Pond Arthur (38 results)

Paperback. Condition: Good. Satisfaction 100% guaranteed.

paperback. Condition: Very Good.

Hardcover. Condition: VG Plus. Very good plus jacket and book or a little better - no markings, light wear.

Hardcover. Condition: Good. Dust Jacket Condition: Very Good.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Black White+ Color Photography (illustrator). "The Dull Knife Memorial Foundation: Learning from the Wisdom of the Past for Tomorrow" NEW Fresh tight strong bright unmarked jacket boards text. Many photographs .

HARDCOVER. 1st edition. 133pp, quarto. The Dull Knife Memorial Foundation, Forward by Senator Ben Nighthorse Campbell. tight binding, clean throughout, Very Good small tear top rear, Very Good-.

Paperback. Condition: Brand New. 184 pages. 8.50x5.50x0.42 inches. In Stock.

Soft cover. Condition: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogarth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.

Condition: New. In.

No Binding. Condition: Very Good. 1st Edition. Original Engraving. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

Hardcover. Condition: Used-Very Good. 8vo. Cloth, no dj. Red cloth with gilt-stamped title on front board, spine. 556 numbered pp. Light sunning to spine, minor creasing at ends. Corners of boards slightly turned-in. Expected age-toning to text block. Else fine. A nice, clean copy.

Condition: New. In.

SingleIssueMagazine. Condition: Good+ to Very Good-. Vol. 1, no. 2. Pulp magazine. Cover art by Eugene M. Frandzen. Includes "Tracer Shy" (novel) by George Bruce; "I Was There With-" (Commandant Massenet de Marancour) by Capt. Archibald Johnston; "Toward the Stars" by Hugh James; "The White Rabbit" by Arthur J. Burks; "The Trouble Shooter" (novelette) by Edwin C. Parsons; "Combat Flying" by Robert Sidney Bowen; "Liquid Death" by Lt. S. G. Pond; "George Bruce Says"; "Wings of the Eagles". Illustrated by Franzden and others. Creased; spine fading; foredge overlaps worn with shallow losses; dealer's mark. Book.

No Binding. Condition: Very Good. 1st Edition. Original Engraving, Colored In Shades Of Red-Brown. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Engraving, Colored In Shades Of Gray. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Tan. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Etching, Colored In Shades Of Grey. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Engraving. Trimmed To 1/8" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. Born About 1705, He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

Hardcover. Condition: Good. First Edition. 316 pages; First edition. Discoloration to pages due to age. - Book is in good overall condition. No writing or major blemishes. Average wear.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Condition: Good. Engraved portrait. 310 mm x 210 mm. Sheet size: 440 x 285 mm.

Condition: Good. Alexander Pope (1688-1744), Poet. James Stow (circa 1770-in or after 1823), Engraver. Engraved portrait. 310 mm x 210 mm. Sheet size 336 mm x 480 mm. Light foxing throughout.

No Binding. Condition: Very Good. 1st Edition. Original Engraving.12" X 8 16/16", With 1/2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Engraving.12 1/8" X 9", Trimmed To Margins All Around. Small Loss At Lower Left Corner Outside Of Text. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Engraving.10" X 7 1/2", Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

No Binding. Condition: Very Good. 1st Edition. Original Engraving. 11 3/8" X 9 1/4", Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond (C.1705-1758) Was An English Painter And Engraver. He Was Educated In London, And Stayed For A Time In Rome Studying Art, In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752, And Died In Great Queen Street, Lincoln's Inn Fields, 9 September 1758. His Numerous Original Portraits Include Alexander Pope, William, Duke Of Cumberland, And Peg Woffington. Pond Was Also A Prolific Etcher, And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt, Raphael, Salvator Rosa, Parmigianino, Caravaggio, And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons, After Jacobus Houbraken And George Vertue, With Their Lives By Thomas Birch (London, 1743-52); And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters, In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi, Republished In 1823 And 1832 As Eccentric Characters.

Hardcover. Condition: Near Fine. 1st Edition. Jefferson City and Rolla, octavo (10 by 7.25 inches), variously paged, profusely illustrated with hundreds of plates and figures, and many folding, colored maps. ***CONTENT: The eleven reports described below were undertaken under the supervision of Arthur Winslow and Charles R. Keyes, State Geologists. Several volumes are devoted to the valuable rock and mineral resources of the State: coal, iron ores, clays, and, most notably, lead and zinc deposits, such as those of the celebrated Joplin district. Information is provided on mine locations, mining equipment and methods, transportation, etc. Fossiliferous strata of Cambrian to Carboniferous age underlie much of Missouri; two volumes in this set describe that stratigraphy and a plethora of invertebrate fossils: "protozoans", sponges, corals, trilobites, crinoids and other echinoderms, brachiopods, mollusks, and more. Volumes include: Vol. 1 (1891) - COAL DEPOSITS OF MISSOURI, with 226 p. and map; Vol. 2 (1892) - IRON ORES OF MISSOURI, with 366 p., 8 plates and map; Vol. 3 (1892) - MINERAL WATERS OF MISSOURI, with 256 p., 33 plates and map; Vols. 4 and 5 (1894) - PALEONTOLOGY OF MISSOURI, with 537 p. and 56 plates; Vols. 6 and 7 (1894) - LEAD AND ZINC DEPOSITS, with 763 p., 41 plates and map; Vol. 8 (1895) - ANNUAL REPORT FOR 1894 [CRYSTALLINE ROCKS, COAL MEASURES, OZARK MOUNTAINS], with 405 p., 30 plates and map; Vol. 9 (1896) - REPORTS ON AREAL GEOLOGY [HIGGINSVILLE, BEVIER, IRON MOUNTAIN AND MINE LA MOTTE MAP AREAS], with 132 p. and 14 plates; Vol. 10 (1896) - SURFACE FEATURES AND BIBLIOGRAPHY OF MISSOURI GEOLOGY, with 533 p. and 22 plates; and Vol. 11 (1896) - CLAY DEPOSITS, with 622 p., 39 plates and 2 maps. The later volumes include: STRUCTURAL AND ECONOMIC GEOLOGY OF MISSOURI (1900), with 259 p. and 63 plates; GEOLOGY OF MILLER COUNTY (1903), with 207 p., 18 plates and 2 maps; QUARRYING INDUSTRY OF MISSOURI (1904), with 371 p., 59 plates and 2 maps; GEOLOGY OF THE DISSEMINATED LEAD DEPOSITS, ST. FRANCOIS & WASHINGTON COUNTIES (1908) (2 vols.), with 259 p. and 121 plates; and GEOLOGY OF VERNON COUNTY (1926), with 152 p., 14 plates and 3 maps. Many "figures" in these reports are actually maps. ***CONDITION: These volumes are in VERY GOOD+ TO FINE condition, uniformly bound in the original decorated brown cloth, with a gilt design on the front covers and gilt lettering on the backstrips. The covers are well preserved, with only a trace of rubbing to the extremities. Joints and hinges solid, bindings firm. The text pages and illustrations are near pristine: fresh, clean and bright, with no foxing or damp stains. These volumes were deaccessioned from a New England library and have paper shelf labels on the lower spines, and small stamps on preliminary pages. This is a handsome set of highly informative, well-illustrated volumes. Domestic and international shipping will be extra, but only at my cost.