Ropartz Guy 1864 (23 results)

Couverture souple. Condition: Très bon. Edition originale. F°(27 x 35 cm). 4 separate parts : 10,10,10,10 p. DF 12645.

F° (27 x 35 cm). Score & part : 34,8 pages. DF 6458.

Couverture souple. Condition: Très bon. F°(27 x 35 cm). Score & part : 41,9 p. DF 7036.

Couverture souple. Condition: Très bon. Up.4°(23 x 32 cm). Original wrappers, 28 pages. PN : DF 9515.

Publisher's printed wrappers. Size: Small 8vo. [ii], 43pp.

Publisher's printed wrappers. Size: Small 8vo. [ii], 40pp.

Size: Small 8vo. [ii], 55pp. Publisher's printed wrappers. Dedicated to Arthur Honegger (1892-1955).

PF. Condition: New.

Size: Folio. [iv], 24pp. Folded as issued in publisher's printed wrappers.

Publisher's printed wrappers. Size: 8vo. [iv], 163pp.

Size: Folio. [i (title)], 41, 9pp. Sewn as issued in publisher's printed wrappers.

8° (22,1 x 14,9 cm), (2), 23 Seiten, 1911,Hellbrauner OU. (angeschmutzt, randrissig) . , zahlr. Notenbeispiele(VNr. A. L.7757. / 14.673.), 90 Gramm1864-1955. - Ropartz war ein französischer Komponist sowie "Directeur du Conservatoire de Nancy". - Innen sauber.

12mo. 1 p. Interesting letter to the editor of the music journal Gazette du Midi, probably Charles Vincens, thanking him for favorable comments on Ropartz's "work of artistic decentralization" in Nancy and announcing to send him programs of the past concert-seasons: "On me communique un numéro de la Gazette du Midi" où vous voulez bien vous occuper, en termes très flatteurs, de l'uvre de décentralisation artistique que je poursuis à Nancy. Je me permets de vous envoyer la collection des programmes de nos derniers saisons, pensant que peut-être il vous sera intéressant de les parcourir." - While Charles Vincens brought attention to composers and musicians from the Midi and his native Marseille through his writing, Ropartz, a student of Massenet and Dubois, was a very political and prolific director of the conservatories of Nancy and later Strasbourg and, in his own art, a popularizer of his Breton heritage. - On stationery of the director of the Nancy Conservatory.

Couverture souple. Condition: Très bon. Paris . Alphonse Lemerre éditeur . 1889 . Edition originale ( sous couverture de relais 1890 ) . Broché in-8 , 12,3 x 19 cm , de 174 pages , ornées de bandeaux & cul de lampe . Excellent état .

Photographie (Portrait) von Boissonnas, Genève. Format: Postkarte. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

25 S. Umschlag. Rücken verstärkt, ohne Umschlag, Titelblatt mit Ausbesserung. Sehr knapp beschnitten (einzelne Notenzeilen minimal angeschnitten). Erstausgabe.

4°. 21 S. Umschlag etwas bestaubt, Seiten minimal stockfleckig. Nach Angabe auf dem Titelblatt existiert auch eine Orchesterfassung.

11 S. Umschlag. Rücken ausgebessert. Erstausgabe.

23 S. Umschlag. Rücken ausgebessert, Umschlag mit Teuerungsstempel. Erstausgabe.

5, 3 S. Rücken ausgebessert. Titel mit alten Stempeln. Erstausgaben.

Stimmen: 41, 9 S. OUmschlag. Umschlagrücken überklebt. Erstausgabe. - Ropartz war u.a. Schüler Massenets und C. Francks.

8vo. 1 page. With autograph address on verso. To the cellist and conductor Achille Kerrion (1868-1939) in Paris, who had offered to perform some of Ropartz's compositions, announcing an adagio for cello and orchestra to be sent to Paris shortly, and discussing the role of the tuba in some of his works, suggesting his serenade for string orchestra (1892), his "Fantaisie en ré majeur" (1897), and "Les Landes" (1888) to be played by strings or bassoons in substitution of the tuba: "Un editeur de Nancy, Mr. Dupont-Metzner vous enverra un Adagio pour Violoncelle et orchestre. Vous connaissez la Sérénade pour Cordes (Baudaux). La Fantaisie en ré maj. n'a pas de tuba mais est très difficile. Les Landes ont une partie de tuba mais pas absolument indispensable. Dans un seul passage il faudrait remplacer le tuba absent par le 4e Cor[de] qui ne fait rien ou les Bassons. Ces deux oeuvres sont aussi parties et partitions gravées chez Baudoux: sont ceux pour répondre à votre aimable offre de me mettre à vos programmes [.]". - On headed stationery of the Nancy conservatory. With 2 small tears along the centerfold, as well as tiny flaws to upper margin.

LeatheBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 114 Language: zxx Pages: 114.