Paul Oreilly (86 results)

Condition: Very Good. Martin, Paul (illustrator). Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. Martin, Paul (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Martin, Paul (illustrator). ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Paperback, 1991 ). 1991 1st edition. 8vo paperback (164 x 234mm). Pp96. B/w line illustrations by Paul Martin, bibliography. Used but solidly intact, second-hand paperback. "Pat O'Reilly, an expert trout fisherman who runs the West Wales School of Fly Fishing, fills the reader with enthusiasm for the sport. In a number of straightforward, clearly defined stages, Pat explains the tackle, techniques and tactics required to be a successful river trout fisherman". Sections and topics include: The quarry - varieties of trout, life cycle, habits, trout rivers; Tackle; Techniques - casting, fishing the wet fly, fishing the dry fly, nymph fishing; Trout food and its imitation - food sources, upwinged flies, sedge flies, stone-flies, other food forms, fly behaviour; Rivercraft - finding lies, concealment, stalking, rise forms; Tactics. .

Condition: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Martin, Paul (illustrator). ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Paperback, 1991 ). 1991 1st edition. 8vo paperback (164 x 234mm). Pp96. B/w line illustrations by Paul Martin, bibliography. From the library of angling author Barrie Rickards, with his name to the title page. Slightly used but very good. "Pat O'Reilly, an expert trout fisherman who runs the West Wales School of Fly Fishing, fills the reader with enthusiasm for the sport. In a number of straightforward, clearly defined stages, Pat explains the tackle, techniques and tactics required to be a successful river trout fisherman". Sections and topics include: The quarry - varieties of trout, life cycle, habits, trout rivers; Tackle; Techniques - casting, fishing the wet fly, fishing the dry fly, nymph fishing; Trout food and its imitation - food sources, upwinged flies, sedge flies, stone-flies, other food forms, fly behaviour; Rivercraft - finding lies, concealment, stalking, rise forms; Tactics. .

Martin, Paul (illustrator). ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Paperback, 1991 ). 1991 1st edition. Small 4to paperback (165 x 236mm). Pp96. B/w line illustrations by Paul Martin. Some browning and use but good copy. The author describes "the basic tools and materials .the basic tying techniques [and] a range of successful flies for the main game fish species .from simple but effective wet flies and nymphs to more demanding patterns". .

Soft cover. Condition: Near Fine. 1985, Oxfordshire County Museum, sm.sq.4to., 63pp., black & white illustrations, near fine, wrappers. With price list inserted.

Condition: new. Martin, Paul (illustrator). ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (New, Paperback, 1991 ). 1991 1st edition. 8vo paperback (164 x 234mm). Pp96. B/w line illustrations by Paul Martin, bibliography. Fine new copy. "Pat O'Reilly, an expert trout fisherman who runs the West Wales School of Fly Fishing, fills the reader with enthusiasm for the sport. In a number of straightforward, clearly defined stages, Pat explains the tackle, techniques and tactics required to be a successful river trout fisherman". Sections and topics include: The quarry - varieties of trout, life cycle, habits, trout rivers; Tackle; Techniques - casting, fishing the wet fly, fishing the dry fly, nymph fishing; Trout food and its imitation - food sources, upwinged flies, sedge flies, stone-flies, other food forms, fly behaviour; Rivercraft - finding lies, concealment, stalking, rise forms; Tactics. .

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. 1st Edition. new unused but some wear to cover.

Martin, Paul (illustrator). ALL UK PARCELS SENT TRACKED! ALL OVERSEAS PARCELS SENT AIRMAIL, TRACKED! (S/hand, Paperback, 1991 ). 1991 1st edition. Small 4to paperback (165 x 236mm). Pp96. B/w line illustrations by Paul Martin. Previous owner's name to end-paper. Some use but very good. The author describes "the basic tools and materials .the basic tying techniques [and] a range of successful flies for the main game fish species .from simple but effective wet flies and nymphs to more demanding patterns". .

Soft cover. Condition: Good. Staining to the top of the text block; front and back covers are stained, corners and edges are slightly bumped.

Condition: As New. O'Reilly, Paul (illustrator). Unread book in perfect condition.

Condition: New. In.

Condition: Muy bueno. : Este libro recopila ensayos de líderes del movimiento de código abierto, ofreciendo una visión de cómo funciona, por qué tiene éxito y hacia dónde se dirige. Los colaboradores, líderes en el ámbito del código abierto, comparten sus perspectivas sobre esta nueva visión de la industria del software. El libro explora cómo el desarrollo abierto construye un mejor software y cómo las empresas pueden aprovechar el software disponible gratuitamente para obtener una ventaja competitiva. Se examina por qué la mayoría de los servidores de Internet utilizan tecnologías de código abierto y cómo productos clave desarrollados con este tipo de software han superado los esfuerzos comerciales de empresas multimillonarias. EAN: 9781565925823 Tipo: Libros Categoría: Tecnología|Ciencias Título: Open Sources: Voices from the Open Source Revolution Autor: Chris DiBona| Sam Ockman| Mark Stone| Brian Behlendorf| Scott Bradner| Jim Hamerly| Kirk McKusick| Tim O'Reilly| Tom Paquin| Bruce Perens| Eric Raymond| Richard Stallman| Michael Tiemann| Linus Torvalds| Paul Vixie| Larry Wall| Bob Young Editorial: O'Reilly Idioma: en Páginas: 280 Formato: tapa blanda.

Paperback. Condition: New. Although little is recorded of its earlier history, Salford is a city of great antiquity. In 1228, Henry III granted the Lancashire town the right to hold a market and an annual fair. Centuries later, it was the Industrial Revolution that had a phenomenal impact, with Salford becoming one of the greatest cotton towns. With the opening of the Manchester Ship Canal in 1894, the newly built docks in Salford became another major factor shaping the local economy. Today the city is made up of five districts: Salford, Eccles, Worsley, Irlam and Cadishead, and Swinton and Pendlebury. Home to 220,000 people, Salford is constantly changing and moving into an exciting future as a thriving cultural, economic and residential location.In Salford in 50 Buildings, authors Carole O'Reilly and Paul Rabbitts uncover fifty of the city's architectural treasures and landmarks from across the centuries. These are the places that reflect the city's history and tell the stories of its people and their way of life. Among those featured are university buildings, the cathedral, Irlam railway station, Worsley Old Hall, Ordsall Hall, together with schools, shops, pubs and churches. Each one chronicles a fascinating aspect of the city's cultural, social and industrial heritage.From urban buzz to greenbelt tranquillity, Salford is building on the mixture of its waterfront, urban and countryside environments to create places where people want to live, work, invest and visit. Its modern structures reflect this change including iconic buildings such as the Lowry Theatre and Salford Quays. The city celebrates its Victorian heritage as well as embracing the future with stunning new architecture.

Soft cover. Condition: As New. No damage, markings or signs of use. 1999 paperback. The photo is of the actual book you will receive. Fast dispatch from UK seller.

Wraps. Condition: Very Good. Dust Jacket Condition: No d/w. First Edition. 150pp; Size: 12mo. Inscribed by Author(s). Book.

Soft. Condition: Good Minus. No Jacket. Catalogue of a touring and selling exhibition of contemporary ceramics, 1984-1985. Soft covers lightly rubbed, edgeworn, spine sunned and edgeworn, small crease to reading edge of front cover, otherwise pp clean and bright, binding tight and secure. Size: 8vo. Exhibition Catalogue.

Soft cover. Condition: Fine. 1st Edition.

Paperback (No Dust Wrapper.). Condition: Very Good. Paperback. ; Measures 8¾" x 9¾" (1 kg); pp 166; Illustrated by way of: Colour Plates; Published to coincide with the opening of EV+A 1998 (Exhibition of Visual + Art 1998), Limerick, 2nd October 1998. || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #178402 ||.

paperbound, flaps, square 8vo 48 pp., ca. 30 plates sumptuously polychromed sculptures reminiscent of Italian romanesque stature; very good condition.

Spiral bound. Condition: Very Good. Illustrated by Charles O'Reilly (illustrator). First Edition. Slight age toning to pages. ; A genuine publication of apparently Roneoed pages. Good content. ; B & W photographs; 11.5 x 8.7 x 0.45"; 94 pages.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill. (some col.); 26 cm. Notes; Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010. Includes bibliographical references (p. 150-151) and index. Includes a foreword by Penelope Curtis. Contents; What's so funny about British art? / Martin Myrone -- Carry on Tate / Cedar Lewisohn -- British comic art -- Frames of reference: the progress of comics / Paul Gravett -- Social satire and the grotesque -- Politics -- The worship of Bacchus -- The bawdy -- Bawdy beautiful / Sally O'Reilly -- The absurd -- Cedar Lewisohn. Summary; Put together with some the country's best-known cartoonists and comedy writers, this exhibition explores British comic art from the 1600s to the present day. Bringing together a wide array of paintings, sculptures, film and photography, as well as graphic art and comic books, the exhibition celebrates a rich history of cartooning and visual jokes. The room on the Absurd is curated by comedian Harry Hill, and includes such diverse materials as Alice in Wonderland illustrations, David Shrigley's sculpture, and films by Edwina Ashton and Oliver Michaels. Within the Bawdy, Donald McGill's smutty seaside postcards can be seen with works by artists as different as Aubrey Beardsley, Sarah Lucas, and Grayson Perry. The rooms exploring Politics, Social Satire and Cruikshank's Victorian masterpiece The Worship of Bacchus, have been put together with Gerald Scarfe, Steve Bell, and the cartoonists from Viz. These show the power of comic art as a form of social and political commentary throughout history, from satires of Georgian society by Rowlandson and Gillray to Spitting Image's damning Thatcher puppet. Looking at comedy that is both timeless and of-its-time, Rude Britannia contrasts contemporary artists such as Angus Fairhurst with key historical pieces, and covers everything from Hogarth to the YBAs. Comic Art - art that gains its effect through visual humour, caricature, exaggeration and slapstick, whether in print, reproduction or through the moving image - has long helped shape and inform British culture. This entertaining and irreverent history aims to present a wide-screen vision of comic art, from Hogarth to Spitting Image, from Michelangelo to The Mighty Boosh. Tackling the big themes of morality, politics, the bawdy and the absurd, from the eighteenth century to the present day, it will feature works by classic cartoonists and caricaturists, from Gillray, Rowlandson and Cruikshank, to Edward Lear, Heath Robinson, Oz and Viz magazine. Many of the greatest cartoonists and comic artists of recent years will be featured, including Steve Bell, Robert Crumb, David Low and Ronald Searle. Beginning with the origins of the caricature, the book's journey encompasses cartoons, comic books, film, photography, audio, new media and contemporary art. It will trace the development of different genres and techniques, and deal with the development of successive media, from the engraving through to the newspaper and the online blog. Humour is a weapon and a corrective. Over the period covered by the book it is seen to take on social commentary, politics, satire, sex, morality and the absurd. Politicians are remorselessly pilloried and pretensions pricked. The pious are revealed as hypocrites and the rich and famous as fools. Through extensive illustrations of classic and little known facets of comic art, the book succeeds in telling an alternative history of Britain. Leading critics will be joined by well-known comedians, cartoonists and historians, making this a very contemporary take on what is still a rich and vibrant seam in the public life of the nation. Subjects; Tate Britain (Gallery) - Exhibitions. Tate Britain (London, England) - Exhibitions. Wit and humor in art - History - Exhibitions. Wit and humor, Pictorial - Exhibitions. Art - Great Britain - Themes,

Hardcover. Condition: Very Good. No Jacket. Family-owned bookshop in Steubenville, Ohio. Books shipped within 24 hours. Clean!! No Marks. Light Wear On Cover. No Dust Jacket. . . . . . . . TABLE OF CONTENTS: 1.) The Pope as Teacher -- 2.) Pope and Council -- 3.) Papal Primacy and Infallibility: What does Pope Paul Say? -- 4.) What Has Pope Paul Been Doing? -- 5.) What Does It Mean to Be a Christian? -- 6.) The Seriousness of Our Claim to Be Catholics -- 7.) Pope Paul, Man of Faith -- 8.) What Church Did Jesus Christ Actually Found? -- 9.) The Pope and the Mother of God -- 10.) The Pope and the Eucharist -- 11.) The Humanism of Pope Paul -- * Bibliography.

Hard Cover. Condition: New. Dust Jacket Condition: New. A stock image [photo] is an accurate representation of the listed book's dust jacket design. No remainder marks. Pages: xiii, 242 including index. Published at $28.00. Illustrated throughout with B&W graphics. Red boards, white and pale blue lettering. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described.

1st edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 160 p.: ill. (some col.); 26 cm. Notes; Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010. Includes bibliographical references (p. 150-151) and index. Includes a foreword by Penelope Curtis. Contents; What's so funny about British art? / Martin Myrone -- Carry on Tate / Cedar Lewisohn -- British comic art -- Frames of reference: the progress of comics / Paul Gravett -- Social satire and the grotesque -- Politics -- The worship of Bacchus -- The bawdy -- Bawdy beautiful / Sally O'Reilly -- The absurd -- Cedar Lewisohn. Summary; Put together with some the country's best-known cartoonists and comedy writers, this exhibition explores British comic art from the 1600s to the present day. Bringing together a wide array of paintings, sculptures, film and photography, as well as graphic art and comic books, the exhibition celebrates a rich history of cartooning and visual jokes. The room on the Absurd is curated by comedian Harry Hill, and includes such diverse materials as Alice in Wonderland illustrations, David Shrigley's sculpture, and films by Edwina Ashton and Oliver Michaels. Within the Bawdy, Donald McGill's smutty seaside postcards can be seen with works by artists as different as Aubrey Beardsley, Sarah Lucas, and Grayson Perry. The rooms exploring Politics, Social Satire and Cruikshank's Victorian masterpiece The Worship of Bacchus, have been put together with Gerald Scarfe, Steve Bell, and the cartoonists from Viz. These show the power of comic art as a form of social and political commentary throughout history, from satires of Georgian society by Rowlandson and Gillray to Spitting Image's damning Thatcher puppet. Looking at comedy that is both timeless and of-its-time, Rude Britannia contrasts contemporary artists such as Angus Fairhurst with key historical pieces, and covers everything from Hogarth to the YBAs. Comic Art - art that gains its effect through visual humour, caricature, exaggeration and slapstick, whether in print, reproduction or through the moving image - has long helped shape and inform British culture. This entertaining and irreverent history aims to present a wide-screen vision of comic art, from Hogarth to Spitting Image, from Michelangelo to The Mighty Boosh. Tackling the big themes of morality, politics, the bawdy and the absurd, from the eighteenth century to the present day, it will feature works by classic cartoonists and caricaturists, from Gillray, Rowlandson and Cruikshank, to Edward Lear, Heath Robinson, Oz and Viz magazine. Many of the greatest cartoonists and comic artists of recent years will be featured, including Steve Bell, Robert Crumb, David Low and Ronald Searle. Beginning with the origins of the caricature, the book's journey encompasses cartoons, comic books, film, photography, audio, new media and contemporary art. It will trace the development of different genres and techniques, and deal with the development of successive media, from the engraving through to the newspaper and the online blog. Humour is a weapon and a corrective. Over the period covered by the book it is seen to take on social commentary, politics, satire, sex, morality and the absurd. Politicians are remorselessly pilloried and pretensions pricked. The pious are revealed as hypocrites and the rich and famous as fools. Through extensive illustrations of classic and little known facets of comic art, the book succeeds in telling an alternative history of Britain. Leading critics will be joined by well-known comedians, cartoonists and historians, making this a very contemporary take on what is still a rich and vibrant seam in the public life of the nation. Subjects; Tate Britain (Gallery) - Exhibitions. Tate Britain (London, England) - Exhibitions. Wit and humor in art - History - Exhibitions. Wit and humor, Pictorial - Exhibitions. Art - Great Britain - Themes, motives - Exhibitions. English wit and humor, Pictorial - Exhibitions. Comic, The, in art - Great Britain - History. English wit and humour, Pictorial. Cartoons and comics - Great Britain - History - Exhibitions. Comic books, strips, etc. - Great Britain - History and criticism. Caricatures and cartoons - Great Britain - History - Exhibitions. Humor in art - Exhibitions. Caricatures - United Kingdom. Humorous Art - United Kingdom. Great Britain - Social conditions - Exhibitions. BRITISH COMICS - COMICS. Popular culture. Comic book & cartoon art; Exhibition catalogues and specific collections; British Isles. ART / Techniques / Cartooning. ART / European. Great Britain - Social conditions. Art - Great Britain - Themes, motives. 1 Kg.

Condition: Good. . Unknown Binding. 12pp. n.d. First edition copy. . . . Books ship from the US and Ireland.

Condition: Very Good. 15 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Trade Paperback. Condition: Very Good. Faye Keegan Design (Cover Design); Padraig O'Reilly (Cover Image) (illustrator). 326 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Slightly creased front cover and spine. Light foxing on page edges.