Published by Midland Group Gallery, Nottingham, 1975
Seller: William Allen Word & Image, London, United Kingdom
Condition: Very good+/Near fine. Folded invitation card. The Weather House and other works, Coracle Press Exhibition 1975, Midland Group Gallery, Nottingham, 1975. 76 x 54 mm. Printed black and white, folded card. Unnumbered, unsigned, no edition size given. Text on verso reads: 'You are invited to the opening by David Brown of the exhibition on Friday July 4th at 8.00 p.m. A reading of poems by Stuart Mills and Simon Cutts will take place on this occasion'. The Weather House group show included the following artists and poets: Simon Cutts, Karl Torok, Martin Fidler, Stephen Skidmore, David Willetts, Ian Gardner, Stephen Duncalf, Kay Roberts, Stuart Mills, Stephen Bann, Edward Lucie Smith.Condition: very minor toning, otherwise fine. Overall: Very good+/Near fine.
Published by Midland Group Gallery, Nottingham, 1972
Seller: PsychoBabel & Skoob Books, Didcot, United Kingdom
Paperback. Condition: Good. Staple bound paperback in good condition. Published on the occasion of the Tarasque Press Exhibition 'Metaphor and Motif' at the Midland Group Gallery, Nottingham, 1972. Covers are slightly marked and scuffed. Inside covers and page edges are tanned. Binding is sound and pages are otherwise clear. LW. Used.
Published by Midland Group Gallery, Nottingham, 1972
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Paperback. Condition: Near fine. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 57 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page. Condition: very minor rubbing to covers, otherwise fine. Overall: Near fine.
Published by Midland Group Gallery, Nottingham, 1972
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Paperback. Book. Metaphor and Motif: Tarasque Press Exhibition 1972, Midland Group Gallery, Nottingham, 1972. Stapled exhibition catalogue published to coincide with a show celebrating the final Tarasque Press publication of concrete poetry, featuring Stephen Bann, Simon Cutts, Stuart Mills, Ian Gardner and Ian Hamilton Finlay. 218 x 190 mm. Unpaginated. The book comes with a referenced introduction by Stephen Bann, a long quotation from Robert Kennedy (London, 1971) and a black and white cover design by Ian Gardner, entitled 'Bath Mat: A Constructivist Flag'. Excellent reference for this section of the English small press poetry and concrete poetry movement. This is no. 85 of a special edition of 100 copies, in which the publication contains an additional translucent printed page inserted at both the front and the back of the book. This copy is signed by Cutts and Gardner on the back tissue page, and is also accompanied by a small invitation card to the exhibition that replicates Gardner's cover design for the book. Condition: Fine.
Published by Coracle, London, 1980
Seller: William Allen Word & Image, London, United Kingdom
First Edition
Condition: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.
Published by Tarasque Press, Nottingham, 1967
Seller: William Allen Word & Image, London, United Kingdom
First Edition
No Binding. Condition: Near fine. 1st Edition. Edited by Simon Cutts and Stuart Mills, Private Tutor, Issues 1-12 (complete set), Tarasque Press, The Trent Book Shop, Trent Bridge, Nottingham, August 1967 September 1970. 260 x 200 mm. Letterpress printed (black and red on white stock) broadside periodical (A4 verso only) that features rules, statements and questions on poetry, in the playful and polemical mode of Tarasque Press. Edition of 100 (unnumbered).Number 1 opens with the mission statement, 'Assuming from the onset that the reader has little or no grounding in literature we will commence and continue in a very direct manner.' Number 3 declares, 'The true concern of the poet should be the avoidance of ugliness. Art exists by the tolerance of others. It might be argued therefore that a poet using his craft as a vehicle for politics will ultimately find his readership amongst politicians, the more sensitive finding this misuse of poetry irksome and a deceit. In this country today a large percentage of poetry written by younger poets avoids the integral beauty exemplified by the fusion of form language and motif.' Number 5 presents Edwin Morgan's 'Making a Poem'. Number 7, printed in orange, involves a series of questions by Stephen Bann. In issue 9, Cutts asks the question 'Are earthquakes weather?' Number 10 features Mills' poem 'Skylines/Sea-lanes'. Ian Hamilton Finlay is featured in three issues: issue 8 (printed in green), 'Arkady ABC.' (some questions on the poem); issue 11, 'The Weed Boat Masters Ticket Preliminary Test (Part One); issue 12, 'Boats of Letters'.Condition: near fine.