Tiscornia Ana (8 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Fine. like new softcover. no marks. clean text. tight binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Brossura. Condition: fine. North Dakota, Museum of Art, August 13 - October 16, 2005.North Dakota, Museum of Art, 13 agosto - 16 ottobre 2005.English and Spanish Text.Milano, 2005; paperback, pp. 175, b/w and col. ill., cm 17x24. "I was drowning in words." With that, Juan Manuel Echavarría walked away from thirty years as a writer of serious fiction. A year later he stumbled into his new work. One ordinary day while driving through Bogotá, Echavarría noticed that sidewalk sellers were displaying their wares on old battered mannequins. Riffling through the clothing, the shoppers paid no heed. For a brief moment, the mannequins took on a different life for Echavarría. They became the raped and pillaged citizens of Colombia, the rural peasants suffering massacre after massacre, displaced, turned into refugees by the tens-of-thousands, or killed, their mutilated bodies tossed into a river or a mass grave.The damaged lives of ordinary people wrought helpless, homeless, and violent by fifty years of civil war normally went unnoticed by privileged citizens of Bogotá, buffeted by wealth and security systems. The shoppers, themselves among the disposed, found the mannequins quite normal. Cast aside stand-ins for the human body opened Echavarría's eyes, and through the mediums of photography and video, he went on to create a visual requiem to Colombia, his own violent country. Libro.

Rustica. Condition: nuevo. nuevo.

paperback. Condition: Ottimo (Fine). Catalogo di mostra, Beatriz Gil Galerìa, Caracas, aprile - maggio 2016. Testo di Ruth Auerbach. Tavole a colori. Elenco delle opere e biografie delle artiste. Si allega un invito pieghevole alla mostra "Liliana Porter. Matiné" alla galleria Ruth Benzacar di Buenos Aires (Cm 30x21, pp. 6, un testo in spagnolo e illustrazioni a colori) . 8vo (21,5x15 cm). pp. 48. . Ottimo (Fine). . . . Book.

Couverture souple. Condition: bon. R100061651: 2009. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 282 pages - couverture contrepliée - nombreuses illustrations en couleurs hors texte - livre en espagnol et en anglais. . . . Classification Dewey : 700-LES ARTS.