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Pugin's Gothic Furniture.
Published by Legare Street Press 2021-09, 2021
ISBN 10: 1013998588 ISBN 13: 9781013998584
Language: English
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Specimens of Gothic Architecture; Selected From Various Ancient Edifices in England: Consisting of Plans, Elevations, Sections, and Parts at Large .
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Gothic Ornaments, Selected From Various Ancient Buildings, Both in England and Franc, During the Years 1828, 1829, and 1830
Published by Legare Street Press 2022-10, 2022
ISBN 10: 101785856X ISBN 13: 9781017858563
Language: English
PF. Condition: New.
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Gothic Architecture Selected From Various Ancient Edifices in England,; 2
Published by Legare Street Press 2021-09, 2021
ISBN 10: 1014667380 ISBN 13: 9781014667380
Language: English
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Specimens of Gothic Architecture: Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large : . Construction of This Admired Class Of.;
Published by Legare Street Press 2021-09-10, 2021
ISBN 10: 1015304664 ISBN 13: 9781015304666
Language: English
Paperback. Condition: New.
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Specimens of Gothic Architecture: Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large : . Construction of This Admired Class Of.;
Published by Legare Street Press 2021-09-09, 2021
ISBN 10: 101425213X ISBN 13: 9781014252135
Language: English
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Specimens of Gothic Architecture; Selected From Various Ancient Edifices in England: Consisting of Plans, Elevations, Sections, and Parts at Large . . Historical and Descriptive Accounts .; v.2
Published by Legare Street Press 2021-09-09, 2021
ISBN 10: 1014089417 ISBN 13: 9781014089410
Language: English
Paperback. Condition: New.
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Examples of Gothic Architecture : Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large :
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Examples of Gothic Architecture : Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large :
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Examples of Gothic Architecture : Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large :
Published by Legare Street Press 2021-09, 2021
ISBN 10: 1015142745 ISBN 13: 9781015142749
Language: English
PF. Condition: New.
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Gothic Ornaments: Selected From Various Ancient Buildings, Both in England and France, During the Years 1828, 1829, and 1830: Exhibiting Numerous ... Eleventh to the Beginning of the Sixteenth...
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Specimens of Gothic Architecture: Selected From Various Ancient Edifices in England : Consisting of Plans, Elevations, Sections, and Parts at Large, . Construction of This Admired Class Of.; 1
Published by Legare Street Press 2021-09-09, 2021
ISBN 10: 1014625165 ISBN 13: 9781014625168
Language: English
Paperback. Condition: New.
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Specimens of Gothic Architecture: Selected From Various Ancient Edifices in England: Consisting of Plans, Elevations, Sections, and Parts at Large, ... Construction of This Admired Class Of...; 2
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Pugin's Gothic Furniture.
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Gothic Ornaments, Selected From Various Ancient Buildings, Both in England and Franc, During the Years 1828, 1829, and 1830
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Gothic Architecture Selected From Various Ancient Edifices in England; 2
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Specimens of Gothic Architecture; Selected From Various Ancient Edifices in England: Consisting of Plans, Elevations, Sections, and Parts at Large ... ... Historical and Descriptive Accounts ..; v.1
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Specimens of Gothic Architecture: Selected From Various Ancient Edifices in England: Consisting of Plans, Elevations, Sections, and Parts at Large: Ca
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Gothic Ornaments: Selected From Various Ancient Buildings, Both in England and France, During the Years 1828, 1829, and 1830: Exhibiting Numerous ... Eleventh to the Beginning of the Sixteenth...
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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paperback. Condition: Like New. Like New. book.
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Royal Institution. Albemarle Street.
Published by London, UK: Rudolph Ackermann, [1800]., 1800
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Manuscript / Paper Collectible
£ 37.93
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Add to basketCondition: Good. Hand-colored Aquatint. 10.5" x 8". Very Good. In mylar protective sleeve.
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Paris and its environs Vol. I., II
Published by Artist: Pugin Augustus Charles ( - 1832 ) Paris; issued in: London; - Augustus Charles Pugin (1762 ? 1832) was an Anglo-French artist architectural draughtsman and writer on medieval architecture He was born in Paris then in the Kingdom of France but his father was Swiss and Pugin himself was to spend most of his life in England Pugin left France during the Revolutionary period for unclear reasons about 1798 and later entered the Royal Academy Schools in London to improve his skills Shortly afterwards he obtained a position as an architectural draughtsman with the architect John Nash After considering and abandoning a career in architecture Pugin married and settled on a career as a commercial artist working primarily for publishers of illu, 1762
Seller: Antique Sommer& Sapunaru KG, München, Germany
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Add to basketTechnic: Steel engraving, colorit: black/whitecondition: Binding in hardcover with leather embossed in gold, front loose, pages somewhat stained, size (in cm): 37 x 28 cm cm; - The 2 book volumes describe and show the city of Paris on 200 steel engraved plates with respective text pages. A total of 200 views. 100 views in Volume 1 (1833) and 100 views in Volume II (1831). Volume I with a title page with the equestrian statue of Henry IV, Volume II with a a title page with overall view of Paris. Painted by Pugin, engraved by C. Heath, the topographical and historical descriptions by L. T. Ventouillac, published by Robert Jennings, London. French and English text.
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Paris And Its Environs, Displayed In A Series Of Two Hundred Picturesque ViewsWith Topographical And Historical Descriptions.
Published by London: Jennings And Chaplin, 1831., 1831
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Seller rating 2 out of 5 stars
£ 505.18
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Add to basket2 Volumes in 1. 4to. pp. 1 p.l., ii, 100; 1 p.l., ii, 101-202. 2 additional engraved titles with vignette views & 202 views on 101 engraved plates. text in French & English. early rebind by C.A.Campling Ltd., Gt. Yarmouth, in period-style dark green pebbled cloth, yellow coated endpapers, with original green cloth spine mounted (some scattered foxing, dampstain to inner margin of last 3 plates).
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India House the sale room
Published by Rudolph Ackermann's Repository of Arts, 101 Strand, London, England, 1810
£ 371.68
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Add to basketNo Binding. Condition: Very Good. Rowlandson, Thomas (1756-1827); Augustus Charles Pugin (English, born France, 1762-1832) (illustrator). Colored etching and aquatint from The Microcosm of London. This is plate 45. Drawn by Augustus Pugin who provided thre architectural drawings, and Thomas Rowlandson who drew the figures.
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View of Westminster Hall and Bridge
Published by Rudolph Ackermann's Repository of Arts, 101 Strand, London, England, 1810
£ 371.68
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Add to basketNo Binding. Condition: Very Good. Rowlandson, Thomas (1756-1827); Augustus Charles Pugin (English, born France, 1762-1832) (illustrator). Colored etching and aquatint from The Microcosm of London. This is plate 104. Drawn by Augustus Pugin who provided thre architectural drawings, and Thomas Rowlandson who drew the figures.
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Specimens Of Gothic Architecture; Selected From Various Edifices In England; Consisting Of Plans, Elevations, Sections, And Parts At Large; Calculated To Exemplify The Various Styles, And The Practical Construction Of This Admired Class Of Architecture; B
Published by London: M.A.Nattali, [c1846]., 1846
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Seller rating 2 out of 5 stars
£ 437.36
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Add to basket2 Volumes. 4to. pp. xx, 44; xxiii, 34, vi, [7]-24. 114 engraved plates by E.Turrell, John Le Deux & others after Pugin (incl. frontis./titles). with tissue guards. contemporary quarter morocco (covers worn & stained, corners frayed, dampstaining to last 12 plates in Vol. I, some light foxing, more heavily affecting frontis./titles, tissue guards embrowned). Fowler p. 211n.
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Paris, taken from the Pont-Neuf
Published by R.Ackermann, London, 1821
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Art / Print / Poster
£ 568.89
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Add to basketHand-coloured aquatint engraving by T.Sutherland after Pugin. A fine architectural view of Paris and the river Seine, looking north-west and enlivened by much period detail of everyday life. Hand-coloured aquatint engraving by T. Sutherland after Pugin. This view from the Pont Neuf, which cuts across the tail of the Ile de la Cité, presents a spectacular panorama of the city up-stream from Notre Dame: to the right is the Louvre with trees of the Tuileries gardens just visible beyond, of the two bridges, one is a foot-bridge giving easy access to the Louvre, and beyond the more substantial structure of the Pont Royal. In the foreground there is much activity on the river: a makeshift barge balanced with barrels is poled downriver, to the left a more traditional craft is about to pass out of view, in the mid-ground the establishments of the washerwomen can be seen, clothes hang out to dry while the next batch of laundry is scrubbed in the river. "Pugin (1762-1832), architect, archæologist, and architectural artist, was born in France, and claimed descent from a distinguished French family. Driven from his country either by the horrors of the revolution or by private reasons connected with a duel, he came to London about 1798, and soon found employment as a draughtsman in the office of John Nash. To increase his powers as an artist, he entered the schools of the Royal Academy He further revived acquaintance with Merigot, an aquatint engraver, who formerly had been a drawing-master to his father's family, and studied under him with advantage. Nash, who treated his pupils and assistants with great kindness and hospitality, discovered in Pugin a valuable subordinate. The truthfulness of Pugin's drawings in form and colour at once attracted attention. A change was then coming over water-colour art. The old style of brown or Indian ink outline with a low-toned wash was giving way to the more modern practice of representation in full colour, and Pugin, though he limited his palette to indigo, light red, and yellow ochre, was an active supporter of the new movement, and to his influence its ultimate predominance was largely due. In 1808 Pugin was elected an associate of the Old Water-colour Society, which had been founded in 1805, and he was a frequent exhibitor at the annual exhibitions held first in Lower Brook Street and subsequently in Pall Mall About the same time Pugin was employed on Ackermann's publications, notably the 'Microcosm,' for which he supplied the architectural portions of the illustrations, Rowlandson executing the figures. .Meanwhile Nash and his works were not altogether neglected. Pugin in 1824 was asked to make the drawings for a volume illustrating the Brighton Pavilion, and while he was engaged upon the work George IV, who came to watch, accidentally upset the colour-box, and, mindful perhaps of illustrious parallels in the past, picked it up with an apology that greatly gratified the artist" (DNB). The present separately issued plate led to a latter publication "Views of Paris and Environs," (London: 1828-1831), with plates of similar subjects but published in a much smaller quarto format.
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Paris, Notre Dame prise de L'isle Louvier
Published by R.Ackermann, London, 1821
Seller: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Art / Print / Poster
£ 568.89
Convert currency£ 25.78 shipping from U.S.A. to United KingdomQuantity: 1 available
Add to basketHand-coloured aquatint engraving by Havell from J.Gendall's drawing after Pugin. Printed on wove paper. In excellent condition with the exception of a expertly mended tear on the bottom margin. Image size: 13 7/8 x 18 7/8 inches. A highly dynamic view, emphasizing the cathedral of Notre Dame's position at the heart of the city of Paris Notre Dame, before the addition of Violett le Duc's central spire, is shown dominating the skyline in this view taken from the south side of the Ile de St. Louis, looking north west upriver to the Pont la Tournelle with the Cathedral beyond. The foreground includes a number of barges loaded with timber, probably for furl, bargees wrestle with the newly arrived vessels, positioning them using long poles, unloading of the moored barges is already underway, with workmen trudging up well-worn paths in the river bank. Much activity can be seen on the wide "beach" of the far left bank. "Pugin (1762-1832), architect, archæologist, and architectural artist, was born in France, and claimed descent from a distinguished French family. Driven from his country either by the horrors of the revolution or by private reasons connected with a duel, he came to London about 1798, and soon found employment as a draughtsman in the office of John Nash. To increase his powers as an artist, he entered the schools of the Royal Academy. He further revived acquaintance with Merigot, an aquatint engraver, who formerly had been a drawing-master to his father's family, and studied under him with advantage. Nash, who treated his pupils and assistants with great kindness and hospitality, discovered in Pugin a valuable subordinate. The truthfulness of Pugin's drawings in form and colour at once attracted attention. A change was then coming over water-colour art. The old style of brown or Indian ink outline with a low-toned wash was giving way to the more modern practice of representation in full colour, and Pugin, though he limited his palette to indigo, light red, and yellow ochre, was an active supporter of the new movement, and to his influence its ultimate predominance was largely due. In 1808 Pugin was elected an associate of the Old Water-colour Society, which had been founded in 1805, and he was a frequent exhibitor at the annual exhibitions held first in Lower Brook Street and subsequently in Pall Mall. About the same time Pugin was employed on Ackermann's publications, notably the 'Microcosm,' for which he supplied the architectural portions of the illustrations, Rowlandson executing the figures. Meanwhile Nash and his works were not altogether neglected. Pugin in 1824 was asked to make the drawings for a volume illustrating the Brighton Pavilion, and while he was engaged upon the work George IV, who came to watch, accidentally upset the colour-box, and, mindful perhaps of illustrious parallels in the past, picked it up with an apology that greatly gratified the artist." (DNB). The present separately issued plate led to a latter publication "Views of Paris and Environs," (London: 1828-1831), with plates of similar subjects but published in a much smaller quarto format.
