Valerie Verhack (14 results)

Hardcover. Condition: Very Good. Solid and clean with wear to lower right corner of front cover and light bump to upper edge of same. Nice!

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condition: Very Good. No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condition: New. My shelf location - k-m-a*.

Condition: New.

Condition: Very good.

Condition: Very good.

hardcover. Condition: Gut. 272 Seiten; 9789493039971.3 Gewicht in Gramm: 2.

Condition: Very good.

Hardcover, 30 x 25 cm, 336 p., 250 illustraties, Nederlands, Fine copy. Including an index. ISBN 9789058562838. De Belgische kunstschilder Jan Cox (1919-1980) speelde een betekenisvolle rol in de naoorlogse kunstgeschiedenis. Hij was medeoprichter van de kunstenaarsgroep La Jeune Peinture Belge en raakte ook nauw betrokken bij de Cobra-beweging. Van 1956 tot 1974 woonde en werkte Cox in Boston (USA). Bij zijn terugkeer naar Belgie werd hij opgenomen in de kunstenaarskring van Galerie De Zwarte Panter in Antwerpen.Aanvankelijk maakte Cox vooral abstract werk, maar later kregen zijn werken een eerder magisch, surreeel karakter. Hij onderscheidde zich van zijn tijdgenoten door zijn keuze van mythologische en religieuze thema's in combinatie met de existentiele problematiek. 777 g.

Hardback, 300x250mm, 336 pages, illustr. *English edition *fine ISBN 9789058562814. The Belgian painter Jan Cox (1919-1980) played an important role in the postwar history of art. He was one of teh founders of the group of artists called La Jeune Peinture Belge and he was also closely related to the Cobra movement. In 1956, Cox moved to Boston (USA) where he lived and worked until 1974. Back in Belgium, he was introduced into the art society of 'The Black Panther' Gallery in Antwerp.Jan Cox's first works are mainly abstract, but gradually they got a magical and surrealistic character. The most distinguishing feature however is his choice of mytological and religious themes in combination with the problem of existentialism. 777 g.

Soft cover. Condition: Very Good. Softcover, 28 x 22 cm, unnumbered pages, Dutch, Illustrations, condition: Very Good Adriaan Verwée (b. 1975) makes objects and installations that are caught in the middle ground between the literal and figural, between construction and image. It is as if that decision is still under consideration, or left hanging in the air. Yet many of Verwée's objects appear nevertheless to have a specific function, and as a result are an integral part of the here and now. The temporal and spatial character of his work is enhanced through the tension that the artist quite literally puts on his combinations of different objects: by, for example, giving gravity an active role, or by introducing elements that look incomplete or redundant. These elements often seem more like 'remnants' of the picture rather than a true part of it. Additionally, an enormous amount of attention is lavished upon certain materials and their relationships. This lends these objects an aesthetic clarity and quality, which in turn appears to completely contradict their suggested functionality.00Exhibition: Museum M, Leuven, Belgium (29.8.-2.11.2014). [This description may have been translated by AI.].

4. Oostkamp, Stichting Kunstboek, 2008, in-4°, 367 pp, publisher's cased binding. Text in Dutch. Boek in het Nederlands. ISBN 9789058562838 .

Oostkamp (Belgium), Stichting Kunstboek, 2008, in-4°, 300 x 250 mm, 336 pp, ISBN 978-90-5856-281-4 , bibliography, coloured ills., publisher's cased binding. mint copy. Text in English. Monograph on the Dutch-Belgian painter Jan Cox (1919 - 1980), one of the founding members of the '' Jeune Peinture Belge '', related to the Cobra mouvement. He worked in Boston (USA) from 1956 - 1974.