Pieter Nolpe (17 results)

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1655 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 60 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 60 Language: Dutch.

Leather Bound. Condition: New. Language: Dutch_Flemish. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1655. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Dutch,Flemish, Pages: : - 58, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 58.

Condition: Good. Etching on laid paper with Crown watermark. 30 x 39 cm (sheet). Very Good, sheet trimmed to the platemark.

Pieter Nolpe after Pieter Jansz Quast (illustrator). 'ZIE KRELIS LEST ZIJN VUUR. KOMT HEM WAT VOCHT TEKORT. DAT ZET HEM BESJE BY WYL ZIJ 'T TOCH ZINGEND STORT.'This print shows a man called Krelis drinking from a jar while sitting on a chair holding a pipe in his other hand. In front of him a woman singing from a piece of paper.Made by Abraham Allard after Pieter Nolpe after Pieter Jansz Quast.Medium: Engraving / etching on hand laid (verge) paper.Sheet size: 15.3 x 9 cm (6.02 x 3.54 inch). Image size: 14.8 x 8.8 cm. (5.83 x 3.46 inch).MAN DRINKING-WIVE SINGING-PIPE-KRELIS-BESJE | RBOS-A8-19BACKGROUND INFORMATIONThis rare attractive print was published ca 1686-1709.Provenance: Collectors mark L.A. de Vries.Biography engraver: Abraham Allard (1676-1726) was a printmaker and publisher from Amsterdam. Condition: good, given age. Paper loss upper left corner and in lower left corner restored. Tear restored in right. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Pieter Symonsz. Potter (illustrator). 'IGNIS'Engraving by Pieter Nolpe after Pieter Symonsz. Potter, this ed. published by Mathijs van Marrebeeck. Very rare.This plate occurs in several variations. The first state appears to have been published as a broadside with accompanying text leaves by Nolpe himself. It depicts the battle of Lens on August 20th, 1648 during the Thirty year and French/Spanish war. The French under the Prince de Conde beat the Spanish/Habsburg under Archduke Leopold Wilhelm and Jean de Beck. A second state is titled 'Vier en Augustus' (Fire and August), possibly part of a unfinished series of months and elements, published by Nolpe. A further ed. can be found with the same title, published by Frederick de Wit. We have not found any copies of this ed. published by Mathijs van Marrebeeck, which can be dated c.1680 and possibly fits between the second and third state.Made by Pieter Nolpe after Pieter Symonsz. Potter.Medium: Engraving on hand laid (verge) paper.Sheet size: 52 x 39.3 cm (20.47 x 15.47 inch).MILITARY BATTLE, FIRE, IGNIS, PIETER NOLPE, PIETER SYMONSZ. POTTER | EXPO-DUTCHBACKGROUND INFORMATIONEngraving published by Mathijs van Marrebeeck, dated c.1680. Ref: Hollstein Dutch 229-?(4); Dozy 134-?(4).Reference: Hollstein Dutch 229-?(4); Dozy 134-?(4).Provenance: Rear manuscript writing 'de Prins van Wallis', suggesting James Francis Edward Stuart / James II (1633-1701).Biography engraver: Pieter Nolpe (1613-1653) was a Dutch Golden Age engraver, illustrator, and art dealer. He often worked from his own designs, based on historical subjects, portraits, landscapes, and perspectives.Biography artist: Pieter Symonsz. Potter (1567/1600-1652) was a Dutch painter and draughtsman in Amsterdam. Condition: good, given age. Minor foxing and wear on edges. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

'GUILELMUS RIPPERDA DOMINIS HENHELONIS (.).'Original antique print showing a portrait of Willem, Baron Ripperda, Lord of Hengelo, Boekelo, Boxbergen, Rijsenburg and Solmsburg (1600 - 1669), an ambassador at the peace conferences of Osnabruck and Munster which ended both the Thirty Years' War in Germany and the Eighty Years' War between Spain and the Netherlands.Made by after an anonymous artist.Medium: Engraving/etching on Hand laid (verge) paper.Sheet size: 13.3 x 20.4 cm (5.24 x 8.03 inch).WILLEM BARON RIPPERDA-PORTRAIT | PCO-C45-23BACKGROUND INFORMATIONPublished in the Netherlands 1644.Reference: Hollstein Dutch 51-1(2).Biography engraver: Pieter Nolpe (1613-1653), Dutch printmaker; publisher/printer. Condition: good, given age. Some small tears at top paper edge. Bottom corners slightly remargined. Paper thin at top right, backed. Verso: remaons of paper from attachment. Narrow margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Emperor Maximilian grants the maiden of Amsterdam the imperial crown on her coat of arms.Signed 'CL. M. Inv.'; numbered '8' in lower margin.Etching after an image from the triumphal arch for Maria de' Medici's entry into Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 293 x 385 mm.; total: 374 x 442 mm.; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso, smudges and small tears in the margins. Muller 1793-8, Hollstein 98.

Louis XIII as Hercules carries the restored globe of unified France on his shoulders assisted by Mars and Athena, behind them the allegorical figures of justice and plenty. From a series with allegorical representations of the discord in France.Signed: 'CL. M. Inv'; numbered '13' in lower right corner.Image from the triumphal arch for Marie de' Medici's visit to Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 291 x 384 mm; total: 374 x 441 mm; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso; small tears and slight discoloration at the edges. Muller 1793-13, Hollstein 103, state III/3.

Allegorical scene of Henry IV as Hercules, assisted by Mars and Athena, repairing the broken globe representing France by forging a band around it. Maria de' Medici stands at the right and the Olympian Gods look on from the clouds above.From a series with allegorical representations of the discord in France.Signed: 'CL. M. Inv:'; numbered '12' in lower right corner.Image from the triumphal arch for Marie de' Medici's visit to Amsterdam, 1638.Used in: Caspar Barlaeus, Blyde inkomst der allerdoorluchtighste koninginne, Maria de Medicis t' Amsterdam. t' Amsterdam: By Iohan en Cornelis Blaeu, 1639. Etching on paper, broad margins; platemark: 293 x 384 mm.; total: 374 x 445 mm.; watermark: Strasburg lily in crowned coat of arms; traces of previous mounting on verso; part of right margin missing. Muller 1793-12, Hollstein 102, state III/3.

An old peasant stands by a wooden barrel with a earthenware jug, emptying a pipe on the barrel. Before 1653. In ornamental frame. Signed on the lower right corner:"PNolpe fecit". 'HET BOERENLEVEN In een bijna ronde schulpvormige cartouche staat een man van voren gezien, met een pelsmuts op, rechts achterwaarts van een ton, waarop hij met de rechtenhand zijn pijpje neerlegt; met de linker brengt hij een grooten kroes naar zijn mond. Op de ton liggen papieren. De cartouche snijdt de voorstelling onderdaan halverwege af. In den rechter benedenhoek der plaat: PNolpe fecit.' Mr. Ch. M. Dozy, Pieter Nolpe (1613/14-1652/53), in Oud Holland 15 (1897), p. 232-233, nr. 216 l Etching and engraving on paper, no margins: total 93 x 116 mm; slight foxing. PG013.

Smoking farmer, nr. 4 in a series of 8 prints " 't Boeren Leven" after Quast (after Brouwer).A farmer holding a jar and cleaning his pipe on a barrel, in an ornamental window.Signed on the bottom right: 'Nolpe fecit.' Etching on paper, trimmed to plate; total: 95 x 138 mm; watermark: coat of arms with 'Honi soit'; Hollstein 285.

Claes Jansz.Visscher & P.Schenk, c.1652. Ets. 40,5 x 50,5 cm - Papier 41 x 51,5 cm. In een interieur zit een rijke man met zijn familie en gasten aan tafel, deuropening links is de bedelaar Lazarus te zien, wiens zweren door een hond worden gelikt. Rechts van boven naar onder drie kleinere voorstellingen met de dood van Lazarus, zijn hemelvaart en begrafenis. Rechts drie kleinere voorstellingen met de dood van de rijke man, de rijke man in de hel en zijn begrafenis. Naar het Bijbelverhaal in Luc. 16: 19-25. [144572].

View on the wood of The Hague (Haagse Bos). The print belongs to a series of six views. This impression is the second state as the figures on the left were reworked by Pieter Nolpe. l Etching on paper with some margin; plate mark: 209 x 261mm, total 222 x 276 mm; state II/3 (or 4); in passepartout; overall very good conditions; Hollstein 34.

A beggar in a landscape.Signed with a monogram at the bottom right, numbered "6". From a set of twenty-six numbered plates.Originally published by Hendrick Hondius between 1634 and 1638 and further republished by Cl. J. Visscher in 1652.From the collection Hillinger [L.4334]. Etching on paper, trimmed within plate mark; total: 202 x 155 mm; state I/2; some dirt and light rust stains very nice impression. Hollstein 12; Dozy (as Nolpe) 226-249, Muller 2046, Van stolk 2192.

Print from a set of several months, which also depicts an element or season. This impression illustrates the month of June.In a hilly landscape shepherds taking care of their sheep within a fence. On the far left, a man shears a sheep, and another man catches anoher. A stable on the left.On the bottom of the margin is a two-line verse in Dutch and a two-line verse in French: Het schape scheren. / Le profit apprend.Signed at bottom, under the title: Pieter Nolpe fecit & Excud.After a composition by Pieter Potter, father to Paulus Potter. Etching on paper, trimmed on or within plate mark; total: 394 x 518 mm; state I/3; some staining and rubbing, traces of previous mounting on verso, otherwise in fair condition. Hollstein 259, Dozy 176.

Jan Martszen de Jonge (illustrator). 'AFBEELINGHE OP WAT WIJSE HAERE HOOGHEEDEN, MARIA STUART PRINCESSE ROJAEL, EN HAEREN SOON ZIJNE HOOGHEYT WILHELM VAN NASSOU, DE III PRINCE VAN ORANGIEN (.) OP DEN 15 VAN SOMERMAENT AO. 1660 (.)''These 5 sheets/parts (2-6) out of a series of 7 prints making one large print show the entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam. Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. Plate 1 is missing. Plate 2: The arrival of the procession with riders at the Haarlemmerpoort. The front rider, marked with the letter A, is Ritmeester Jan van Waveren. Plate 3: many men on horseback. Plate 4: Men on horseback led by squire Jacob de Graef (number B). Title, text and explanation who is who. Plate 5: Men on horseback. One horse with his ass in sight of the viewer. Plate 6: Carriage and horses in front with Maria Stuart. On the right on a staggering horse, his sword pointing in the air (number C) is Dirck Tulp. Plate number 7 is missing. Made by Pieter Nolpe after Jan Martszen de Jonge.Medium: Etching / Engraving on handlaid (verge) paper.Sheet size: 230 x 38.5 cm (90.55 x 15.16 inch). Image size: 224.5 x 31.5 cm. (88.39 x 12.4 inch).PROCESSION-MARIA STUART-PRINCESS OF ORANGE-AMSTERDAM-HAARLEMMERPOORT-PRINCE WILLIAM III-AMALIA VAN SOLMS-JAN VAN WAVEREN-JACOB DE GRAEF-DIRCK TULP-ENTRY | RB-T25-LARGEBACKGROUND INFORMATIONThis attractive print was published in the Northern Netherlands in 1638 - 1639 and / or 1660.Reference: FMH 2170; Hollstein Dutch 89-93.Biography engraver: Pieter Nolpe (1613/14-c.1652/3) was a Dutch printer, printmaker and publisher from Amsterdam in the St. Niclaes-straet.Biography artist: Jan Martszen de Jonge (Haarlem, circa 1609 - probably Haarlem or Amsterdam, after 1647), was a Dutch painter, best known for his landscapes with military combat and horsemen. Condition: fair, given age. Corners and margins creases and folds. Smudges in margins. Tears been restored. Paperloss in some places restored. Some plates have folds as published. Remains of blue paper in corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.