Reedy William A (13 results)

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. VG/G+, 1st edn, 4to, 323pps, many in colour.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Very Good condition. Acceptable dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Softcover. Condition: Near Fine. [iv], 32, [4]; 12mo, string-tied card wrapper. Near fine, well-preserved copy with a little of the usual age-toning. The later string binding replaced old staples (bits of rust residue on central fold).

Sprache: Deutsch 322 ; 28,5 cm Zahlreiche Fotos, meist in Farbe. Text in englischer Sprache. Leinen; Ecken und Rücken etwas angestoßen, schwache Wasserränder an den vorderen und hinteren Seiten. Sonst guter Zustand.

cloth, 4to 323 pp., ca. 300 ills. industrial advertising; posters, book covers, vocabulary of photography, reproduction; portfolio; very good condition.

no dustjacket, hardcover. Condition: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED4to; 322 pages; acceptable hardcover no dustjacket; spine started and slanting; scuff and stain to face board; tips bumped with fray; spine head and heal bumped; clean pages; prompt shipping with tracking.…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New. Satisfaction Guaranteed or your money back.

Relié Toile. Condition: Assez bon. Publié par EastmanKodak Company 1973 Relié toile sous jaquette illustrée 322 pages in-4°. TRès nombreuses photos en noir et couleur. des défauts à la jaquette intérieur bon. Texte en anglais.

Hardcover. Condition: Near Fine. 1st Edition. Xia, 131 Pp. White Paper Spine With Spine Label, Green Paper Covered Boards. Finely Printed On Italian "Fabriano Paper, Deckled Edges. #14 Of 110 Copies Of A Limited Edition, Signed By The Author Beneath His Tipped In Photograph Opposite The Title Page. Wear With Browning And Fraying To The White Spine, With One Half Inch Tear At Top Of Rear Spine Edge, Chipping To Spine Label Removing "C" In Title, But Green Boards Are Lightly Worn, With Just A Little Browning Along Edges. This Example Inscribed By William Marion Reedy To The Artist W. R. A. Hays, "To My Fiend W. R. A. Hays These Echoes Of The Muse Of Excessive Pubescence With The Best Regards Of William Marion Reedy May 7Th 1912." Viereck Was Chief U. S., Publicist For Germany "Whether Imperial, Republican, Or Nazi", Also An Author Of Fiction And "Non-Fiction". Reedy (1862-1920) Was A St. Louis-Based Editor Best Known For His Promotion Of The Poets Sara Teasdale, Edgar Lee Masters, And Carl Sandburg To The Audience Of His Newspaper, Reedy's Mirror. "Reedy Began His Career As A Writer'S Assistant At The Missouri Republican. He Then Worked For The St. Louis Globe-Democrat Before Starting His Acclaimed Tenure At The Mirror In 1893. He Became Owner Of The Mirror, Where He Published The Work Of Up-And-Coming Poets Like Sandburg, Teasdale And Masters. Reedy Had An Eye For Talented New Writers, Often Publishing Writers Before They Gained Widespread Recognition. He Published Edgar Lee Masters' Poetry In 1914, Work That Later Formed The Spoon River Anthology. The Poet And Editor, Orrick Johns, Wrote In Time Of Our Lives That "Reedy Was The Only Figure To Give St. Louis A Literary Character In The Eyes Of The Rest Of The Country Between 1900 And 1920." "(See Wikipedia). W. R. A Hays Was An Artist; His Surviving Work Is Mainly Bookplates. Frontispiece Photographic Portrait (illustrator). Signed by Author(s). …