Robert Dunkarton Engraver (3 results)
Elizabeth Bellington. Halbfigur mit offenem lockigen Haar nach viertel links im Oval. Mezzotinto-Radierung, Schabkunstblatt von Dunkarton nach Downman um 1800
Elisabeth Bellington (1768-1818), British opera singer; Robert Dunkarton (1744-1811), British engraver
Published by ohne Orts- und Jahresangabe um 1800
- First Edition
- Signed
- Art Print
Seller: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, GermanyhistoricArt Antiquariat & Kunsthandlung
Contact seller5-star sellerCondition: Used
£ 62.12
£ 10.34 shippingShips from Germany to U.S.A.Quantity: 1 available
1. Schabkunstblatt von Dunkarton (in der Platte signiert) nach Downman, bildliche Darstellung ca. 19 x 15,5 cm, Kartongröße ca. 24 x 19 cm, sehr gut erhalten, selten 2100 gr.
Published by London:L Colnaghi and Dublin: Woodburn. 1801
- Art Print
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. Mezzotint engraving. 19.5 x 13.75 inches image on 23 x 17.5 inches sheet. Repaired tears in margins. Soiled.Major General Johnson,Who on the ever memorable 5th of June 1798, commanded his Majesty's Troops at the Battle of Ross. "And his lov'd Country by his Valour sav'd."Painted by Rob.t Woodburn. Engraved by Ro…b.t Dunkarton.Published June 4 1801 by R.Woodburn, Dublin; and Colnaghi & Co, No 23 Cockspur Street, London.Mezzotint. 505 x 355mm. The 'Battle of New Ross' in Ireland was bloodiest of the 1798 rebellion. Casualties are estimated at 2,500 rebels and 200 Garrison dead. The attempt by John Kelly to seize the 'Three Bullet Gate' is referenced as the 'bearna bhaoil' (Gap of Danger) in the Irish national anthem. New Ross is in the background of this portrait.
Rispah | 2nd Book of Samuel. Chap. 21. First edition of the original mezzotint
Turner, Joseph Mallord William (1775-1851) ; Robert Dunkarton, engraver (1744-1811).
Published by London: J.M.W. Truner, April 23 1812
- Art Print
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Good. Sepia ctching and mezzotint by Turner and Robert Dunkarton, 'Rispah | 2nd, Book of Samuel. Chap. 21.', published Turner, 23 April 1812.TImage 20.6 x 29cm. Shheet 32 x 39cm. Printed on rag paper watermarked Turkey Mill, Kent. Professional repairs to lower right blank margin.Finberg 46 iv/iv; Rawlinson 46 iv/iv.Tu…rner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Dunkarton here added mezzotint to describe a gruesome Old Testament subject. After the death of King Saul, his sons by his concubine Rizpah were executed by the Gibeonites, and left unburied. Their mother here protects the corpses, using a torch to ward off an approaching lion at night. The letter "H" in upper margin indicates Turner's category of Historical landscap. Turner's Liber Studiorum composition relates to the story of Rizpah [sic], as narrated in the Old Testament. King David delivered seven of his predecessor Saul's family, including two sons by Rizpah, as reparation for Saul's treatment of the Gibeonites. They wereput to death in the days of harvest, in the first days, in the beginning of barley harvest. And Rizpah the daughter of Aiah took sackcloth, and spread it for her upon the rock, from the beginning of harvest until water dropped upon them out of heaven, and suffered neither the birds of the air to rest on them by day, nor the beasts of the field by night.
