Robert Liebmann (43 results)

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Condition: Very Good+. First American Edition. Tight, clean copy with lightly used and slightly dusty covers. Introduction by Von Sternberg himself. Better picture reproduction than the later reprint from Lorrimer. Flat spine has no creasing.

Trade Paperback. Condition: Very Good+. Second Printing. Some scuffing to covers, otherwise as new, tight, clean copy. Introduction by Von Sternberg himself. Book.

Condition: Good. Good condition. (Motion Pictures, Film Scripts) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

157 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. An Interview," by Joan Simon and Susan Rothenberg; "Inter-view," by Hans-Ulrich Obrist and Fabrice Hybert; "Les Infos Du Paradis: Neville Wakefield on Robert Smithson," by Neville Wakefield; "Cumulus From America: Daniela Salvioni on SFMOMA," by Daniela Salvioni; "Cumulus Aus Europa," by James Roberts "Balkon," by Lisa Liebmann. Insert by Robert Smithson. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: Very Good -. Dust Jacket Condition: Very Good -. Hardcover book in very good- condition. Dust jacket shows some light wear to edges, creasing to interior flaps. Book shows some slight page-rippling, else lovely. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1979 Ungar Publishing company. First combined edition THUS. (Includes film continuity). Clearly unread condition. Name inside cover. Dust jacket shows a light fading but no tears or creases. Protected in an archival Brodart cover, $12.50 price intact. Blue cloth boards on hardcover with silver text. Crisp and clean. Gift quality collectable. Orders shipped promptly in sturdy packaging. Unconditional return policy.

First Edition. Near fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 111 pages; Description: 111 p. 41 illus. 21 cm. Subjects: Classic and Modern Film scripts--The Blue Angel. Notes: Script of the motion picture Der blaue Engel. 1 Kg.

Soft cover. Condition: Fine. Stapled softcover pamphlet. Prospectus for a limited edition boxed set of prints by various artists. Originally issued in 1987, for which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender, April Gornik, Robert Kushner, Nancy Spero, Vito Acconci, Jane Dickson, Judy Rifka and Richard Bosman.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Deborah Kass: Before and Happily Ever After. Skira Rizzoli & The Andy Warhol Museum. Minor pulling and tearing on dust jacket edges.

Condition: Very good.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

118 pp.; 27 x 26.9 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. Siegfriend Gohr; "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse," by Marcia Tucker; "Tor-re-a-dora, Blood-up-on-the Floor-a: Peter Brook's Carmen," by Frederic Tuten; "Books: Charlotte Douglas on Russian Avant-Garde Art" and "Reviews," by Colin Westerbeck, Kate Linker, Thomas Lawson, Jeanne Silverthorne, Ida Panicelli, Donald Kuspit, Jamey Gambrell, Richard Flood, Barbara Kruger, Ronny H. Cohen, Lisa Liebmann, Nancy Stapen, Judith Russi Kirshner, John Perreault, Susan C. Larsen, Hal Fischer, Max Wechsler, Gérard-Georges Lemaire, Paul Groot, Saskia Bos, and Stuart Morgan. Cover: Robert Mangold. Good. Light soiling of covers including dust soiling, spiling along cover edges, and rubbing with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Magazine. 40p., 5.5x8.5 inches, interview, reviews, essays, articles, ads, film stills, lightly-worn and soiled digest-size magazine in stapled pictorial wraps. Also: Modern Uses of the Moving Camera (French New Wave). Sixth Montreal International Film Festival.

First Edition. Near fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 111 pages; Description: 111 p. 41 illus. 21 cm. Subjects: Classic and Modern Film scripts--The Blue Angel. Notes: Script of the motion picture Der blaue Engel. 1 Kg.

Soft cover. Condition: Good. No Jacket. 111 p., [20] p. of plates : ill. ; 21 cm. ; LCCN: 68-27595 ; LC: PN1997; Dewey: 843/.9/12 ; OCLC: 424787 ; photographic stiff paper wrappers, dig on front cover ; Script of the motion picture Der blaue Engel, directed by Josef von Sternberg after a free adaptation of the novel Professor Unrath by Heinrich Mann ; numerous photos from the film ; "One of the most famous images in cinema is from "The Blue Angel "(1930). Lola Lola (Marlene Dietrich), in revealing black suspenders, sits on a beer-barrel clasping an upraised knee with both hands while she leans slightly back. Though not Germany's first sound film, "The Blue Angel "was the most prestigious and expensive by far. Director Josef von Sternberg had been lured back from Hollywood and, together with acting star Emil Jannings and producer Erich Pommer, he set about making an adaptation of Heinrich Mann's novel "Professor Unrat. "The technically dazzling result is a subtly claustrophobic study of a man's downfall and a milestone in European cinema." ; G. Book.

Condition: good. A good reading copy. May contain markings or be a withdrawn library copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Here's an odd edition: a third printing of the Simon & Schuster American edition, bound in publishers cloth in a British publisher (Lorrimer) dust jacket. Book and jacket both in fine, as new condition. NO markings, no bookplates, no jacket tears or chips, but jacket flap is price-clipped (possibly by the U.S. publisher to avoid confusion over British pound price. Mixed U.S./U.K. bk and jacket may be as issued since even book itself was printed in UK. In any case, scarce in hardcover form. Script is based on a continuity prepared post-production. Introduction by Von Sternberg himself. Better photo reproduction than the reprint issued in the 1980s.

Gebundene Ausgabe. Condition: Gut. Combined. 339 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Ehemaliges Bibliotheksexemplar. Ohne Schutzumschlag. Helle/saubere Seiten in fester Bindung. Einband leicht belesen/bestoßen. Sprache: Englisch Gewicht in Gramm: 590.

131 pp.; 26.7 x 20.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; February / March 1987 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include : "Interview with Jeff Koons," by Giancarlo Politi; "Steven Campbell," by James Collins; "Post-Feminism," by Dan Cameron; "Artist's Choice;" "M.B.A. Abstractionism," by Lisa Liebmann; "True Pictures," by Klauss Ottmann; "Northern Positions," by Bo Nilsson; "Olivier Mosset," by Robert Nickas; "The Monopoly of Appearances," by Carol Squiers; "Anxious Objects," by Robert Nickas; "Flash Art Reviews" and "Flash Art France." Cover : Jeff Koons. Very Good. Light dusting of covers with light soiling and yellowing. Gentle creasing of top right corner of recto. 6 mm. stain to top of pages 4-5. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. DJ in archival cover chip a foot of spine.

Hardcover / Pappeinband. Condition: Sehr gut. Auflage aus dem Buch nicht ersichtlich. 44 Seiten Das Buch befindet sich in einem gebrauchten, antiquarisch sehr guten und sauberen Zustand. Es ist gebraucht, und besitzt leichte, keinesfalls übermäßige Gebrauchsspuren, wie Einband etwas verfärbt und am Rand gering berieben. Seiten und Schnittkanten auf Grund Alter und Sonnenlicht leicht verfärbt, sehr guter Zustand. Im Buch, bis auf alte Preisangaben oder Namenseintrag, keine Einträge. Nichtraucherbuch. Weitere Qualitätsmerkmale / Einschränkungen: Rik041950 Sprache: Deutsch Gewicht in Gramm: 300.

Eine Bilderfolge aus dem gleichnamigen vaterländischen Film. Die Geschichte frei nachgestaltet von Hans Müller. Hrsg. unter Mitwirkung v. Robert A. Liebmann. Produktion Ufa-Film, Ernst Hugo Correll. Regie: Gustav Ucicky. Berlin, Verlag der Illustrierten Filmwoche 1931. 45 S. m. zahlr. Abbildungen nach Aufnahmen aus dem Film. Ill. Orig. Halbleinen, Gr.8°. Deckel etwas fleckig u. beriebem, Kanten u. Ecken etwas beschabt. Ordentliches Expl.

Original-Broschur, 34 x 27 cm. 2 Blatt. Liebling der Götter. Eine Sprechfilm-Komödie von Hans Müller und Robert Liebmann. Ein Emil Janningsfilm der Erich Pommer Produktion der UFA. Papier gebräunt, Umschlag angestaubt, gilbfleckig und an den Kanten leicht beschädigt.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

44 Seiten mit zahlreichen Abbildungen.Originalhalbleinenband,Deckel etwas berieben. Sprache: Deutsch.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Books: Mim Udovitch on Barry Williams' 'Growing Up Brady,'" by Mim Udovitch; "Film: Scott Bukatman on Ridley Scott's 'Blade Runner,'" by Scott Bukatman; "Head to Toe: Rhonda Lieberman on Glamour Wounds, Again," by Rhonda Lieberman; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Ecoculture: Andrew Ross' Weather Report,'" by Andrew Ross; "Lari Pittman: The August Vigilante," by Dennis Cooper and Yancy C.; "Sweet Thing," by Dan Cameron; "Critical Reflections," by Greg Tate with and introduction by Greil Marcus; "Drawn and Colored," by Deborah Irmas; "Skin and Bolts," by Marianna Torgovnick; "Spooky Electricity: An Interview with Friedrich Kittler," by Laurence Rickels; "Dangerous Games: Xavier Veilhan," by Olivier Zahm; "Culture," by Glenn O'Brien; "Bruce Conner: The Gnostic Strain," by Greil Marcus; "OpeningsL Beverly Semmes," by Catherine Liu; "Bookforum: Season's Readings," reviews by David Rimanelli, Mason Klein, Arthur C. Danto, Meyer Raphael Rubinstein, Alice Yaeger Kaplan, Sheila F. Glaser, Ramona Naddaff, Dan Cameron, Keith Seward, Patricia C. Phillips, Lisa Liebmann, Sydney Pokorny, Robert Farris Thompson, Amy Baker Sandback, Justin Spring. Reviews by Keith Seward, Justin Spring, Patricia C. Phillips, Olivier Zahm, Donald Kuspit, Jan Avgikos, Joshua Decter, Andrew Perchuk, Barry Schwabsky, Linda Yablonsky, K. Marriott Jones, Lois Nesbitt, Kirby Gookin, Ronny Cohen, Francine Koslow Miller, G.S. Trow, James Yood, Maria Porges, Amy Gerstler, David Pagel, Benjamin Weissman, John K. Grande, Carlos Basualdo, Alexandre Melo, José Luis Brea, Massimo Carboni, Giorgio Verzotti, Miriam Rosen, Claudia Jolles, Justin Hoffmann, Norbert Messler, Noemi Smolik, Sabine B. Vogel, Peter Funken, Lars O. Ericsson, Marek Bartelik, Michael Corris, Michael Archer, Charles Green. Cover: Lari Pittman.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H.D. Buchloh; "Documenta 7: The Dignity of the Thorn," by Annelie Pohlen; "Documenta 7: Grim Fairy Tales," by Kate Linker; "Documenta 7: The Night Mind," by Donald Kuspit; "Documenta 7: Wagner's Head," by Richard Flood; "Documenta 7: Stalling Art," by Edit deAk. Reviews by Jeanne Silverthorne, Thomas Lawson, Donald B. Kuspit, John Howell, Charles Hagen, Lisa Liebmann, Glenn O'Brien, Ronny Cohen, Colin L. Westerbeck Jr., Robert Atkins, Howard Singerman, Susan C. Larsen, Jeanne Randolph, Jean Fisher, and Ida Panicelli. Cover: "In honor of 'Artforum's' twentieth anniversary and in keeping with current art practice we would like to appropriate from the past this image of our noble founder, Arthur Forum.".