Sapera (29 results)

paperback. Condition: Fine. Still Sealed in Plastic. Never used!

Paperback. Condition: new. Paperback. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and Joao Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition. 22 illustrations A publication of recent paintings by Nigerian artist Chibuike Uzoma. Featuring an introduction by Kat Sapera, Director at Simon Lee Gallery, alongside essays by Uzoma, by writer and critic Carlos Valladares, and by Bishupal Limbu, Associate Professor of English at Portland State University, with an interview with writer and curator Ekow Eshun. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022\. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and João Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition.An introduction by Kat Sapera, Director of Simon Lee Gallery, draws upon her first encounters with the artist and details the influence of philosophy and the act of looking. Sapera brings the collaboration with Orecchia and Owens to the forefront of her discussion while touching on ?z?ma's making processes.In an essay by ?z?ma, the artist himself writes lyrically upon subjects including poetry, religion, good and evil, in order to bring a number of key concepts that circle his work into the field of view.Essays by Bishupal Limbu, Associate Professor of English at Portland State University, and by Carlos Valladares, writer and critic, help amass a portrait of an artist whose enquiry is informed by film, philosophy and pictorial language - with the layering, unravelling and opening-up of narrative as a core focus. Their writing brings key art historical figures into dialogue with ?z?ma's work.Lastly, the artist appears in conversation with writer and curator Ekow Eshun. This frank and illuminating conversation provides insight into the artist's painting practice, previous series of works and intentions, while also discussing issues of identity and Blackness. Their interview further reflects on past exhibitions, connections with other key artists and ?z?ma's recent MFA studies at Yale.Published on the occasion of the exhibition Chib?ike ?z?ma - To Kick a Stone, 19 January - 25 February 2023, Simon Lee Gallery, London.Edited by Kat Sapera, designed by Joe Gilmore, printed by Pressision, Leeds and co-published in 2023 by Simon Lee Gallery and Anomie Publishing, London.Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. ?z?ma received his BFA from the University of Benin, an MFA from Yale University School of Art and.

Paperback. Condition: New. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022\. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and João Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition.An introduction by Kat Sapera, Director of Simon Lee Gallery, draws upon her first encounters with the artist and details the influence of philosophy and the act of looking. Sapera brings the collaboration with Orecchia and Owens to the forefront of her discussion while touching on ?z?ma's making processes.In an essay by ?z?ma, the artist himself writes lyrically upon subjects including poetry, religion, good and evil, in order to bring a number of key concepts that circle his work into the field of view.Essays by Bishupal Limbu, Associate Professor of English at Portland State University, and by Carlos Valladares, writer and critic, help amass a portrait of an artist whose enquiry is informed by film, philosophy and pictorial language - with the layering, unravelling and opening-up of narrative as a core focus. Their writing brings key art historical figures into dialogue with ?z?ma's work.Lastly, the artist appears in conversation with writer and curator Ekow Eshun. This frank and illuminating conversation provides insight into the artist's painting practice, previous series of works and intentions, while also discussing issues of identity and Blackness. Their interview further reflects on past exhibitions, connections with other key artists and ?z?ma's recent MFA studies at Yale.Published on the occasion of the exhibition Chib?ike ?z?ma - To Kick a Stone, 19 January - 25 February 2023, Simon Lee Gallery, London.Edited by Kat Sapera, designed by Joe Gilmore, printed by Pressision, Leeds and co-published in 2023 by Simon Lee Gallery and Anomie Publishing, London.Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. ?z?ma received his BFA from the University of Benin, an MFA from Yale University School of Art and.

Hardcover. Condition: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New. 2023. Paperback. . . . . .

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Exemplaire en excellent état - couverture et intérieur très propres - Complet de son CD audio - envoi rapide et très soigné en lettre suivie - ouvrage totalement épuisé chez l'éditeur - réf n° 180622.

Paperback. Condition: new. Paperback. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and Joao Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition. 22 illustrations A publication of recent paintings by Nigerian artist Chibuike Uzoma. Featuring an introduction by Kat Sapera, Director at Simon Lee Gallery, alongside essays by Uzoma, by writer and critic Carlos Valladares, and by Bishupal Limbu, Associate Professor of English at Portland State University, with an interview with writer and curator Ekow Eshun. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: Wie neu. 1. 112 Seiten Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Original in Folie. Sprache: Deutsch Gewicht in Gramm: 280 Gebundene Ausgabe, Größe: 13.5 x 1.2 x 17 cm.

Paperback. Condition: New. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022\. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and João Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition.An introduction by Kat Sapera, Director of Simon Lee Gallery, draws upon her first encounters with the artist and details the influence of philosophy and the act of looking. Sapera brings the collaboration with Orecchia and Owens to the forefront of her discussion while touching on ?z?ma's making processes.In an essay by ?z?ma, the artist himself writes lyrically upon subjects including poetry, religion, good and evil, in order to bring a number of key concepts that circle his work into the field of view.Essays by Bishupal Limbu, Associate Professor of English at Portland State University, and by Carlos Valladares, writer and critic, help amass a portrait of an artist whose enquiry is informed by film, philosophy and pictorial language - with the layering, unravelling and opening-up of narrative as a core focus. Their writing brings key art historical figures into dialogue with ?z?ma's work.Lastly, the artist appears in conversation with writer and curator Ekow Eshun. This frank and illuminating conversation provides insight into the artist's painting practice, previous series of works and intentions, while also discussing issues of identity and Blackness. Their interview further reflects on past exhibitions, connections with other key artists and ?z?ma's recent MFA studies at Yale.Published on the occasion of the exhibition Chib?ike ?z?ma - To Kick a Stone, 19 January - 25 February 2023, Simon Lee Gallery, London.Edited by Kat Sapera, designed by Joe Gilmore, printed by Pressision, Leeds and co-published in 2023 by Simon Lee Gallery and Anomie Publishing, London.Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. ?z?ma received his BFA from the University of Benin, an MFA from Yale University School of Art and.

Kartoniert / Broschiert. Condition: New.

Paperback. Condition: New. Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. Documented here are sixteen of the artist's large paintings rendered in oil and acrylic or acrylic spray paint on canvas, made in 2022\. Accompanying an exhibition of the same name at Simon Lee Gallery, London, the first solo exhibition of his work in the UK, this publication is the fourth pillar of a collaborative project by the artist, setting his own paintings in relation to video and audio works by Edward Owens and João Orecchia respectively. ?z?ma works with non-linear narratives, using a mix of painting languages that dodges and weaves the liminal spaces between representation and meaning. Fragments of stencilled letters jolt against textured pools of paint, and diaphanous figures are cropped by cinematic horizons. Comprising colourful, abstruse portraiture against stark black and white backgrounds, the paintings in 'To Kick a Stone' are deeply suggestive, but ultimately formalist explorations of shape and composition.An introduction by Kat Sapera, Director of Simon Lee Gallery, draws upon her first encounters with the artist and details the influence of philosophy and the act of looking. Sapera brings the collaboration with Orecchia and Owens to the forefront of her discussion while touching on ?z?ma's making processes.In an essay by ?z?ma, the artist himself writes lyrically upon subjects including poetry, religion, good and evil, in order to bring a number of key concepts that circle his work into the field of view.Essays by Bishupal Limbu, Associate Professor of English at Portland State University, and by Carlos Valladares, writer and critic, help amass a portrait of an artist whose enquiry is informed by film, philosophy and pictorial language - with the layering, unravelling and opening-up of narrative as a core focus. Their writing brings key art historical figures into dialogue with ?z?ma's work.Lastly, the artist appears in conversation with writer and curator Ekow Eshun. This frank and illuminating conversation provides insight into the artist's painting practice, previous series of works and intentions, while also discussing issues of identity and Blackness. Their interview further reflects on past exhibitions, connections with other key artists and ?z?ma's recent MFA studies at Yale.Published on the occasion of the exhibition Chib?ike ?z?ma - To Kick a Stone, 19 January - 25 February 2023, Simon Lee Gallery, London.Edited by Kat Sapera, designed by Joe Gilmore, printed by Pressision, Leeds and co-published in 2023 by Simon Lee Gallery and Anomie Publishing, London.Chib?ike ?z?ma (b. 1992, Port Harcourt, Nigeria), is a multidisciplinary artist working with painting, photography, drawing, text and video, living and working in New Haven, Connecticut. ?z?ma received his BFA from the University of Benin, an MFA from Yale University School of Art and.

. (illustrator). Barcelona 1925. Rev. Veterinaria de España. 2ª edic. ilustrada con 262 grabados y 8 laminas, reformada y ampliada por C. Sanz Egaña. Tela edit. 24x16cm. 1080pp. # Agricultura G.

992 pg.25cm.tela.grabados VETERINARIA.

Single Issue Magazine. Condition: Good. Smith, Hal (cover); Clymer, John F.; Smith, Ralph C.; Thorne, Diana; Clymer, John F. (illustrator). First Edition. 48 pages. Features: Nice cover illustration of lady on red background; Nice colour-photo ad for Swift's Premium bacon inside front cover; Brief news items include The Ledger of Life, A Good Resolution, The Glow of True Happiness, We are Mostly All Strangers, and Improved Seeing and Knowing; Nice one-page ad for two new Ford V-8 cars for 1938, the Standard Ford V-8 Tudor and the De Luxe Ford V-8 Fordor; Editorials touch on - The Farmer and the Income Tax, Fascist Influence in the New World, Sources of Wealth, and World Trade; Attractively illustrated one-page McLaughlin Buick ad features a blue Series 46-19, Five-Passenger Sedan with Trunk; London's Famous Underground - photo-illustrated article; The Batley Inheritance (short story); Liberal Reward (short story); The Vagabonds (short story); Junior G-Men - photo-illustrated article on Vancouver Police Constable Ronald Eveleigh and his initiative to reduce juvenile delinquency; Strange Achievement - Charles E. Jones is founder of the world bird sanctuary at Collingwood East, a suburb of Vancouver, B.C.; The Murder on the Links (part III/3 of this Agatha Christie story); Mystery Man of Golf - Laverne Moore, alias Johnny Montague - article with photos; Sweet Caporals ad features photo of dog 'Rathlin Roundalay', owned by Miss Katherine Savage of Montreal West, Quebec; Hollywood news with photos of Andrea Leeds, Nita NAldi, Lily Pons, Barbara Stanwyck, Herbert Marshall, Douglass Montgomery, Jean Parker, and more; Photo of Alice Faye in Woodbury Cold Cream ad; Scott's Emulsion ad includes Old Scottie comic; Article on Curling; Beauty article; Cooking article; Recipes; How to make a dinner mat; World Sayings; Nice colour ads inside back cover for Lifebuoy (lady in tub), and Rinso (lady on cliff); Canadian fish ad on back cover; and more. Moderate wear. Unmarked. A sound copy of this wonderful vintage issue.

Leather Bound. Condition: New. Language: Spanish_Castilian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1742. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Spanish_Castilian, Pages: - 71, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 71.

Obradors Joan Jutglar 1934. Enquadernat en cartone pelat, conservant coberta original. Pròleg de Manuel de Montoliu. Dibuix de Jaume Guardia. Dedicatoria signada a Dionis Baixeras. Exemplar 217/400 exemplars sobre paper de fil numerats. 107 pàgines. 20x14 cm. Ref: 2777 [LS/021778-2777].

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1738 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 439 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 439.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1692 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 431 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 431.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1668 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 401 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 401.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1667 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 435 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 435.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1713 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 427 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 427.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1705 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 443 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 443.

Condition: New. Print on Demand pp. 438.