Southam Jem (63 results)

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. Includes images by Roy Arden, Lawrence Beck, Barbara Bosworth, Wijnanda Deroo, Sze Tsung Leong, Mark Ruwedel, and Jem Southam. Includes a text contribution by Jean Dykstra. A clean very near fine copy in wrappers.

First Edition. First edition. Softcover. Issue features numerous color and black and white images by Alec Soth, Frank Gohlke, Robert Kelly, Victor Schrager, Stephen Shore, Jem Southam, and Joel Sternfeld. Also includes the text of a conversation between Shore and Tim Davis. A fine as new copy in wrappers. One of the better issues of this terrific magazine.

First Edition. First edition. Exhibition card for a show that ran October 15 through November 15, 2003. Measures 11.75" wide x 8.25" high. A fine copy. Uncommon ephemera.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Brand New. 104 pages. 11.54x9.09x0.67 inches. In Stock.

Binding firm and intact. Condition: Near Fine. 1st edition. Oblong 8vo. 128pp. Profusely illustrated in B/W. Lightly used with stippled soiling to front. Interior clean and unmarked.

Hardcover. Condition: New.

Cloth Over Boards. Condition: Like New. No Jacket. Photography: Davey, Sian; Finn, Matthew; Roche, Nik; Schneideman, Alex; Southam, Jem; Summerfield, Paddy; Tomlinson, Alys & Winship, Vanessa (illustrator). 1st Edition. tight binding; clean pages Size: 4to - over 9¾" - 12" tall. 1st Edition.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

First Edition. First edition. Softcover. Includes images by John Baldessari, Tina Barney, Bernd & Hilla Becher, Edward Burtynsky, Bavid Byrne, William Christenberrry, Mitch Epstein, Lee Freidlander, Frank Gohlke, Teun Hocks, Justine Kurland, Duane Michals, Richard Misrach, Vik Muniz, Ed Ruscha, Stephen Shore, Alec Soth, Jem Southam, Mark Steinmetz, Hiroshi Sugimoto, and numerous others. Includes text contributions by Dave Eggers, Joyce Carol Oates and others. A clean very near fine copy in wrappers. A very nice copy of one of the better issues of this short-lived magazine.

Hardcover. Condition: Very Good Minus. First Edition. hardcover, red cloth with photo to front cover., there is outer margin toning, less visible as one goes deeper from either end. not from tobacco. no other flaws or wear. else, clean. no markings. no bumps, creases. strong binding, hinges.; english text. signed by jem southam on title page with no added inscription., unpaginated. illustrated in color. brief text from photographer. Size: Oblong 8vo. Signed by the Photographer.

Soft cover. Condition: Good. Book is in good condition with a bump to the front. 112pp with colour and b/w photographs.

Hardcover. Condition: Very Good. Clouds Descending This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Soft cover. Condition: Very Good. Book is in very good condition. 112pp with colour and b/w photographs.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: New. Brand New in shrink wrap Heavy book, will incur additional postage outside the UK Hardcover First Edition. Filmed along Bristol Harbour between 1978 and 1983, The Harbour chronicles a period of significant change for the city, reflecting the broader experience of loss and regeneration in Britain at the time. After centuries during which the harbour was a central hub of the city's trade and a major generator of its wealth, by good and bad means, it had largely fallen silent. The end of that working life in the late sixties and mid-seventies left the sculptural presence of the Floating Harbour, surrounded by the disused and decaying harbour fabric: the cranes, the bridges, the pump houses, the warehouses and particularly the gigantic customs warehouses, the offices, the railways, the terraced houses, the dockyards with their dry docks, the sandbanks. The Harbour Southam documents the disused and neglected infrastructure, a brief period of calm after those centuries of activity, before the redevelopment truly began. It is an archival record of the architectural landscape more than a meditation on loss. The industrial life of the docks, and all the human stories it impacted, are preserved in the record but not mourned.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hard Cover. Condition: Fine. First Edition. hard cover, illustrated boards., no flaws or wear. no markings. appears unused.; 112pp., illustrated in color and b/w., texts by jem southam, mark doyle, william wordsworth, nicholas alfrey, david chandler, matthew southam, harriet tarlo, and richard hamblyn. ; some listings describe a soft cover copy. this is a hard cover by any estimation. Size: 8vo - over 7¾" - 9¾" tall.

paperback. Condition: Very Good. Light crease to front cover. Light rubbing to corners. Light rubbing to rear cover. Slight darkening to covers.

Hardcover. Condition: Brand New. 72 pages. 12.32x9.72x0.59 inches. In Stock.

Hardcover. Condition: New. Signed by the Photographer\n\nThe Moth derives from one black-and-white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time. Over the course of 30 years, Southam intermittently returned to the west of Cornwall to explore a place steeped in marine and mining history, and in the mythology of Celtic saints who exiled to Cornish shores. His poetic sequence of images, inspired by the alliterative verse of the old English poems The Wanderer and The Seafarer, moves from vistas of meadows to water streams, forgotten homes and farm dogs awaiting their food. Now and then, Southam's fluctuating current of pictures is punctuated by a sublime moment in the rural landscape, only to be eclipsed by the hazy memory of The Moth.\n\nLinen hardback\n72 pages\n30.5 x 24 cm\nISBN: 978-1-912339-16-7.

Hardcover. Condition: New. 1st Edition.

Condition: new, unopened (shrink-wrapped).

Soft cover. Condition: Fine. A photographic journey along the Red River in Cornwall, from source to sea, accompanied by poetry and essays. 91 pages : illustrations (some color), 1 map ; 24 x 30 cm. Revised edition. Fine condition, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Softcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. No notes or highlighting. See images. Fantastic book. About the book >.>.> So, while the facilities of the City Docks were progressively upgraded from the 1830s onwards, the harbour retained something of the scale of the medieval port. This was, of course, a function of the old port's decline; a melancholy but inexorable process which accounts for much of what is described in the following pages. The fortunes of the port of Bristol were, as we shall see, already deteriorating by the middle years of the eighteenth century. This can be attributed in large measure to the listless conservatism of the city's governing and merchant elite and, later, the feeble management of the Floating Harbour by the Bristol Dock Company. More decisively, however, the nineteenth century port was condemned to failure by its own geography; as ocean-going ships grew in size there could be no future for an inland harbour which was approached by a lengthy and awkward river passage subject to a huge tidal range. For Bristol to enjoy anything like its former status a new port would be needed on the Bristol Cha.

paperback. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine copy in hardcover with fine jacket. Jacket is still in publisher's was paper wrap. Jacket is also now in mylar.

Tapa Dura. Condition: New. 1ª Edición. Filmada a lo largo del puerto de Bristol entre 1978 y 1983, The Harbour narra un período de cambio significativo para la ciudad que refleja la experiencia más amplia de pérdida y regeneración en Gran Bretaña en ese momento. Después de siglos durante los cuales el puerto fue un eje central del comercio de la ciudad y un gran generador de su riqueza, por medios buenos y malos, en gran parte se habían callado.El final de esa vida laboral a finales de los sesenta y mediados de los setenta, dejó la presencia escultórica de The Floating Harbour, rodeada por el tejido portuario en desuso y en descomposición: Las grúas, los puentes, las casas de bombas, los almacenes y en particular los gigantescos depósitos aduaneros, las oficinas, las vías férreas, las terrazas de las casas, los astilleros con sus diques secos, los arenales.En The Harbour Southam se documenta la infraestructura en desuso y descuidada, un breve período de calma después de esos siglos de actividad, antes de que la remodelación realmente comenzara. Es un registro de archivo del paisaje arquitectónico más que una meditación sobre la pérdida. La vida industrial de los muelles, y todas las historias humanas que impactó, conservadas en el registro pero no lloradas. Libro, Book, Buch. Livre.

Hardcover. Condition: Fine. First Edition Thus. Hardback. Dust Jacket. Dimensions 305mm x 330mm. pp.164. Original publisher's cloth binding in steel grey with recess embossed lettering at spine. Photographic dust jacket featuring colour photograph rusty entrance gate a small holding. ISBN:1568985177. A Blind Spot Book published by Princeton Architectural Press. Colour photographs of wistful romantic landscapes. Jem South Ham was a Reader in Photography at the University of Plymouth. Fine in fine dust jacket.