Steve Mandel (121 results)

Paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.45.

Condition: Very Good. 3 Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5.

Paperback. Condition: Very Good. Paperback with unclipped dust jacket. Sunning to spine and minor edgewear to covers, no other faults. AD. Used.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Softcover. Condition: As New. Leichte Abnutzungen. Osvedcene techniky ke zvyseni Vasi sebejistoty a schopnosti motivovat a presvedcovat.

Soft Cover. Condition: Good. PB/Pub1993/VG condition/85 pages - A practical guide for better speaking and also controlling anxiety, preparing, visual aid and presentation. [KR28606].

Soft cover. Condition: As New.

Taschenbuch. Condition: Gut. Name auf Vorsatz. Buchrücken und Einband an den Ecken und Kanten leicht berieben / bestoßen. Sonst sehr ordentlich - sauber, fest und vollständig!!! 80 S. Deutsch 499g.

Softcover/Taschenbuch. Condition: Gut. einige Abb. (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Paperback - Gewicht: 236 - Illust.: einige Abb. - Zustand: Gut - beschrieben.

Trade Paperback. Condition: Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Condition: New.

Condition: Nuevo. Ditko, Steve; Lee, Stan (illustrator). Witness the creation of the world?s favorite web-slinger as dreamed up by comic book legends Stan Lee and Steve Ditko, who redefined what it meant to be a hero. The first 21 Spider-Man stories are collected in an intimate view of the teen hero?s origin story and early exploits alongside original essays and rare artwork and ephemera.Birth of a LegendThe origins of the teenager who broke the super hero moldWhen Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren?t lead characters; they?re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel?s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn?t always easy. He often seemed on the verge of defeat against the rogue?s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man?s greatness goes to cocreator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector?s dream, close in size to the original artworks, this compact edition features the first 21 stories of the world?s favorite web slinger from 1962?1964. Rather than recolor the original artwork (as has been done in previous decades? reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era?s inexpensive, imperfect printing?as if hot off a world-class 1960s printing press.With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone?s spider-sense tingle with anticipation.

Soft cover. Condition: Very Good. 1st edition. VG+. 8vo, 16pp, stapled self-cover. Sixth issue of this rare poetry little magazine, entirely devoted to writing by Steve Benson. Unmarked, unmailed copy, light soil/toning and wear. Not Signed.

Condition: good. Ditko, Steve; Lee, Stan (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Card Covers. Condition: Fine. First Edition. First Edition of this experiment in collective autobiography, complete in ten volumes. Crown 8vo (173 x 104mm): 79,[1]; 90,[6]; 127,[1]; 159,[1]; 143,[1]; 159,[1]; 207,[1]; 207,[1]; 223,[1]; 271,[1]pp. Publisher's white stiff card covers, original wrappers with French flaps, printed in various colors and priced $12.95. Part 1 signed to half-title page by Ron Silliman, one of ten poets who collaborated on the project: "For Richard / Back in the / Day," with printout of e-mail correspondence between Silliman and the recipient, California poet Richard Krech, and Bagazine postcard addressed to Krech in Albany, California. Part 2 signed to Krech by Lyn Hejinian on title page. Very Fine (pristine and unread), in custom cloth-covered slip case by Fitterer. The Grand Piano (the title derives from a legendary San Francisco coffeehouse where the project's authors programmed, coordinated, and participated in a reading and performance series from 1976 to 1979) was written over a decade of close collaboration among ten poets from what became known as the Language School. Each volume features essays by all ten writers, often responding to prompts and problems arising from one another's essays in the series. "Centered on the rise of Language poetry in San Francisco in the second half of the 1970s, the project explores a wide range of issues in poetics and the lives of poets â" then and now. . . . The Grand Piano's authors worked together via a listserv whose archive contains tens of thousands of e-mails that document the depth and intensity of collective effort this project entailed." (thegrandpiano online) Silliman's poetry newsletter, Tottel's (1970-81), contributed to the development of ideas in language poetry. According to Wikipedia: "Gertrude Stein, particularly in her writing after Tender Buttons, and Louis Zukofsky, in his book-length poem A, are the modernist poets who most influenced the Language school. In the postwar period, John Cage, Jackson Mac Low, and poets of the New York School (John Ashbery, Frank O'Hara, Ted Berrigan) and Black Mountain School (Robert Creeley, Charles Olson, and Robert Duncan) are most recognizable as precursors to the Language poets. . . . The language poets also drew on the philosophical works of Ludwig Wittgenstein, especially the concepts of language-games, meaning as use, and family resemblance among different uses, as the solution to the Problem of universals. N. B. With few exceptions (always identified), we only stock books in exceptional condition." N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

Seventh Draft script for the 1989 film. A charming ensemble comedy about the trials and tribulations of the Buckman family and their friends as they try to raise their children. Nominated for two Academy Awards, including Best Supporting Actress for Dianne Wiest. Shot on location in Orlando, Florida. Self wrappers. Title page present, dated 1989, noted as DRAFT SEVEN, with credits for screenwriters Lowell Ganz and Babaloo Mandel. 147 leaves, with last page of text numbered 127. Mimeograph duplication, rectos only, with rainbow revision pages throughout, dated variously between 1/16/89 and 1/30/89. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Script Format, reprint. Condition: As New. / 2007 REVISED DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.