Stieglitz Alfred Editor (34 results)

Trade paperback. Condition: Very Good. Alfred Stieglitz (January 1, 1864 July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. "Alfred Stieglitz (1864â??1946) is perhaps the most important figure in the history of visual arts in America. That is certainly not to say that he was the greatest artist America has ever produced. Rather, through his many roles â?? as a photographer, as a discoverer and promoter of photographers and of artists in other media, and as a publisher, patron, and collector â?? he had a greater impact on American art than any other person has had.".

hardcover. Condition: Very Good. Dust Jacket Condition: Good. Aperture, 1984; very good hardcover, in good dust jacket. Binding is tight, sturdy, and square; grey boards boards also very good; darker grey titling remains bright and bold. Roughly 5" closed tear to front panel of unclipped dust jacket; some wear along top edge; rubbing to both panels; now protected in Mylar. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to size/weight of this book additional shipping charges may apply.

Soft cover. Condition: Good. 1st Edition. First Edition (Statement - A New Work First Published By Dover Publications). Includes Index Of Sitters, Titles, And Artists. Pictorial Wraps. No Ownership Information And The Text Appears To Be Clean And Without Marks. The Page Edges Are Tanned With Light Foxing.

Soft cover. Condition: Near Fine. Near fine in wrappers with light wear.

Condition: Very good. - Quarto, 10 inches high by 7 inches wide. Hardcover, bound in black cloth backed gray boards titled in silver on the spine, laid into a decorative printed dust wrapper. The dust jacket is very slightly soiled and the covers are lightly warped. xvi, [2] & 236 pages, with 14 pages of color and black & white illustrations. There is a black remainder mark across the top edge of the book. Very good. First edition, first printing with a full number line.

First edition. Softcover. 158 pages. Issued focused on Alfred Stieglitz. Includes numerous articles and black and white images. A very near fine copy in wrappers.

Hardcover. 1st Edition. pp. ix, 339. 120 illustrations on glossy paper. 240 mm. Original full black buckram binding. Slightly rubbed. First Edition. Very good. W102 0.0.

Hardbound. First. Tan boards with tan dj. 147 pp. Illustrations; Very Good/Very Good. Dj has general wear.

Condition: Good. 10 x 10.5 in., Hardbound, 232 pages, 12 color and 82 tritone illustrations New condition.The Eye Club, unofficially founded around 1975, was the nickname given to the loose conglomeration of individuals who found themselves among the first new collectors of photography. Operating purely on instinct and the love of seeing, these few dozen people (including Sam Wagstaff, Andre Jammes and other now-legendary collectors) shared a distaste for established pantheons and veered instead toward the lesser-known, the anonymous, the outré or any photograph emanating sparks of electricity.Assembled in a related spirit of adventure, the nearly one-hundred extraordinary images in The Eye Club weave back and forth through the history of photography to reveal little-known images by some of the medium's most influential artists. Published to mark Fraenkel Gallery's twenty-fifth year and printed with exceptional fidelity, The Eye Club presents a surprising feast of images for the eye and the mind.

Paperback. Condition: Very Good. Alfred Stieglitz Photographs (illustrator). 1st. First Edition, First Printing; jprinted wraps; 233 clean, unmarked pages plus ads; items by/About: Rainier Mmaria Rilke (Some Wartime Letters); Randolph Bourne Letter to an Wyccck Brooks, War and the Intellectuals); Theodore Dreier (Randolph Bourne); Henry David Thoreau (from a Plea for John Brown); Dorothy Norman (Alfre Stieglitz) E.e. Cummings (WHat About it?); Franz Kafka (Three Parables); Anais Nin (Birth); Charles Olson (Lear and Moby Dick); CIVIL LIBERTIES SECTION Roger Baldwin (On being a Conscientious Objector); Irbing Bryant (Struggle for Civil Liberties); T.V. Smith (Repeaal of Espionage Act) Kenneth Patchen (poem); Ray Abrams (Conscientious Objection); Angna Enters (letter); Ean Thomas (Letter, Civil War Journal) ; Etc.

Hardbound. First. Large Quarto. Hardcover. Grey boards with a white spine illustrated jacket, in a plain tan slipcase. 128 unnumbered pages : 51 portraits ; 36 cm. A book of photographs of Georgia O'Keeffe taken by Alfred Stieglitz. The selection to be printed was selected by O'Keeffe, herself. "The letterpress composition and printing in Monotype Bell and Bembo by the Stinehour Press, Lunenburg, Vermont. The plates printed by the Meriden Gravure Company, Meriden, Connecticut ."--Colophon./ Issued in a slip case. As new. Book in new condition. Slipcase has some coffee staining.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Catalogue published to accompany the exhibition held at the National Gallery of Art, Washington, D.C., Jan. 28-April 22, 2001. Contents: Alfred Stieglitz, rebellious midwife to a thousand ideas / Sarah Greenough -- Edward Steichen : artist, impresario, friend / Anne McCauley -- Auguste Rodin, 1908 and 1910 : the eternal feminine / Anne McCauley -- Henri Mattise, 1908, 1910 and 1912 : new evidence of life / John Cauman -- Paul Cezanne, 1911 : Nature reconstructed / Jill Kyle -- Pablo Picasso, 1911 : an intellectual cocktail / Charles Brock -- The armory show, 1913 : a diabolical test / Charles Brock -- Marius de Zayas, 1909-1915 : a commerce of ideas / Charles Brock -- Constantin Brancusi, 1914 : startling lucidity / Ann Temkin -- African art, 1914 : the root of modern art / Helen M. Shannon -- Pablo Picasso and Georges Braque, 1914-1915 : skeletons of thought / Pepe Karmel -- Francis Picabia, 1915 : the sex of a new machine / Pepe Karmel -- Marcel Duchamp, 1917 : the not so innocent eye / Pepe Karmel -- Marsden Hartley, 1916 : letters to the dead / Bruce Robertson -- Paul Strand, 1916 : applied intelligence / Sarah Greenough -- Georgia O'Keeffe, 1916 and 1917 : my own tune / Barbara Buhler Lynes -- Alfred Stieglitz, facilitator, financier, and father, presents seven Americans / Sarah Greenough -- John Marin : an art fully resoved / Ruth E. Fine -- Charles Demuth : a sympathetic order / Charles Brock -- Paul Strand : unqualified objectivity / Sarah Greenough -- Marsden Hartley : on native ground / Townsend Ludington -- Arthur Dove : a place to find things / William C. Agee -- Georgia O'Keeffe : a flight to the spirit / Sarah Greenough. 280 x 215 mm. 611 pp., 135 illustrations in colour and 235 in duotone. [ISBN: 978-0821227282] Clothbound. A very good bright copy in like dustwrapper.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Alfred Stieglitz; George Grosz; John Heratfield; Luis Quintanilla; Army Air Force, (illustrator). 1st. First Edition, First Printing; Printed Dj In Mylar; 233 Clean, Unmarked Pages Plus Ads; Items By/About: Albert Camus, Thomas Mann, Sherwood Anderson, Alfred Kazin, Andre Malraux, Max Lerner, Theodore Dreiser, Gertrude Stein, Clifford Odetts, Richard Wright, And Many Others. Includes Illustrations By George Grosz, John Heartfield, Luis Quintanilla , Army Air Force And Alfred Stieglitz. Also Featured Is An "In Memoriam" Section Pertaining To Death Of Stieglit And Paul Rosenfeld, And Others.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

hardcover. Condition: Good.

Paperback. Condition: Very Good. 2nd Edition. New York, Dover Publications, Inc., 1978 (second edition, expanded)/ 1960. Quarto, 140 pages with 91 full-page illustrations from photographs. Pictorial card covers slightly rubbed and a little sunned; edges and initial leaves slightly foxed; a very good copy. This edition adds 35 extra illustrations from photographs. Foreword by Beaumont Newhall.

Hardcover. Condition: Near Fine. Reprint of a work first published in 1901-1903. Collects Volume V 1901-1902 and Volume VI 1902-1903 with the addition of an index at the end of Volume VI created by Kate Davis. Note this is Book 3 in the series only, first two volumes are not included. A near fine copy bound in publishers green cloth with titles in black.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Volume 1, 1915-1933. Large, thick, heavy book. Size: 4to - over 9¾" - 12" tall. Hardcover.

First Edition. First Edition. Two volumes. A chronological reference of Alfred Stieglitz' work, spanning the length of his illustrious career in American photography. Both volumes Fine and unread with no dust jacket in a Fine linen slipcase as issued, and housed in publisher's shipping carton. Oversize volume, shipping billed at cost.

Soft cover. Condition: Good. Softcover. Grey covers with darker grey lettering. Cover, title page, and copyright page dated Fall-Winter 1938. 235 pages. Good condition. Covers toned, rubbed at edges and chipped at head and foot of spine. Covers are, however, clean and whole. Binding still strong. Pages clean, but toned at edges. A former owner's name on front free end page. A charming and collectible literary journal.

Condition: Good. Good condition. No date stated. (photography, art, periodicals).

Erste Auflage. 29 x 22 cm. 611 S. OLeinen mit illustriertem OUmschlag. Umschlag etwas lichtrandig und mit minimalen Randbereibungen. Sonst gutes Exemplar. Umfangreicher Katalog zur Ausstellung Washington 28. Januar bis 22. April 2001 über die Galeristentätigkeit von Alfred Stieglitz, der in seinen New Yorker Galerien 291, Intimate Gallery und An American Place europäische Avantgarde und amerikanische Klassik präsentierte. Durchgehend mit Abbildungen versehen. Text in englischer Sprache. Sprache: englisch.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. First Edition; First Printing. Near Fine in a Near Fine dust jacket.

Softcover. Grey wraps with lettering on covers, blank spine. Bound sheets are uncut, 30, [6] ad pp. + 14 photograph plates of artwork (2 photographs by Stieglitz). This issue includes the first published writings by Gertrude Stein, wherein she pens two essays discussing the work of Matisse and Picasso. It was largely through these two essays that Americans were first introduced to these two artists. This issue begins with an Editorial by the Editor (Stieglitz) wherein he states the reason for this issue is to (through Stein's essays) Introduce Post-Impressionism as the chronological successor to Impressionism. The two photographs of Picasso sculptures were taken by Stieglitz. There are three sheets of ads at the rear, following the plates. Near New with chipping to edges of covers (overhanging stiff wraps called yapp edges).

Softcover. Grey wraps with lettering on covers, blank spine. Bound sheets are uncut, 8 bw photographic reproductions of artworks. Famous special issue of this avant-garde magazine published in June 1913 and reporting on the art exhibition known as The Armory Show. The illustrations includes 8 photographic plates reproducing paintings by Cézanne (3), Van Gogh, Picabia and Picasso (3), including the famous Portrait of Gertrude Stein.This last painting, which became iconic, was painted in 1905-1906 in Paris. It was given by Gertrude Stein at the Metropolitan Museum of Art in 1946. Among the articles include Portrait of Mabel Dodge at the Villa Curonia by Gertrude Stein; Speculations by Mabel Dodge, Modern Art and The Public by Gabriel Buffet; The Latest Evolution In Art and Picabia by Maurice Aisen; The Renaissance of The Irrational by Benjamin De Casseres; Audiator Et Altera: Some Plain Sense on The Modern Art Movement, which is the lengthiest article and is written by Oscar Bluemner. In it, he tackles the meaning of the Armory Show (as it has come to be known). After the presentation of the 8 photographic plates, there is a reprinting of an article in French (from "Les Hommes de Jour") titled "Vers l'Amorphisme" followed by an article by John Weichsel titled "Ecce Homo. This is followed by an Announcement concerning the next issue of Camera Work and then the publication concludes with 6 sheets of advertisements and a blank free endpaper. Rare and near-pristine condition. VG-, small tears on outside of pages.

4to, pp. 48, [12 (advertisements)], with 8 photogravures; text mostly unopened (all plates opened); some offsetting to adjacent blanks, hinges cracked in two instances, a faint dampstain to foot of inner hinge corner throughout, but generally a very good copy; in the original grey printed paper wrappers; edges creased and chipped, foot of spine chipped.The 1909 issue of Alfred Stieglitz's seminal quarterly journal of photography, Camera Work, intended to establish photography as a fine art and called 'by far the most beautiful of all photographic magazines' (Whelan). Camera Work was published between 1903 and 1917 during which time fifty issues were made. Through Camera Work, Steiglitz brought together photographers from America and Europe, an endeavour he viewed as 'the logical outcome of the evolution of the photographic art' (Stieglitz, 'AnApology', Camera Work (1903)). The nine photogravures on Japan tissue were made by the Scottish photographer James Craig Annan (18641946) from works by Hill & Adamson: Principal Haldane; The Marquis of Northampton; Handyside Ritchie and Wm. Henning; Sir Francis Grant, P. R. A.; Mrs. Anna Brownell Jameson; Lady in Black; Lady in Flowered Dress; Girl in Straw Hat; and Mr. Rintoul, Editor "Spectator". Photogravures after David Octavius Hill had been published in Camera Work numbers XI and XXVIII, also made by Annan from the original paper negatives. The photogravures are accompanied by short pieces on, inter alia, modernity and decadence (Benjamin de Casseres), on photography (George Bernard Shaw), and a note on an exhibition of Arthur B. Carles' work by Paul Haviland. Annan had caught Stieglitz's attention in 1896 in The Amateur Photographer, where he gave advice on using the new hand camera, which did not make use of a tripod. Stieglitz later drew upon Annan's writing in The American Annual of Photography the following year, in which he agreed that the photographer must set up the composition, then wait for the right moment to capture. In this number of Camera Work, Annan is also praised: 'It is also rare good fortune that Mr. Annan, while himself one of the pioneers of pictorial photography and second to none in his admiration of Hill's work, is also a master of the photogravure process'.See Buchanan, The Art of the Photographer, J. Craig Annan 18641946 (1992); Whelan, Alfred Stieglitz: A Biography (1995). Language: English.

Softcover. Grey wraps with lettering on covers, blank spine. Bound sheets are uncut, 50 numbered pages. cover page for Dyer and two photographs, 13 pp. ads (3) 10 photograph plates. Preface page is followed by a listing of the 6 George Davison photographs; then the photographs on thin sheets. These are followed by an article "Symbolism and Allegory by Charles H. Caffin. The next article is Pictorial Photography by R. Demachy (reprinted from R. Child Bailey's "The Complete Photographer). This is followed by a poem by J.B. Kerfoot "The A B C of Photography." This is followed by a listing and presentation of 2 photographs by Sarah C. Sears. These are followed by The Editors Page, which goes on for two pages. On page 39, we next have an article titled The Straight and the Modified Print (reprinted from The Amateur Photographer, London) by Robert Demachy. A lengthy (but unsigned) article about Mr. Demachy entitled "Mondieur Demachy and English Photographic Art (again, reprinted from Amateur Photographer, London) follows this. Next is a short single-page article Photo-secession Notes, on the other side of the sheet is found "Our Illustrations" which explains the processes and printers of the issue's illustrations. This is followed by a listing of and presentation of two photographic plates by William B. Dyer, which are followed by 8 sheets with ads presented on 13 sides of the 16 possible. Photographic titles as follows: George Davison's "The Onion Field--1890," "In a Village under the South Downs," "A Thames Locker," "Wyvenhoe on the Colne in Essex," "The Long Arm," and "Berkshire Teams and Teamsters" * Sarah C. Sears' "Mrs. Julia Ward Howe" and "Mary" * William B. Dyer's "The Spider" and "L'Allegro." VG or better, very clean inside, wrappers are lightly worn much better than typically seen.

Paperback. Condition: Good. First Edition. Numbers 1 and 2, July and October, 1898. Good/Good- original black-stamped green wraps. Both volumes with usual chipping and edge wear. Number 1 has 1" tear/crease at the top edge; affects margins only; frontice detached but present. Both issues complete. Includes images from Ernest R. Ashton, Hewitt A. Beasley, Zaida Ben-Yusuf, William E. Carlin, Emilie V. Clarkson, F. Holland Day, Robert Demachy, Rudolf Eickemeyer, E. Lee Ferguson, Wilhelm von Gloeden, Karl Greger, Frances Benjamin Johnston, William B. Post, Alfred Stieglitz and Henry Troth. Housed in a clamshell box. Pasadena's finest independent new and used bookstore.

Coburn, Alvin Langdon (illustrator). First edition. 4to., 56 pp., 6 hand-pulled photogravures, 1 color halftone reproduction, 1 duotone, 2 b&w halftones, (18) pp. adverts. Printed wrappers, yapped edges, chipped and worn, lacking spine, wrappers detached. Five photogravures and one color halftone by Alvin Langdon Coburn; two halftones by Will A. Cadby; one photogravure by W.B. Post.