. (12)pp. Original printed paperback. Covers lightly used otherwise very good indeed.

Paperback. Condition: Very Good. First Edition. Wraps. 4to. pp 22, on double leaves (Japanese style). Original publishers illustrated stapled covers, lettered black. Visual poetry. Writers Forum 'fours', no. 2. Very good indeed.

8vo. Pp: 287. Reprint. Publisher's blue covers with French flaps, blue lettering, and colour illustrations. Colour illustrated frontispiece.ISBN: 9780904975710 Very good plus. Very slightly uneven cutting at fore edges of pages 283 through 287. Slight soiling at fore edge of text block. Very minor rubbing at top and bottom corners of front cover.

Paperback. Condition: Very Good. Book. Thomas A Clark, Neil Mills & Charles Verey - Statements an advertisement for experiments in disintegrating language, South Street Publications. First Edition. Numbered edition of 150 (in this bound version). Condition: (vg/nf) cover - slight soiling to spine, contents fine.Stapled in wrappers 16pp with black & white illustrations/ visual poetry. The texts/poems relate to the vinyl sound recording Experiments in Disintigrating Language - Konkrete Canticle released by the Arts Council of Great Britain and also released in 1971. Mark on cover as seen. Internally near fine. Overall Very Good.

Paperback. Condition: Near Fine. Book. 288 x 205 mm, 22 pp. folded Japanese fashion. Staple bound booklet containing Verey's poem-drawings, published as Writers Forum 'Fours' Number 2, March 1971.

Paperback. Condition: Very good +/Near fine. Dom Sylvester Houedard (dsh) with Charles Verey (ed.), CEOLFRITH 15, Ceolfrith Arts Centre, Sunderland, England, July 1972. 226 x 189mm. 92pp. Catalog, black on white stock, invisible bound in printed wraps. Edition of 600 copies. Published on the occasion of the dsh retrospective at the Laing Art Gallery in Newcaste-upon-Tyne, organised by Ceolfrith Arts Centre in conjunction with the Victoria and Albert Museum. Edited by Charles Verey, with design and layout by Donata Cinicolo 3. An excellent resource including a biography (or 'chronobiography/autozoography'), bibliographies and exhibition lists, black and white typestract illustrations and a variety of dsh texts reprinted from other catalogues and periodicals, as well as critical essays on dsh by Antony Everitt, Ana Hatherley and Charles Verey. Condition: some toning to wraps, internally fine. Overall: very good+/near fine.

First edition. Horizontal 8vo in white covers printed in black and bound with a blue plastic comb with two fasteners, one of which is lacking in this example with the second fastener snapped in half. Binding remains solid, however on account of the rigid plastic comb. Pages printed on rectos in black or blue on various paper types, with several works in color, including one gatefold. Lacking the Ken Cox 'high cumulus' four-panel gatefold, but otherwise complete. Unpaginated [ca. 100 pp.] Artists' book in the form of a catalogue for a 1968 visual and concrete poetry exhibition jointly organized by E. M. de Melo e Castro from Portugal and Charles Verey from England. Exhibitors from Portugal included E. M. de Melo e Castro, Abilio-José Santos, Antonio Aragão, Ana Hatherly, José-Alberto Marques, and José Viale Moutinho. Exhibitors from England included Ian Breakwell, Thomas A. Clark, Bob Cobbing, Ken Cox, Simon Cutts, Dom Sylvester Houédard (dsh), Tom Edmonds, Ian Hamilton Finlay, John Furnival, John Hall, Roy Hewish, Brian Lane, Liliane Lijn, Andrew Lloyd, Peter Mayer, Cavan McCarthy, Stuart Mills, Edwin Morgan, Hayden Murphy, Tom Phillips, John J. Sharkey, Charles Verey, and Trevor Wells. Illustrated throughout by approximately twenty of the contributors, an introductory essay by Dom Sylvester Houédard (dsh), who also designed the cover, and a handful of photographs from the exhibition. Lacking the Ken Cox 'high cumulus' four-panel gatefold, but otherwise complete. Scarce. Lacking one of the two plastic comb fasteners with the second fastener snapped in half, age toning and rubbing to covers, including a 1.5 cm (0.5") stain at middle of foredge affecting the first twenty-four pages mostly visible only on versos. Very good.

Broadsides, 17 1/4 x 22 1/8 in. In original printed portfolio. South Street Wall-Poems, nos. 1-5. Each broadside has an identifying label pasted on verso. No. 1. Ken Cox: "space-time poster," no. 2: dom Sylvester Houédard: "semain euclidienne franco-britannique," no. 3: Thomas A. Clark: "Mantra," no. 4: Charles Verey: "Enfin le Monde," Andrew Lloyd: "10th Dolphin Transmission." The portfolio is made of 2 printed sheets sewn together on 3 sides. One of the bottom corners has been clipped of a 1 inch portion (not effecting prints) and shows mild soiling and wear, very good. The prints are all bright and clean with occasional shallow bends, very good plus to near fine.

Leather Bound. Condition: new. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1970. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 211, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 211 211.