Pay Edward (26 results)

Hardcover. Condition: Good. No Jacket. Cynthia and Alvin Koehler, Louis Segal, Gisela Jordan, George Pay, Georgeann Helms, Ann Atene, Carol Kitzmiller, Edward John Smith, Roland Shutts, Ronald D. Schwartz, Allan Eitzen, Clifford Schule (illustrator). This is a copy of a childrens Winston Basic Reader called Skyways to Tomorrow, copyright 1961, hard cover, no dust jacket, written by Russell G. Stauffer, Alvina Treut and Dilys M. Jones, with various illustrators. The book has bumped corners and edge wear, previous owners name on inside front cover, school district number on first end page, otherwise in good condition with tight binding, nice illustrations and 302 pages. Size: 8vo - over 7¾" - 9¾" tall.

Soft cover. Condition: Fine. 1st Edition. Unused bookplate for Winifred Woods (and her dog Jerry) designed by Edward Pay. Initalled in the plate. 120x68mm. Circa 1920.

Soft cover. Condition: Fine. 1st Edition. Four unused bookplate panels designed by Edward Pay. Decorative borders around blank space. 110x40mm and similar. One initialled in plate.

Soft cover. Condition: Fine. 1st Edition. Photograph of a Roll of Honour for the 'Guild of Saint Hugh' 1920 designed by Edward Pay. Initialled in the design. 165x235mm.

Soft cover. Condition: Fine. 1st Edition. Coat of Arms for the 'Marquis of Carabas' designed by Edward Pay. Initalled in the plate. 65x60mm. Circa 1920.

Soft cover. Condition: Fine. 1st Edition. Colour printed 'Programme' on heavy card designed by Edward Pay. Initalled in the plate. 108x55mm. Circa 1920.

Soft cover. Condition: Fine. 1st Edition. Decorative border designed by Edward Pay. Initalled in the plate. 90x20mm. Circa 1910.

Soft cover. Condition: Fine. 1st Edition. 'Coridon' designed by Edward Pay. Prizewinning design for Studio competition (First Prize Comp. B.VII). Window mounted. 135x105mm. Circa 1910.

Soft cover. Condition: Fine. 1st Edition. Two colour design for the cover of an album of paper for 'British made Papers' by Edward Pay. Edward Pay. 250x160mm. Circa 1910.T.

Soft cover. Condition: Fine. 1st Edition. Decorative heading 'Contents'designed by Edward Pay. Initalled in the plate. 95x15mm. Circa 1910.

Soft cover. Condition: Fine. 1st Edition. Unused bookplate for Thomas F. Garnish designed by Edward Pay. Initalled in the plate. 95x70mm. Circa 1920.

Soft cover. Condition: Fine. 1st Edition. Unused bookplate for Lilly Garnish designed by Edward Pay. Initalled in the plate. 90x70mm. Circa 1920.

Soft cover. Condition: Good. 1st Edition. Proof two colour design for the cover of an edition of 'Puss in Boots' from the Fairy library by Edward Pay. 205x235mm. Extensively frayed in margins. Circa 1910.

Soft cover. Condition: Fine. 1st Edition. Original design for a 'Dedication' by Edward Pay. Pen and ink on card. stamp of E.S.K. lower left. 205x145mm. Circa 1920.

Single Sheet. Condition: Good. No Jacket. Pay, Edward. (illustrator). First Edition. Proof sheet for a calendar 1913. Initialled in the plate. Heavily creased.

Soft cover. Condition: Fine. 1st Edition. Design for the cover of a trade catalogue for 1904 of Chas. P. Kinnell of Southwark. by Edward Pay. Mounted on paper.Initialled in plate. 175x108mm.

Soft cover. Condition: Fine. 1st Edition. Calendar 1915. Designed by Edward Pay. With a vignette of Flora Printed on paper. Mounted on card, with damage in margins for removal of mount. 205x140mm. Circa 1920.

Single Sheet. Condition: Good. No Jacket. Pay, Edward. (illustrator). First Edition. An original calendar, a proof for the artist, mounted on card, with heavy glue residue for the removal of mount. Initialled in plate.

Single sheet. Condition: Fine. First edition. Title page for 'The Compleat Angler'designed by Edward Pay. For an edition published by J.Souter, London 1901. Mounted on card. London: 72x98mm.

No Binding. Condition: Very Good. No Jacket. Pay, Edward. (illustrator). 1st Edition. Circa 1920. Original ink design on card, initialled 'E.P.' in image.

Condition: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Soft cover. Condition: Fine. 1st Edition. 'A Merry Christmas' An original ink and wash design by Edward Pay. 108x130mm. Circa 1910.

2000 2ªEd. 295pp 4ºm(24x16) Tela edit con sobrecubiertas Buen estado .

Original letters home from the front comprising of 16 Complete long letters (Inc two from Morfa Camp, Conway) One incomplete letter dated 30 Sept 1917 , Three notes (one dated April 1920) One Envelope sent ÒOn Active ServiceÓ + Four examples of Edward PayÕs design work 2 bookplates,a calendar for 1913 with his initials and an etching of Dell Quay with his name dated 1911 Edward H.Pay was a pre War draftsman and artist who enlisted in The Royal Engineers c1916 . After basic training in North Wales he was posted to 75th Field Coy RE (Under the Command of Major R.Briggs DSO.MC) Which formed part of The Guards Division. 75th were tasked with Bridge building, Wire laying, trench making and constructing water supply for the Division. The letters all mostly sent to his Wife Jennie at Honor Oak Park SE23. Most are long readable letters mindful of the official censor Wed Sept 26 1917, Got back to my company last Thursday afternoon and found the Sgt Major away on leave also the Sergeant in charge of HQ Section and the pay Cpl in the office had stopped work because he said he should have been away on leave and only my going to the Colonels office has upset his lordship. Will the Cpl went on leave on Monday night and left me a nice legacy of back work!! The Major has twigged so I think the Cpl will have a warm reception when he returns! July 21st Many thanks for The Strand Magazine and Punch!! We have Two RAMC men attached to us for water duties they attend to the water cart which supplies us with Water and goes to special places The Water is brought to us in Petrol cans. During the period of the writing of these letters Guards Division were taking part in The Cambrai Offensive, Arras as well as vital defence of The Scarpe Sector. ( Hedlam,History of The Guards Division in The Great War refers) All in Vg condition Certainly worth further research.

Cloth. Condition: Very Good. None (illustrator). First edition. An exceptionally scarce advanced copy of W. B. Yeats's mid-1910s poetry collection, marking a dividing point between his early Celtic revival influences, and his later more modern work. A vanishingly scarce advanced copy of this very scarce limited edition work, of which 200 were produced.Wade, Yeat's chief bibliographer, in 'A Bibliography of the Writings of W. B. Yeats', explains 'some copies on Italian hand-made paper are without the statement of limitation and agents' address on verso of front cover; these are said to be the earlier state, and I believe them to be advance copies'. Wade, 114.One of nine out of series copies produced on Italian, watermarked AD 1470.With the bookplate of Milton McC. Gatch to the verso of the front wrap. He was an American theologian, librarian and scholar of Anglo-Saxon and medieval Christian literature who served as a professor, Dean and Provost at Union Theological Seminary in New York.This collection, including The Dawn, On Woman, The Fisherwoman, The Hawk, Memory, The Thorn Tree, His Phoenix and There Is a Queen in China, range in subject from nature and memory to mythic and symbolic subjects. In the publisher's original paper wraps. Significant spotting to front wrap, with handling marks to perimeters of rear wrap. Significant closed tear to head of front wrap, with further closed tear to tail of front wrap. Bookplate to verso of front wrap. Internally, firmly bound. Pages clean and bright. Very Good. book.

Condition: Very Good. First Edition. First edition, number 18 of 122 copies printed on Italian hand-made paper, from an edition of 200 copies only. Folio. Bound in publisher's white wraps printed in black, title page printed in red. Very Good. Covers generally spotted, spine sewing just loose at bottom though the quire still attached and sound, some minor tears at the wrapper edges but the spine unsplit, and internally fresh. A scarce collection of the Irish poet and dramatist's poetry with a single figurative illustration by English artist and occultist Austin Osman Spare. Wade 114.