Thomas Demand (279 results)

Paperback. Condition: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

Paperback. Condition: NEW. 1st. [79] pages, illustrations (some colour); 30 cm. Text in English and Dutch. Catalogue of an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations, including De Appel, Amsterdam, September 15 to November 11, 2001. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** One of the leading photographers of the last few years, the German photographer Demand produces large-scale photographs of generic rooms and offices. Size: 4to. Collectible.

Wraps. Condition: As New. Thomas Cyrill Demand (born 1964) is a German sculptor and photographer. He currently lives and works in Berlin and Los Angeles, and teaches at the University of Fine Arts, Hamburg. Demand is known for making photographs of three-dimensional models that look like real images of rooms and other spaces, often sites loaded with social and political meanings. He thus describes himself not as a photographer, but as a conceptual artist for whom photography is an intrinsic part of his creative process.".

Paperback. First edition. Very Good+ with a touch of wear at the extremities and a touch of shelf wear. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Edited by Gilda Williams; work by Richard Billingham, Zarina Bhimji, Thomas Demand, Willie Doherty, Paul Graham, David Griffiths, Sarah Jones, Sarah Lucas, Wendy McMurdo, Steven Pippin, Stuart Smith, John Stezaker, Sam Taylor-Wood, Gillian Wearing, and Catherine Yass. 64 pages; 15 color and b&w plates; 6.5 x 9.25 inches. Text in English and Italian. Artist bios. Exhibition catalogue.

Softcover; 48 pages, in English and Dutch, very good condition except some light rubbing wear to white covers; no internal marks. Foreign shipping may be extra.

Softcover; 56 pages, in English and Italian, very good condition; clean and crisp; no internal marks.

Condition: Fine. 160 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft Cover. Condition: Fine. This is a fine softcover copy as new still unopened in the publisher's shrinkwrap. Essay by Lars Lerup. This catalog was prepared to accompany an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations. 12" high X 10" wide. This book will be securely packed and shipped with tracking.

Hardcover without dustjacket as issued; unpaginated, in English and German, good condition, rubbing to covers with large streak to rear cover; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. VG+ hardcover. Near new but for a little light wear at top of spine.

Hardcover. First edition. Near Fine hardcover with a light bump to two tips and a hint of rubbing to the extremities; appears to be new and unread; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for the German exhibition for the 26th Bienal of Sao Paulo, September 25 - December 19, 2004. "Conceptualized by Thomas Demand himself, this book includes three components: a newspaper, a magazine and a book--each of them published on different paper. The newspaper presents the artist's older works; the magazine, printed on glossy paper, introduces new photo works in color and stills from the film Trick; the book portion documents the exhibition architecture." Essays by Bart Lootsma, Douglas Fogle, and Helmut Friedel. 88 pages; color plates + b&w and color text illustrations; 5.75 x 7.75 inches. Text in English, German, and Portuguese. Beitrag der Bundesrepublik Deutschland zur 26a Bienal de Sao Paulo 2004 / German contribution for the 26a bienal of Sao Paolo 2004 / Contribuicao da Republica Federal da Alemanha para a 26a Bienal de Sao Paulo 2004.

First edition. Hardcover. Text in English and German. Illustrated throughout with color images. An about fair copy with wear to the spine ends, some soiling and fading to the rear board. No dust jacket as issued.

paperback. Condition: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2001. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group exhibition titled "The Photograph in Question" and held at Von Lintel Gallery, NYC, June 9 - July 29, 2005. The artists included in the show were William Anastasi, Shimon Attie, John Baldessari, Marina Berio, Mel Bochner, Marco Breuer, Laura Carton, Sarah Charlesworth, John Chiara, Thomas Demand, Liz Deschenes, Richard Galpin, Matthias Geiger, Vik Muniz, Roger Newton, John O'Reilly, Orit Raff, Gary Schneider, Penelope Umbrico, James Welling, and others. Two pieces: Stiff thin card, printed both sides; 9 x 5.75 inches; and a translucent paper vellum sheet, printed one side; same size. Condition: Both Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. First edition, first printing. Fine paperback with a touch of rubbing at one tip and a short writing indent. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The Winter 2006 issue of the photography magazine Aperture, #185, with articles and portfolios including: Alexandra Boulat on women's lives in the Middle East; graffiti in Sulaymaniyah, Iraq, by Adam Broomberg & Oliver Chanarin; polaroids by Patti Smith; aerial photographs of Anatolia by Marilyn Bridges; Jessica Dimmock's documentary work on heroin addicts; portfolios by Gail Albert Halaban and Eirik Johnson; Cindy Sherman, Thomas Demand, Avedon, and much more. 88 pages; color and b&w illustrations throughout; 9.25 x 11.25 inches.

104 pp.; 20.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 25, 2006 - January 28, 2007. Contributions by Dieter Dath, Christian Demand, Joachim Valentin, Udo Kittelmann. "he Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically 'off' large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent project: a series of five photographs that respond to the 'degenerate' mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse. In Demand's interpretation, the horrifying incident is not Biblical instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project." -- publisher's statement. Very Good, 4 x 20.5 cm. band of discoloration to verso cover, otherwise fine.

Condition: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Softcover; 116 pages, in English and German; new condition; still sealed. Foreign shipping may be extra.

Hardcover with dustjacket, 114 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First edition. Hardcover. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Text in French with contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes numerous color images of which several are gatefolds. A very near fine copy in a very near fine dust jacket.

paperback. Condition: VERY GOOD. Pages are clean, unmarked, and tight; very light shelf and corner wear on cover.

Paperback. Condition: Fine. Blind Spot Issue Eight includes a Q & A with Vik Muniz and Thomas Demand and a text piece by Jonathan Franzen and works by John Baldessari,John Dugdale, Chuck Close, Rineke Dijkstra, Sally Mann, Wolfgang Tillmans and Philip-Lorca Dicorcia. Unpaginated, color and black and white reproductions. Paper with stiff cover. Fine Condition.

Paperback. First edition. Fine with a touch of soiling to the back cover. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. 40 pages; b&w photographs throughout; 10.5 x 8.25 inches. Articles on Thomas Demand, James Tobias, Van McElwee, John O'Reilly, Weegee by Ceegee, photo-bookworks, books that reference Ed Ruscha's photobooks, and more. Laid in is a brochure for a photo-bookworks symposium held at the VSW. Edited by Karen Vanmeenen.

Hardcover without dustjacket as issued, 256 pages, in English with Italian at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 116 pages; in English and German; as new condition;clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover exhibition catalog without dustjacket as issued, 86 pages; in English, Portuguese and German; as new condition; clean and crisp; no internal marks.

First edition. Softcover. Photography/art magazine. Features portfolios of images by Wang Oinsong, Rodney Graham, Rebecca Belmore, Robert Polidori (from his Zones of Exclusion body of work), Carlos and Jason Sanchez, Thomas Demand, Hugo Glendinning and Tim Etchels, and Chris Curreri. A clean near fine copy in wrappers.

Hardcover. Condition: Near Fine. 1st Edition. Near Fine hardcover in illustrated black boards. Overall a bright and attractive copy. The text is clean and free of markings. Color plates throughout. 125 pp.

Hardcover. Condition: Sehr gut. 86 Seiten. Texte in Deutsch, Englisch und Portugiesisch.

Hardcover. First edition, first printing; in French. NEW hardcover in a NEW dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of the work of Thomas Demand, held at the Fondation Cartier pour l'Art Contemporain, Paris, November 24, 2000 - February 11, 2001. Originally trained as a sculptor, Demand constructs life-size models of interiors and architectural exteriors using paper and cardboard. At first glance, Demand's works seem to present fragments of a hyperreal and familiar place but, before long, they reveal their true identity: a wholly artificial world reduced to generic forms. Photographs by Thomas Demand; essays by Francesco Bonami, Regis Durand, and Francois Quintin. 112 pages with 4 gatefolds: 50 color plates; 9 x 11.25 inches. Exhibition history, bibliography. Text in French.