R Artschwager (10 results)

Soft cover. Condition: Near Fine. 1st Edition. 104 Pp. Large Format Square Soft Cover. Very Near Fine With Slight Fading / Discoloration To Covers. With The Erratum Slip For The Gilbert & George Installation.

Hardcover. Condition: As New. Dust Jacket Condition: NO DJ. 1st Edition. Several cover dents to edges.

Hardcover. Quarto. Hardcover. Flexible cloth spine with stiff patterned xi, 243 pages : illustrations (some color) ; 29 cm paper boards and yellow titles. "For nearly sixty years, Richard Artschwager (b. 1923) has undertaken an unrelenting investigation of art's ability to mediate contemporary experience and perception. Although his work, which includes sculpture, painting, prints, and drawing, is often characterized as having elements of Pop Art, Minimalism, and Conceptual Art, his practice defies easy categorization and his oeuvre is not entirely understood. In Richard Artschwager! the breadth of the artist's idealistic, diverse work, and unconventional materials, such as Formica, rubberized hair, and Celotex, is fully illustrated and explored for the first time. The four essays in this volume illuminate previously unaddressed aspects of Artschwager's work, including his response to life in the age of mechanical reproduction, the relationship of his work to mainstream art, and his recent work's connection with Post-Impressionism. These texts, along with new photographs, previously unpublished archival images, and details of his materials, offer a compelling new look at one of the most singular artists of the 20th century and why he remains a highly influential figure today" Foreword / Adam D. Weinberg -- Absolutely original / Jennifer R. Gross -- The shifting locations of Richard Artschwager / Cathleen Chaffee -- Richard Artschwager: different ways to blow the whistle / Adam D. Weinberg -- Recollection (Artschwager) / Ingrid Schaffner -- Chronology. VG. Some light bowing to boards and bump to the top edge of the rear board.

First edition. 11.5 x 9.75 inches. 256 pages. Profusely illustrated in color. Original boards. "For nearly sixty years, Richard Artschwager (b. 1923) has undertaken an unrelenting investigation of art's ability to mediate contemporary experience and perception. Although his work, which includes sculpture, painting, prints, and drawing, is often characterized as having elements of Pop Art, Minimalism, and Conceptual Art, his practice defies easy categorization and his oeuvre is not entirely understood. In Richard Artschwager! the breadth of the artist's idealistic, diverse work, and unconventional materials, such as Formica, rubberized hair, and Celotex, is fully illustrated and explored for the first time. The four essays in this volume illuminate previously unaddressed aspects of Artschwager's work, including his response to life in the age of mechanical reproduction, the relationship of his work to mainstream art, and his recent work's connection with Post-Impressionism. These texts, along with new photographs, previously unpublished archival images, and details of his materials, offer a compelling new look at one of the most singular artists of the 20th century and why he remains a highly influential figure today" (the publisher). Some shelfwear; boards slightly buckled; internally a clean copy.

Exhibition invite that unfolds, 6 x 9 inches; very good condition; an unmailed copy. Loose map laid in.

Paperback. Condition: Very Good. Includes: Artschwager, R. - Auerbach, F. - Botero, F. - Downes, R. - Enkaoua, D. - Estes, R. - Genoves, J. - Grooms, R. - Jaclim, B. - Jacquette, Y. - Katz, A. - Kitaj, R. B. - Lopez Garcia, A. - Lutter, V. - Mason, R. - Navarro, M. - Simonds, Ch. Color plates. Text in english. 4to.

Papphefter mit Einleitungsblatt sowie zahlreichen Künstlerbiografien der Künster der Ausstellung der Neuen Galerie Aachen vom 28. Februar bis 18. April 1970. Sauberes Exemplar ohne Stempel und Anstreichungen. Einband etwas berieben und bestoßen. Innen sehr gut erhalten. Sprache: deu.

252 pp.; 23.5 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. Documents, in depth, multiples produced by Editionen MAT, Richard Artschwager, Joseph Beuys, Claes Oldenburg, as well as multiples by Arman, John M. Armleder, Hans Arp, Enrico Baj, Stephan Balkenhol, Guillaume Bijl, Ross Bleckner, Barbara Bloom, Bernhard Johannes Blume, Alighiero Boetti, Davide Boriani, Martha Boto, Louise Bourgeois, George Brecht, Marcel Broodthaers, Werner Büttner, Pol Bury, John Cage, Mario Ceroli, Christo, Chryssa, Hanne Darboven, H.R. Demarco, Jessica Diamond, Mark Dion, Marcel Duchamp, Maria Eichhorn, Hans-Peter Feldmann, Robert Filliou, Ian Hamilton Finlay, Peter Fischli & David Weiss, FLATZ, Sylvie Fleury, Günther Förg, Lucio Fontana, Katharina Fritsch, General Idea, Karl Gerstner, Jochen Gerz, Piero Gilardi, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Georg Herold, Damien Hirst, Ottamar Hörl, Rebecca Horn, Ilya Kabakov, Allan Kaprow, Mike Kelley, Jon Kessler, Herbert Kiecol, Martin Kippenberger, Yves Klein, Milan Knizak, Imi Knoebel, Jeff Koons, Joseph Kosuth, Sean Landers, Louise Lawler, Annette Lemieux, Julio Le Parc, Sherrie Levine, Sol LeWitt, Roy Lichtenstein, Heinz Mack, Piero Manzoni, Hans-Jörg Mayer, Paul McCarthy, Olaf Metzel, John Miller, François Morellet, Matt Mullican, Maurizio Nannucci, Bruce Nauman, Daniel Oates, Markus Oehlen, Dennis Oppenheim, Tom Otterness, Nam June Paik, Blinky Palermo, Panamarenko, Giuseppe Penone, Dan Peterman, Lucio Del Pezzo, Sigmar Polke, Man Ray, Patrick Raynaud, Larry Rivers, Mimmo Rotella, Dieter Roth, Gerhard Rühm, Allen Ruppersberg, Reiner Ruthenbeck, Niki de Saint Phalle, Icolas Schoeffer, Cindy Sherman, Robert Smithson, Francisco Sobrino, Jesus Raphael Soto, Daniel Spoerri, Klaus Staeck, Haim Steinbach, Paul Talman, Joe Tilson, Rirkrit Tiravanija, Lincoln Tobier, Rosemarie Trockel, Richard Tuttle, Günther Uecker, Meyer Vaisman, Gregorio Vardanega, Victor Vasarely, Villeglé, Wolf Vostell, Jeff Wall, Franz Erhard Walther, Lawrence Weiner, Tom Wesselmann, Bill Woodrow, Jean Pierre Yvaral, Peter Zimmermann and Heimo Zobernig. Includes bibliographies for each artist. Texts in German. Very Good. Light rubbing corners with light dust soiling of covers, spine and text block edge. Contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

68 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size 1250; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 24 - June 5, 1988. Organized by Talitha Schoon, Karel Schampers, and Elbrig de Groot. Essay by Huub Mous. Artists include John Armleder, Richard Artschwager, Bazile Bustamante, Paul Beckman, Scott Burton, Kim MacConnel, Arch Connelly, René Daniëls, Günther Förg, Robert Gober, Jörg Immendorff, Neil Jenney, Donald Judd, Per Kirkeby, Imi Knoebel, Sol LeWitt, Ken Lum, Markus Lüpertz, Frank Mandersloot, Reinhard Mucha, A.R. Penck, Gerhard Richter, Reiner Ruthenbeck, Carel Visser, and Robert Wilson. Text in Dutch and English. Very Good. Light rubbing of cover edges. Light yellowing of page edges. Contents clean and unmarked.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.