Sylvester David Serota Nicholas (17 results)

Paperback. Condition: Very Good. Qto., 64 pages, colour illustrated. A Very Good clean copy.

Paperback. Condition: Fine. Qto., 64 pages, colour illustrated. Unused, a Fine crisp copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Very good book and dustjacket. 256pp with colour illustrations.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.66.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. * AS PICTURED - FIVE IMAGES * Large, square 8vo catalogue in illustrated, laminated wraps. A tight, bright, clean copy with minimal only age-toning, no marks or inscriptions. Spine uncreased. Buyers from outside the U.K. will have Postage&Packing quotation. (proceeds to the Motor Neurone Disease Association).

Condition: Sehr gut. 256 S. Ein gutes und sauberes Exemplar. - 1950s: A New-Found Land by David Sylvester -- 1960s: The Artist's Progress by David Hockney -- 1970s: Television and the Arts by Melvyn Bragg -- Advancing Photography by Martin Harrison -- 1980s: The Role of Art Education in Britain -- Since the Sixties by Michael Craig-Martin -- 1990s: The Turner Prize by Nicholas Serota. ISBN 9780500019061 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. überwieg. farb. Abb. Gebundene Ausgabe mit Schutzumschlag.

SOFTCOVER. Condition: Fine. 1st Edition. Exhibition built aroun the art historian and curator David Sylvester. Large square 4to in colour printed stiff glossy card covers, 63pp colour plates, bibliography, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (merest hint of tanning to covers) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. The dust jacket has a little wear. 256 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

SOFTCOVER. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Large 4to. in stiff card covers, 80pp, colour plates, illustrations in text, etc . [CONDITION: A well preserved almost AS NEW unmarked copy in a tanned and slightly soiled but otherwise VERY GOOD complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First edition in publisher's original illustrated card wrap covers with French flaps [softback]. Square 9½'' x 9½''. Contains 63 printed pages of text with colour artwork throughout. Light rubs with surface scratching to the back cover, some yellowing and in Very Good clean condition, no dust wrapper as published. Member of the P.B.F.A. ISBN 185437432X ART [British].

softcover. Condition: Sehr gut. 111 p. Dt. / En. Sprache: Deutsch Gewicht in Gramm: 548.

SOFTCOVER. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. 1st printing. Large Quarto size (4to). in stiff card covers with integral dust jacket, 111pp, plates etc. Dual text in English and German . [CONDITION: A well preserved AS NEW very clean and tight unmarked copy in an almost AS NEW complete Dust Jacket (few spots of slight shelf rub to wrapper edges) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Publisher: Thames & Hudson, 1999. VERY GOOD hardcover book in VERY GOOD mylar-protected dust-jacket. This is a minimally marked ex-library copy. First Edition, First Printing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 112 pp. Red hardback in illustrated jacket. Very minor dents to edges of boards; small tears and wear to jacket edges; pen across front panel ' Counter Copy'. Internally bright and clean with textured paper and 40 full-size colour plates. This is the accompanying book to Hodgkin's exhibition of paintings representing Britain at the 1984 Venice Biennale, with an interview of the artist by David Sylvester. 4to. Exhibition Catalogue.

First edition. Hardcover. First printing. 256 pages. Text by Melvyn Bragg, Michael Craig-Martin, Christopher Frayling, Martin Harrison, David Hockney, Nicholas Serota, David Sylvester and with an introduction and commentaries by Michael Raeburn. Includes 270 illustrations. A near fine copy with some slight bumping to the bottom corners in a near fine dust jacket with the same slight bumping.

Soft cover. Condition: Very Good. No Jacket. 50 pp. with B/W and full-colour illustrations. Catalogue of an exhibition from March 14 to April 12, 1985 at Fischer Fine Art Limited in London, England. Usual ex-library markings. Slight curl to upper corner. "This is the first major Bomberg exhibition for more than half a century that has not depended directly on the inspiration or determination of Lilian Holt. David and Lilian met as painters, but throughout her life Lilian subsumed her own talent in service of his art. In the thirties it was Lilian who sought to break his moods of depression, brought on by neglect and its consequent financial pressures, by urging him to paint her portrait. In the forties she tried to do the same by setting up arrangements of flowers. During this period, it was also Lilian who overcame the practical difficulties and hardships involved in their regular painting expeditions to distant parts of England, Cyprus and Spain. At the time of Bomberg's death in 1957, the Tate owned only two small watercolors, bought in the twenties and a flower painting, presented by Lilian in 1952. It again fell to Lilian to persuade others to look at work which had long lain rolled up in furniture repositories. Initially the revival of interest in early 20th-century British art encouraged a re-examination and then a rediscovery of the early masterpieces: The Mud Gath, In the Hold and The Vision of Ezekiel. But gradually a sequence of exhibitions, each crucially dependent on Lilian 's enthusiasm, at Marlborough Fine Art (1964), the Tate (1967), Fischer Fine Art (1973), Whitechapel (1979) and Jerusalem (1983) have revealed the range and power of Bomberg's art." - Nicholas Serota.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!