Stephen Kern (443 results)

Paperback. Condition: Fair. Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condition: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Corners are slightly bent. Used - Good.

Hardback. Condition: Very Good. In "The Culture of Love" Stephen Kern asserts that love itself merits its own history. Kern examines love over a period of profound change that bridges the years from "Jane Eyre" to the mid-1930s. The great 19th century novels of the Brontes, George Eliot, Victor Hugo, and Thomas Hardy and the modern classics of Virginia Woolf, Marcel Proust, D.H. Lawrence, and James Joyce serve as sources of insight into the contrasting ways of loving. Paintings and sculptures by Jessica Hayllar, Courbet, Gerome, and William Frith, in juxtaposition with works by Kokoschka, Picasso, Magritte, and Picabia, offer evidence of historic transformation as well. Kern draws on philosophy, especially the work of Heidegger, to interpret change across this period. He takes as his theme certain basic elements of love: embodiment, desire, language, sex, and power, along with specific situations: waiting, proposing, jealousy, wedding, ending. This is an original history of love, informed by the author's interpretation of literature and art. He shows how the courting ground expanded beyond the parlour to places where women study or work, how both men and women became more willing to disclose their past loves, even how modern lovers explored new possibilities of kissing beyond the sudden, blind and disembodied Victorian kiss. "The Culture of Love" reveals the language of Victorian love, constrained by cliches and rhetorical formalities, and it explores innocence and the price often paid for it. In contrast to recent studies that have emphasized the richness of Victorian sexuality, at least in the privacy of the home, Kern argues that, compared with the sexuality of the early 20th century it was also anatomically constricted, spatially confined, morally suspect, less satisfying, deadly serious, and abruptly over. Above all, he affirms the value of authenticity in love: "The moderns may have lost some of the Victorians' delicacy and poignancy, perhaps even some of the heroism, but in exchange they became more reflective of what it means to be a human being in love and hence better able to make that loving more their very own".…

Hardback. Condition: Good. In "The Culture of Love" Stephen Kern asserts that love itself merits its own history. Kern examines love over a period of profound change that bridges the years from "Jane Eyre" to the mid-1930s. The great 19th century novels of the Brontes, George Eliot, Victor Hugo, and Thomas Hardy and the modern classics of Virginia Woolf, Marcel Proust, D.H. Lawrence, and James Joyce serve as sources of insight into the contrasting ways of loving. Paintings and sculptures by Jessica Hayllar, Courbet, Gerome, and William Frith, in juxtaposition with works by Kokoschka, Picasso, Magritte, and Picabia, offer evidence of historic transformation as well. Kern draws on philosophy, especially the work of Heidegger, to interpret change across this period. He takes as his theme certain basic elements of love: embodiment, desire, language, sex, and power, along with specific situations: waiting, proposing, jealousy, wedding, ending. This is an original history of love, informed by the author's interpretation of literature and art. He shows how the courting ground expanded beyond the parlour to places where women study or work, how both men and women became more willing to disclose their past loves, even how modern lovers explored new possibilities of kissing beyond the sudden, blind and disembodied Victorian kiss. "The Culture of Love" reveals the language of Victorian love, constrained by cliches and rhetorical formalities, and it explores innocence and the price often paid for it. In contrast to recent studies that have emphasized the richness of Victorian sexuality, at least in the privacy of the home, Kern argues that, compared with the sexuality of the early 20th century it was also anatomically constricted, spatially confined, morally suspect, less satisfying, deadly serious, and abruptly over. Above all, he affirms the value of authenticity in love: "The moderns may have lost some of the Victorians' delicacy and poignancy, perhaps even some of the heroism, but in exchange they became more reflective of what it means to be a human being in love and hence better able to make that loving more their very own".…

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Fair. Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.

Condition: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Reprint. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.