Peters Revd (5 results)
King Henry the Eighth. Act V. Scene IV. The Palace.
[SHAKESPEARE]; PETERS, Revd W. painter); COLLYER, J. (engraver).
Published by London John and Josiah Boydell . 1803., 1798
- Art / Print / Poster
Seller: Robert Frew Ltd. ABA ILAB, London, United KingdomRobert Frew Ltd. ABA ILAB
Contact seller5-star sellerCondition: Used
£ 150.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketOriginal copper engraving (44 x 60 cm, overall sheet 53.5 x 66 cm). Scattered foxing to lower and right margins, small (3cm) tear to outer edge of upper margin, not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boyde…ll opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Merry Wives of Windsor. Act III. Scene III.
[SHAKESPEARE]; PETERS, W., The Revd. (painter); SIMON, I.P. (engraver).
Published by LondonJohn and Josiah Boydell . 1803., 1793
- Art / Print / Poster
Seller: Robert Frew Ltd. ABA ILAB, London, United KingdomRobert Frew Ltd. ABA ILAB
Contact seller5-star sellerCondition: Used
£ 150.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketOriginal copper engraving (c. 60 x 44 cm, overall sheet c. 68.5 x 55 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasi…ng paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Merry Wives of Windsor. Act II. Scene I.
[SHAKESPEARE]; PETERS, W., The Revd. (painter); THEW, Robert (engraver).
Published by LondonJohn and Josiah Boydell . 1803., 1793
- Art / Print / Poster
Seller: Robert Frew Ltd. ABA ILAB, London, United KingdomRobert Frew Ltd. ABA ILAB
Contact seller5-star sellerCondition: Used
£ 200.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketOriginal copper engraving (c. 60 x 44 cm, overall sheet c. 68.5 x 55 cm). From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclu…sively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Much Ado About Nothing. Act III. Scene I.
[SHAKESPEARE]; PETERS, Revd. W[illia]m (painter);SIMON, Peter (engraver).
Published by London John and Josiah Boydell . 1803., 1790
- Art / Print / Poster
Seller: Robert Frew Ltd. ABA ILAB, London, United KingdomRobert Frew Ltd. ABA ILAB
Contact seller5-star sellerCondition: Used
£ 200.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketOriginal copper engraving (60 x 44 cm, overall sheet 68.5 x 55 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing pai…ntings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
King Henry the Eighth. Act III. Scene I. A Room in the Queen's Apartments. The Queen and some of her Women at Work. Cardinals Wolsey & Campeius.
[SHAKESPEARE]; PETERS, the Revd. Will[ia]m (painter); THEW, Robert (engraver).
Published by London John and Josiah Boydell 1803., 1795
- Art / Print / Poster
Seller: Robert Frew Ltd. ABA ILAB, London, United KingdomRobert Frew Ltd. ABA ILAB
Contact seller5-star sellerCondition: Used
£ 200.00
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketOriginal copper engraving (44 x 60 cm, overall sheet 55 x 68 cm). From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively r…epresented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
