Ralph Fasanella (33 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Unmarked hardcover in unclipped jacket.

Oversized Hardcover. Condition: Good.

Paperback. Profusely Illustrated (illustrator). [x], 150p., 9x12 inches, 41 plates, some in color, one folded as issued, wraps slightly worn, small hole punched in front wrap else good condition, 8.5x11.5 inches.

Condition: acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.

Paperback. Condition: Good. Dust Jacket Condition: No Dustjacket. First Edition. ISBN 9780345242495. Trade Paperback; oversize. First paperback edition of 1973 original. Minor wear to cover corners and edges; minor dustsoiling and browning to covers; sticker stain and single hole-punch on front; slight wear to page corners and edges; otherwise tight, sound and unmarked in Good to Very Good condition. No Signature.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. First edition. Near Fine paperback journal with light signs of handling/shelving and a crack across the spine. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The 19th issue of DoubleTake magazine (Vol. 6, No. 1), Winter 2000, the award-winning quarterly journal "devoted to the written word and to the visual image." Each issue mixed prose, fiction, and poetry with photography-based art. This issue includes: photo-essays by Mary Beth Meehan, Hazel Hankin, Teru Kuwayama, Melissa Ann Pinney, and Deirdre Brennan; a previously unpublished interview with Walker Percy; work by Michael Lesy, John Sayles, Ralph Fasanella, and others; reviews of new books as well as essays on older volumes; and more. Edited by Robert Coles. 120 pages; color and b&w illustrations throughout; 9 x 11 inches.

Softcover, 64 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Very Good. Dust Jacket Condition: Good. Ralph Fasanella (illustrator). 150 pages. Hardcover. Extensive color illustrations by Ralph Fasanella throughout. Includes two page full out illustration. Some fading to covers, otherwise clean, tight copy. Record # 469195.

Paperback. Profusely Illustrated (illustrator). A biography and monograph of the work of Ralph Fasanella (1914-1997), an outsider artist who painted complex, detailed depictions of urban scenes, with text by Patrick Watson. First paperback edition, first printing. 148 pages with 2 gatefolds; color illustrations throughout; 8.75 x 11.75 inches. Laid-in is a 2002 newspaper article about the artist. Condition: Fine almost As New remainder copy with a light black line across the text block at the heel and a small hole punched to corner of the front cover, otherwise only a hint of age-toning; appears to have never been opened. Books ship the next business day, wrapped in padding, in a box.

Soft Cover. Condition: Fine. First Edition; First Printing. As New. Numerous full page color plates. With an essay by Erika Doss. Published on the occasion of the exhibition, May 11 - June 22, 2013. ; Tight, clean and crisp. A hint of very light shelf wear to wraps, otherwise As New. No inscriptions. No remainder mark. Not ex-library. As New. ; Oblong 4to; 64 pages.

Paperback. Condition: Good+. Dust Jacket Condition: No Dust Jacket. Illustrated by Fasanella (illustrator). Some Toning to cover. Hole punched in cover. Article by Nicholas Pileggi from the October 30th 1972 New York Magazine about Fasanella laid in. Art; 4to - over 9¾" - 12" tall.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First American Edition. Nice copy. Near fine in near fine dust jacket. Slight corner bumps. Slight jacket wear. No chips or significant tears. No remainder mark. No prior owner markings or bookplate.

Magazine. First edition. Near Fine magazine with a light crease to the corner of the front cover, an abrasion and tape stain to the back cover, only light signs of handling; a nice copy. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 31, 1993, issue of The New Yorker magazine, with "Broadway Jubilee, A Special Section Celebrating Broadway's Centennial", including: two portfolios of photographs by Richard Avedon; profiles from previous issues such as George Gershwin (1929), Florenz Ziegfeld (1931), Fannie Brice (1929), Clifford Oldets (1938), Cole Porter (1971), and Oscar Hammerstein II (1951); reviews from previous issues; archival pieces by Dorothy Parker, Robert Benchley, Wolcott Gibbs, A.J. Liebling, Truman Capote, Lillian Ross, and Kenneth Tynan; a 1968 piece on the caricaturist Alfred Frueh; and new pieces by Susan Sontag, John Lahr, and Roger Angel. Also in the issue: a short piece on photographer Robert Frank in the Goings On About Town section; Terence Monmaney on the paleontologist Robert T. Bakker; Sidney Blumenthal on Clinton's proposal to air-strike the Serbs; cover illustration by Ralph Fasanella; illustrations by Robert Risko; contributions by Jeffrey Toobin and John Mortimer; a piece on composer Steve Reich; and much more. Edited by Tina Brown. Staple-bound; 168 pages; color and b&w illustrations throughout; 8 x 10.75 inches.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. From DJ front flap: For the first time in a book, 38 of his paintings are brought together, all magnificently reproduced in full color. 148pp.

No Binding. Condition: Fine. Postal First Day Issue celebrating artist Norman Rockwell. Signed by noted Labor artist, Ralph L. Fasanella. Inscribed by Author(s).

hardcover. Condition: fine. Dust Jacket Condition: very good(+). Fasanella, Ralph (illustrator). First. 40 works reproduced in full color, mostly full page, some double page and one folding, other illustrations in the text. x + 148pp., small folio, green cloth with blind-stamped decorative pattern, d.w.; spine of dust wrapper lightly faded, small tear upper rear corner. New York: Alfred A. Knopf, 1973. First American edition. A fine copy in a very good(+) dust wrapper.

Softcover. Condition: VG. Color illustrated wraps with black text. 7 unnumbered pages. Bw and color illustrations. "Ralph Fasanella's painting declares that a man true to himself is true to society. Like any painter of a high imaginative order, he creates a world. That world may derive from his vision of the way things are or ought to be; but is solidly rooted in personal experience. The experience would be less meaningful, it would not result in these vibrant images, if Ralph Fasanella did not contain multitudes. On a canvas he puts down his experience in talking with people, his experience with the life of the streets, his experience of his past, his experience of the vast and tumultuous sweep of a reality he incorporates in paint. Doing so, he never gives us the feeling of a solitary ego; Ralph Fasanella's pictures bring us back to an elemental sense of our shared humanity: he is an artist with whom one connects - and the connection between Ralph and his world is one of the most exciting in contemporary art.".

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. an electric vision of the city and of America; he was discovered when he was an attendant at a gas station; book has a gift inscription from the previous owner of the book.

Hardcover. Condition: Good. 1st Edition. 1st American edition. Good reading copy with worn DJ with some wrinkling & slight tears. Artist Fasanella's best paintings and his working class background in his own outspoken words. Internationally acclaimed. Coffee table size. Inscribed by the author. Inscribed by Author(s).

Couverture rigide. Condition: Bon état. In-4 relié 31,8 cm sur 27,2. Bon état d'occasion. in-4°.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st American edition ;ix, 148 p. illus. (part col.) 31 cm. ; ISBN: 0394488237; 9780394488233 LCCN: 73-7269 ; LC: ND237.F26; Dewey: 759.13 ; OCLC: 667060 ; ; several full-color plates and one fold-out plate ; in photographic dust jacket ; decorative blind-stamped cloth ; "In the mid-1940s, Fasanella began to suffer from intense finger pain caused by arthritis. A union co-worker suggested that he take up painting as a way to exercise his fingers and ease the pain. In 1945, Fasanella persuaded the UE to organize painting classes for its members at a local college. He was one of the first members to sign up for classes. Fasanella became consumed by art, and left labor union organizing to paint full-time. To pay the bills, he bought a service station and worked there. Fasanella's painting focused on city life, men and women at work, union meetings, strikes, sit-ins and baseball games. He quickly developed a style which spoke to workers and the poor through the use of familiar details. Fasanella improvised a quasi-surrealist style, depicting interiors and exteriors or past and future simultaneously. He painted canvases as big as 10 feet across because he envisioned his paintings hanging in large union meeting halls. 'I always felt embarrassed by the whole thing,' he said, 'but I had to do it.' Fasanella's art was highly improvisational. He never planned out works, and rarely revised them. He said of his 1948 painting May Day, it 'just came out of my belly. I never planned it. I don't know how I did it.' "--Wikipedia ; FINE/FINE. Book.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. Fasanella, Ralph (illustrator). First edition. 1st 1973. Very good condition in a very good dustwrapper. A personal encounter with an extraordinary man and his art. The extraordinary art of Ralph Fanasella - his electrically alive vision of the city of New York and of America. Large format. Green cloth boards, gilt title to spine, embossed image to front. Colour illustrations. Light browning to board edges and text block. Small grubby mark to verso of frontis, last page has some foxspots. Contents otherwise clean. Price-cut pictorial dustwrapper is faded at spine and front spine edge, worn at top of spine and creawsed to top edge. Packaged with care and promptly dispatched!

No Binding. Condition: Near Fine. Postal Cover cancellation from the Sam Gompers stamp club. Signed, dated by noted mural artist, Ralph Fasanella. Not a first day cancellation.