Sabine Ruß (119 results)

Condition: New. 2010. paperback. . . . . . Books ship from the US and Ireland.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft Cover. Condition: Very Good. Exhibition catalogue, 48 pp. Unmarked; light wear.

Condition: New. 2010. paperback. . . . . .

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Condition: Fine. clean, unmarked copy.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Trade Paperback. Condition: Used - Very Good. This book explores the resurgence of interest among younger artists in working with light as a material. With sixty-three color illustrations, 'Artificial Light' features new sculpture and installations by the international artists Jennifer Allora and Guillermo Calzadilla, Spencer Finch, Ceal Floyer, Ivn Navarro, Nathaniel Rackowe, and Douglas Ross. Influenced by the pioneers of light sculpture from the 1960s and 1970s, including Dan Flavin, James Turrell, and Bruce Nauman, this younger generation expands the use of light to address issues of perception, memory, energy, and power. The exhibition's curator, John B. Ravenal, contributes an introduction on the use of light in art along with individual essays describing each artist's work. Additional essays by two guest authors place these artists' work in the context of light-based art by their predecessors and peers. 'Published by VCUarts Anderson Gallery in partnership with the Virginia Museum of Fine Arts and the Museum of Contemporary Art in North Miami, Florida Distributed for the Virginia Museum of Fine Arts'.…

Trade Paperback. Condition: Used - Very Good. This book explores the resurgence of interest among younger artists in working with light as a material. With sixty-three color illustrations, 'Artificial Light' features new sculpture and installations by the international artists Jennifer Allora and Guillermo Calzadilla, Spencer Finch, Ceal Floyer, Ivn Navarro, Nathaniel Rackowe, and Douglas Ross. Influenced by the pioneers of light sculpture from the 1960s and 1970s, including Dan Flavin, James Turrell, and Bruce Nauman, this younger generation expands the use of light to address issues of perception, memory, energy, and power. The exhibition's curator, John B. Ravenal, contributes an introduction on the use of light in art along with individual essays describing each artist's work. Additional essays by two guest authors place these artists' work in the context of light-based art by their predecessors and peers. 'Published by VCUarts Anderson Gallery in partnership with the Virginia Museum of Fine Arts and the Museum of Contemporary Art in North Miami, Florida Distributed for the Virginia Museum of Fine Arts' Slight scratching/scuffing on cover. Book has minor shelf wear.…

Paperback. Condition: Very good. Paperback. 19pp. Lightly rubbed and edgeworn, else very good.

Wrappers. Condition: Fine Condition. Slim volume, 32 pages 24 illustrations in color. Illustrated wraps. Oblong. Published on the occasion of the exhibition from the Tweed Museum of Art, University of Minnesota, Duluth MN October 20-December 31, 2015. Select Biography. Book.

Hardcover. Condition: Fine.

Paperback / softback. Condition: Good. Used copy in good condition - Usually dispatched within 3 working days.

Hardcover. Condition: As New. Hardcover, as new.

Trade Paperback. Condition: Used - Very Good. 'A chair sitting on a platform, one leg many inches longer than the rest hanging over the edge. A clothed man laying directly on top of a naked one. A mother and child in hooded masks. A woman hunched forward with her legs straddled wide apart, fully clothed with all of her belongings spilled out of her purse in front of her. This first monograph brings together a selection of haunting photographic works, made from 1993-2007, by the Italian-born, New York-based artist, Carlo Ferraris. The works are challenging and ambiguous, witty and dark. According to the artist, they involve 'not only death, impairment, industrial drama and cosmic energies, but also dreamlike and ethereal situations.''Carlo FerrarisB/B>was born in 1960 in a Romagnano Sesia, near Novara, Italy. Currently located in New York, he received a 2004 Foundation for the Arts Fellowship for Photography and has had recent exhibitions at Florence Lynch and Esso galleries in New York.' Book has VERY minor shelf wear.…

Brossura. Condition: fine. English Text.Milano, 2007; paperback, pp. 72, 48 b/w and col. ill., cm 21x21. "A chair sitting on a platform, one leg many inches longer than the rest hanging over the edge. A clothed man laying directly on top of a naked one. A mother and child in hooded masks. A woman hunched forward with her legs straddled wide apart, fully clothed with all of her belongings spilled out of her purse in front of her. This first monograph brings together a selection of haunting photographic works, made from 1993-2007, by the Italian-born, New York-based artist, Carlo Ferraris. The works are challenging and ambiguous, witty and dark. According to the artist, they involve "not only death, impairment, industrial drama and cosmic energies, but also dreamlike and ethereal situations."" Carlo FerrarisB/B was born in 1960 in a Romagnano Sesia, near Novara, Italy. Currently located in New York, he received a 2004 Foundation for the Arts Fellowship for Photography and has had recent exhibitions at Florence Lynch and Esso galleries in New York.". Libro.…

Condition: New.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Softcover. Condition: VG+ (As new). White wraps; 55 pp.; Profusely illustrated with color plates. From the exhibition held September 23 - December 4, 2005; Foreword by Richard E. Toscan; Includes works by Lisa Sigal, Odili Donald Odita, Lawrence Weiner, Elana Herzog, Sally Smart, and others.

Hardcover. Condition: Very Good. None Issued. Text and images are unmarked; pages are bright. Binding is sturdy. Covers show just a little light wear around the corners and at the head and base of the spine. No dust jacket, as issued.

Condition: New. Num Pages: 56 pages, 58 color illus. BIC Classification: AB; AC. Category: (P) Professional & Vocational. Dimension: 7765 x 5830 x 7. Weight in Grams: 372. . 2006. Paperback. . . . .

1. Aufl. Systems and Scenarios covers around 20 years of artist and writer Yvette Brackmans works and projects, which often combine crafted elements and time-based media to create narratives and engage audiences in issues of common responsibility and social relations. The book is organized around five interviews by Helene Lundbye Petersen, conducted in New York in the Fall of 2011. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1200 ill. OLeinen / Hardcover (cloth).…

Condition: New. Num Pages: 56 pages, 58 color illus. BIC Classification: AB; AC. Category: (P) Professional & Vocational. Dimension: 7765 x 5830 x 7. Weight in Grams: 372. . 2006. Paperback. . . . . Books ship from the US and Ireland.

145 pp.; 25.4 x 20.5 cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 5 of Trans> edited by Sandra Antelo-Suarez. Essays include: "Performing Citizenship: Vivo Rio Counters Urban Violence," by George Yúdice; "Country Cousins: The Relative Peripheries in Contact," by Maria Lind; "Analogies and Confrontations: A Museography Polemologic?" by Luis Enrique Pérez Oramas; "The Poetics Project: A Special CD Project for Trans>" by Mike Kelley and Tony Oursler; "Serei A?" by Tungar; "Valentina's Paintings," by José Antonio Hernández Díez; "Continuation from the Representations of Violence in Issue 3&4," Moderator Rubén Gallo; "The Necessity of Revolt," by Julia Kristeva; "Intellectuals and Memoricide," by Juan Goytisolo; "Political Pop," by Luis Camnitzer; "Facing Territory," by Dan Cameron; "Oyvind Fahlström : He Burns Himself on Fires of Nine," by Maureen Sherlock; "Rafael Viñoly or the Problematics of the Late-Capitalist Architect," by Noah Chasin; "Alex Alberro in Conversation with Liisa Roberts," by Alex Alberro; "A Thing is a Thing is a Thing, Agnaldo Farias writes about María Teresa Hincapié," by Agnaldo Farias; "Reflections on Candice Breitz 'Rorschach Series'," by Octavio Zaya; "Ann-Sofi Sidén" by Sabine Russ; "Irán do Espírito Santo," by Félipe Chaimovich; "José Gabriel Fernández: Tauromachy and Maculature," by Luis Enrique Pérez Oramas; "The Ruined Map," by Matthew Ritchie and "Clandestine Installation II," by Roberto Obregón. Includes contributors biographies. Text in English and Spanish. Very Good. Light bumping of cover corners and rubbing of covers, otherwise Fine. Does not include audio CD. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders. …

Paperback. Condition: Brand New. German language. 7.05x4.49x1.10 inches. In Stock.

Paperback. Condition: Brand New. German language. 7.09x4.45x1.61 inches. In Stock.

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Hardcover. Condition: Fine. 1st Edition. uk1st.edition.1st.printing./fine hardback.