Philip Gerard (715 results)

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Paperback. Condition: Good. Experience the power and the promise of working in today' most exciting literary form: Creative Nonfiction Writing Creative Nonfictionpresents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including: .Terry Tempest Williams- Analyze your motivation for writing, its value, and its strength. .Alan Cheuse- Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live. .Phillip Lopate- Build your narrator-yourself-into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen. .Robin Hemley- Develop a narrative strategy for structuring your story and making it cohesive. .Carolyn Forche- Master the journalistic ethics of creative nonfiction. .Dinty W. Moore- Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction. .Philip Gerard- Understand the narrative stance-why and how an author should, or should not, enter into the story. Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction-whether biography, true-life adventure, memoir, or narrative history-a welcome, rewarding endeavor. You'll also find an exciting, creative nonfiction "reader" comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more-selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come.…

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paperback. Condition: Fair.

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Hardback. Condition: Good.

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Paperback. Condition: Good. In August 1898, Wilmington, North Carolina, was a mecca for middle-class Negroes. Many of the city's lawyers, businessmen, and other professionals were black, as were all the tradesmen and stevedores. Negroes outnumbered whites by more than two to one. But the white civic leaders, many descended from the antebellum aristocracy, did not consider this progress. They looked around and saw working class whites out of jobs. They heard Negroes addressing whites in the familiar. They hated the fact that local government was run by Republican Fusionists sympathetic to the black majority. Rumors began to fly. The newspaper office turned into an arsenal. Secret societies espousing white supremacy were formed. Isolated incidents occurred: a shot was fired through a streetcar bearing whites, a black cemetery was desecrated. This incendiary atmosphere was inflamed further by public speeches from an ex-Confederate colonel and a firebrand Negro preacher. One morning in November, the almost inevitable gunfire began. By the time order was restored, many of the city's most visible black leaders had been literally put on trains and told to leave town, hundreds of blacks were forced to hide out in the city's cemetery or the nearby swamps to avoid massacre, and dozens of victims lay dead. Based on actual events, Cape Fear Rising tells a story of one city's racial nightmare--a nightmare that was repeated throughout the South at the turn of the century. Although told as fiction, the core of this novel strikes at the heart of racial strife in America.…

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Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

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