Pascal Blanchard Eric Deroo Gilles (46 results)

Soft cover. Condition: Very Good. 1st Edition. Human Zoos. Science & Spectacle in the Age of Colonial Empires. Blanchard, Bancel, et al. [2008] first softcover edition; Liverpool; very good or better condition. Illustrated. Unmarked, glossy, and generally appears unread. A touch of wear at edge near spine extremes; a couple of dust-spots on bottom textblock edge. A wonderful copy, overall.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. SUPER FAST SHIPPING.

Condition: New. 2008. Illustrated. Paperback. . . . . .

Paperback. Condition: New. 'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo. Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Paperback. Condition: new. Paperback. Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these anthropo-zoological exhibitions, exotic individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo Through Barnums freak shows, Hagenbecks ethnic shows (touring major European cities from their German base), French-style villages negres, as well as the great universal and colonial exhibitions, the West invented the savage, exhibited the peoples of the world, whilst in many cases preparing for or contributing to their colonization This first mass contact between us and them, between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America. Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. This book puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. It allows us to understand the genesis of identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condition: new.

Condition: Neuf.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 770.

Condition: New. 2008. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New. 'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo. Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Paris, Ed. de la découverte, 2002. In-8 broché, couv. ill. en coul., 479 pp., qq. ill. en n/b. in-t., bibliographie générale, présentations des auteurs in fine. Epuisé chez l'éditeur. De la Collection : Textes à l'appui. série Histoire contemporaine /111E Bon ex.

Paperback. Condition: Brand New. revised edition. 352 pages. 8.98x6.14x1.18 inches. In Stock.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2001. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2001. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: NEW.

Condition: New. Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. This book puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction.

Paperback. Condition: Brand New. revised edition. 352 pages. 8.98x6.14x1.18 inches. In Stock.

Paperback. Condition: New. 'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo. Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Taschenbuch. Condition: Neu. Neuware - Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. This book puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. It allows us to understand the genesis of identity.

Paperback. Condition: new. Paperback. Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these anthropo-zoological exhibitions, exotic individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo Through Barnums freak shows, Hagenbecks ethnic shows (touring major European cities from their German base), French-style villages negres, as well as the great universal and colonial exhibitions, the West invented the savage, exhibited the peoples of the world, whilst in many cases preparing for or contributing to their colonization This first mass contact between us and them, between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America. Human zoos, forgotten symbols of the colonial era, have been totally repressed in our collective memory. This book puts into perspective the spectacularization of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. It allows us to understand the genesis of identity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. 'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo. Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Condition: New. SUPER FAST SHIPPING.

Condition: As New. Unread book in perfect condition.