Oldenburg Christopher (44 results)

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Sacred words often provide succor, summoned to comfort individual victims and entire communities ravaged by acts of violence. History also demonstrates, however, that religious discourse, like rhetoric itself, functions as a pharmakon-both a remedy and a poison. Religious discourse evoked to incite or justify violence functions as a kind of rancor or intense partisan anger that distorts reality, exacerbates harm, and eschews the accountability of its perpetrators. Moreover, a third function of religious rhetoric synthesizes sacred succor and rancor to express the productive tension of righteous indignation employed by speakers to decry violence and demand social justice.This compendium of both historic and contemporary speeches on the intersecting themes of religion, rhetoric, and violence endeavors to complicate the rhetoric/violence binary by interpolating religion (another foundational and cultural belief inextricably entangled with both rhetoric and violence) into the dialectic.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. No Jacket. First Edition. xxxviii, 142pp., (i). Just a touch of wear to exterior. Text clean. Binding sound Size: 8vo - over 7¾ - 9¾" tall. Book.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Trade Paperback. Condition: Very Good. Peter Oldenburg (Cover Design) (illustrator). 521 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Stains on bottom edge.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Sacred words often provide succor, summoned to comfort individual victims and entire communities ravaged by acts of violence. History also demonstrates, however, that religious discourse, like rhetoric itself, functions as a pharmakon-both a remedy and a poison. Religious discourse evoked to incite or justify violence functions as a kind of rancor or intense partisan anger that distorts reality, exacerbates harm, and eschews the accountability of its perpetrators. Moreover, a third function of religious rhetoric synthesizes sacred succor and rancor to express the productive tension of righteous indignation employed by speakers to decry violence and demand social justice.This compendium of both historic and contemporary speeches on the intersecting themes of religion, rhetoric, and violence endeavors to complicate the rhetoric/violence binary by interpolating religion (another foundational and cultural belief inextricably entangled with both rhetoric and violence) into the dialectic.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Paperback. Condition: New. Sacred words often provide succor, summoned to comfort individual victims and entire communities ravaged by acts of violence. History also demonstrates, however, that religious discourse, like rhetoric itself, functions as a pharmakon-both a remedy and a poison. Religious discourse evoked to incite or justify violence functions as a kind of rancor or intense partisan anger that distorts reality, exacerbates harm, and eschews the accountability of its perpetrators. Moreover, a third function of religious rhetoric synthesizes sacred succor and rancor to express the productive tension of righteous indignation employed by speakers to decry violence and demand social justice.This compendium of both historic and contemporary speeches on the intersecting themes of religion, rhetoric, and violence endeavors to complicate the rhetoric/violence binary by interpolating religion (another foundational and cultural belief inextricably entangled with both rhetoric and violence) into the dialectic.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Sacred words often provide succor, summoned to comfort individual victims and entire communities ravaged by acts of violence. History also demonstrates, however, that religious discourse, like rhetoric itself, functions as a pharmakon-both a remedy and a poison. Religious discourse evoked to incite or justify violence functions as a kind of rancor or intense partisan anger that distorts reality, exacerbates harm, and eschews the accountability of its perpetrators. Moreover, a third function of religious rhetoric synthesizes sacred succor and rancor to express the productive tension of righteous indignation employed by speakers to decry violence and demand social justice.This compendium of both historic and contemporary speeches on the intersecting themes of religion, rhetoric, and violence endeavors to complicate the rhetoric/violence binary by interpolating religion (another foundational and cultural belief inextricably entangled with both rhetoric and violence) into the dialectic.

Hardcover. Condition: Brand New. 210 pages. 9.25x6.25x0.75 inches. In Stock.

Soft cover. Condition: Near Fine. 1st Edition. Near Fine staple-bound paperback. Overall a bright and attractive copy. No signs of wear or aging. Illustrated throughout, with 3 fold-out plates.

Soft cover. Condition: Very Good. 1st Edition. Excellent overall condition of this rare issue of Design Quarterly. Lightly bumped at bottom corner of the back extending from the back cover in several pages but not disrupting the content, including the fold out pieces by Tony Shafrazi. Now in custom cut mylar. Includes work by Le Corbusier, Robert Grovrenor, Robert Rauschenberg, Frank Stella, Dan Flavin, Donald Judd, Marcel Duchamp, Claes Oldenburg, Robert Morris, Tony Shafrazi, Richard Hamilton, Joe Goode, Ed Ruscha, Lucas Samaras, Eduardo Paolazzo, Bob Graham and Walter De Maria.

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Sacred words often provide succor, summoned to comfort individual victims and entire communities ravaged by acts of violence. History also demonstrates, however, that religious discourse, like rhetoric itself, functions as a pharmakon-both a remedy and a poison. Religious discourse evoked to incite or justify violence functions as a kind of rancor or intense partisan anger that distorts reality, exacerbates harm, and eschews the accountability of its perpetrators. Moreover, a third function of religious rhetoric synthesizes sacred succor and rancor to express the productive tension of righteous indignation employed by speakers to decry violence and demand social justice.This compendium of both historic and contemporary speeches on the intersecting themes of religion, rhetoric, and violence endeavors to complicate the rhetoric/violence binary by interpolating religion (another foundational and cultural belief inextricably entangled with both rhetoric and violence) into the dialectic. 240 pp. Englisch.