Robbins Andrea Becher Max (32 results)

Hardcover with dustjacket, 156 pages; very good condition; light edgewear to top edge of dj; small chip to dj at bottom of spine; light fingerprint marks to rear cover of dj; internally fine; no internal marks. Foreign shipping may be extra.

Softcover in printed slipcase, 60 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Softcover, 32 pages; very good condition; clean and crisp, no internal marks.

Hardcover. First edition, first printing. Fine/As New hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A somewhat surreal photo-documentary that examines the contradictions of place and cultural identity, for example, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes. "The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales." Photographs by Andrea Robbins and Max Becher; essays by Maurice Berger and Lucy R. Lippard. 156 pages; 130 full-page color plates + 8 text illustrations; 12 x 10.25 inches. Chronology, exhibition history, bibliography. Due to size and weight, international and expedited shipping will be more than quoted.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Robbins, Andrea; Becher, Max (illustrator). 1st. (USA) 1st printing. No markings, Fine in Very Good dust jacket with 1" closed tear to front flap fold. Photo boards, 158pp, full-page colour photos of locales that speak to notions of place in the contect of identity, race and colonialism. A heavy book. (3.8 JM HOJ 300/b4 Size: 4to - over 9¾" - 12".

First Edition. First edition. Softcover. Includes numerous color images from Andrea Robbins, Max Becher, Lida Suchy Miso Suchy, Sara Hart, and Kathy Vargas. Also features a brief essay on Bruce Gilden by Jeffrey Hoone. A clean very near fine copy in stapled wrappers.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in Lucite printed dust jacket.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. 156pp, illustrated , bound in illustrated boards with dustwrapper; Oblong large quarto; 156 pages.

hardcover. Condition: New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

First Edition. First edition. Softcover. Exhibition catalog for a show that ran August 31 through October 25, 1998. Features text by Gary Hesse and Jolene Rickard. Includes numerous color images. A clean near fine copy in wrappers.

First Edition. First edition. Softcover. Early issues of this important photography magazine are uncommon. This issue features images by Andreas Gursky, Candida Hofer, Hiroshi Sugimoto and others. A clean very near fine copy in photo illustrated wrappers.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

First Edition ~1st Printing Hardcover near fine in near fine jacket; minor spine lean, gentle softening to board edges else a tight unmarked copy in unclipped dust jacket.

No Binding. Condition: As New. This is an exhibition announcement for Andrea Robbins and Max Becher 2010 show titled "Black Cowboys"'; card size: 7-1/2 x 6in; edition size is unknown, it is not signed; in EXCELLENT COND.

Softcover, 88 pages, in English and Dutch; very good condition; light rubbing to covers; no internal marks.

Hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket. New and unread however some shelf wear to edges of cover and corners. Slight creasing to edges of dust jacket. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condition: New. Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards and National Geographic as from the photography of Walker Evans, Edward Curtis and Stephen Shore. Their work, a somewhat surreal nonfiction, uses documentary images to examine contradictions of place and cultural identity: that is, when Germans tie on Native American headdresses and Midwesterners parade in Bavarian costumes, Robbins and Becher are there. In their own words, The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences. Their work posits vital questions for a globalized world and for photography.

Quer-4°. 27 x 31 cm. 155 Seiten. Original-Pappband. Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Mit zahlreichen Farbfotografien. Schutzumschlag mit minimalen Randläsuren, leicht knitterig, ansonsten sehr gutes Exemplar. First edition. English language edition. With many photographs in color. Original hardcover with dust jacket. Dust jacket with slight marginal blemishes, lightly crinkled, otherwise fine copy.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.

176 pp. Color photos. Bilingual text in English and Spanish. From the publisher: "In the popular imagination, the cowboy has long been identified as white--but at the height of the cattle-ranching period in the 19th century, more than one third of cowboys were African American. Black cowboy culture is still thriving today, but is little known to the general public. Beginning in 2008, Andrea Robbins and Max Becher began to photograph this history and its legacy in contemporary black cowboy culture, shooting black riding clubs, black rodeo leagues and charity events across America.".

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. As new condition oversized white boards with black front cover and spine lettering contained in a fine condition clear plastic white lettered dust jacket. Includes Exhibition Checklist; Artist Biographies; Contributors; Essay Illustrations and Acknowledgments. Profusely illustrated with color photographs. "This publication accompanies the exhibition Striking Resemblance: The Portrait as Muse, organized by the Norton Museum of Art, curated by Charles Stainback, the William and Sarah Ross Soter Curator of Photography at the Norton Museum of Art.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on title page by Robbins and Becher. Hardcover. Photographically illustrated paper-covered boards with matching dust jacket. Photographs and text by Andrea Robbins and Max Becher. Essays by Maurice Berger and Lucy Lippard. Edited by Lesley A. Martin. Includes a chronology, list of exhibitions, collections, and bibliography. Designed by Francesca Richer. 156 pp., with 118 four-color plates and seven additional illustrations, printed on thick matte paper. 10-3/8 x 12 inches. New in publisher's shrink-wrap (slit open for signature). From the publisher: "Andrea Robbins and Max Becher draw on a rich visual vocabulary gleaned as much from travel brochures, postcards, and National Geographic as from the photography of Walker Evans, Edward Curtis, and Stephen Shore. In doing so, Robbins and Becher produce work that functions as surreal nonfiction, using documentary images to examine contradictions of place and cultural identity. In the words of the artists, 'The primary focus of our work is what we call the transportation of place--situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism, and mass-communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba, or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.' The work posits vital questions for a globalized world: What are the larger implications of 'ideological passing,' when one culture assumes the skin of another? And what role can photography play as a document in context where cultural signification is entirely fluid? Curator and author Maurice Berger examines the work of Robbins and Becher against the background of race and identity, but also of Surrealism. Lucy Lippard discusses the development of the husband-and-wife team's work together, as well as looking specifically at the ideas of location, landscape, and manufactured place. 'Robbins and Becher's choice of subjects is brilliant, edifying, and always unexpected. . . . They seek out the visually varied symptoms of disruption and dislocation, exposing the bizarre manifestations of colonialism and its post-colonial counterpart--global tourism.' -Lucy Lippard" Signed by Author.

Bolsillo. Condition: New. Dust Jacket Condition: Nuevo. 01. En el imaginario popular, el cowboy, uno de los iconos culturales más antiguos de Estados Unidos, ha terminado identificándose con un pistolero blanco. Sin embargo, en el siglo XIX, más de una tercera parte de estos vaqueros eran negros. Con esta serie fo. LIBRO.

Condition: Gut. Zustand: Gut | Sprache: Spanisch | Produktart: Bücher | En el imaginario popular, el cowboy, uno de los iconos culturales más antiguosde Estados Unidos, ha terminado identificándose con un pistolero blanco.Sin embargo, en el siglo XIX, más de una tercera parte de estos vaqueros erannegros. Con esta serie fotográfica incluida en la exposición Andrea Robbins &Max Becher, Desplazamientos, la pareja de fotógrafos saca a la luz la culturade los cowboys negros, prácticamente desconocida fuera de Estados Unidosdebido a su segregación en las competiciones de rodeo y a su exclusión en laiconografía de los westerns.

Oblong 4to. 176 pp. Full page color photos. Bilingual English/Spanish text. From the publisher: "In the popular imagination, the cowboy has long been identified as white--but at the height of the cattle-ranching period in the 19th century, more than one third of cowboys were African American. Black cowboy culture is still thriving today, but is little known to the general public. Beginning in 2008, Andrea Robbins and Max Becher began to photograph this history and its legacy in contemporary black cowboy culture, shooting black riding clubs, black rodeo leagues and charity events across America." Ships fast with tracking. This is an oversized book that may require additional postage on international orders. We will contact customer for authorization.

Poster, measuring 11 x 26 1/2 inches; very good condition; machine folded 4 times into 8 sections; an unmailed copy. Will be mailed folded.

brossura illustrata. Condition: buono stato. 86 a colori. Lingua: inglese.