Nicholas R M Martin (87 results)

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condition: Good. Used book that is in clean, average condition without any missing pages.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New. Tidwell, True Turner (illustrator).

Condition: New.

Condition: New. SUPER FAST SHIPPING.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New. SUPER FAST SHIPPING.

Condition: New. SUPER FAST SHIPPING.

Condition: New.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Condition: Brand New. 2nd edition. 159 pages. 11.00x8.75x0.75 inches. In Stock.

Condition: New. In.

Paperback. Condition: Brand New. 160 pages. 11.00x8.50x0.37 inches. In Stock.

1st edition. Provenance: Bookplate of Suzanne Eward. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; plates, illustrations, maps ; 32 cm. Contents; v.4. The city of Gloucester. Subjects; Gloucestershire (England) History. Antiquities. 1 Kg.

Hardcover. Condition: Very good. First edition. Quarto (12" x 8-1/2"). vi, 286, (4)pp. Text in either English or Italian, with some notes in Hebrew and Greek. Red buckram lettered in white. Illustrated with a frontispiece portrait of Frendo, plus numerous drawings & photos, a map, chronological chart and an archaeological ground plan. Edges a bit rubbed. This is an ex-library copy but with limited markings (i.e., rubber stamp on title and at bottom of text block). This volume is dedicated to Anthony J. Frendo, professor of Near Eastern Archaeology and Hebrew Bible at the University of Malta, and it contains papers presented by his colleagues, students, and friends. Frendo has dedicated the largest part of his academic career - in print as well as in class - to exploring the relationship between text and artifact. Appropriately, therefore, many of the collected essays operate at this interface between disciplines while focusing on a diverse array of material, such as Hebrew, Aramaic, and Punic epigraphy, Phoenician/Punic textual and material culture, ancient Near Eastern archaeology, biblical texts, the Dead Sea Scrolls, as well as elements from Maltese archaeology, including a cuneiform inscription found at a local sanctuary at Tas-Silg. (Publisher) Contents: "What mean these stones?" (Joshua 4:6, 21) : honouring the academic legacy of Anthony J. Frendo / Dennis Mizzi, Nicholas C. Vella, and Martin R. Zammit -- Anthony J. Frendo : list of publications, 1981-2016 / Edited by Dennis Mizzi -- The cuneiform inscription found at Tas-Sil? (Malta), banded agate, "targets," and "cushions" / Stephanie Dalley -- New reflections on the Aramaic inscriptions of Nerab / Kevin J. Cathcart -- Message decoding : what does the inscription of Lachish 2 represent? / Abigail Zammit -- The Phoenician papyrus from Tal-Virtù, Malta / Philip C. Schmitz -- Due iscrizioni neopuniche nel Museo archeologico Nazionale di Napoli / Maria Giulia Amadasi Guzzo -- Girna : etymological considerations on the Maltese corbelled hut / Martin R. Zammit -- In search of Nimrod : problems in the interpretation of Genesis 10:8-12 / John Day -- A terrified fugitive dissolves the problems of Isaiah 10:18 / H. G. M. Williamson -- Some notes on Götterpolemik in Isaiah 57 / Hans M. Barstad -- Wrestling with God : literary encounters with the divine, from Jacob to T. S. Eliot / Peter Vassallo -- The biblical sources in the Tristia ex Melitogaudo : lament in Greek verse of a 12th-century exile on Gozo / Horatio C. R. Vella -- A cultural biography of a banded agate object / Claudia Sagona and Antonio Sagona -- Warfare in the Ancient Near East : a look into the human perspective / Rebecca Farrugia -- Aulul. 566 e l'improbabile "lanterna punica" / Rossana De Simone -- Iscrizioni puniche su roccia e su supporto mobile dalla necropoli meridionale di Tharros : nota sui dati antiquari / Carla Del Vais -- From prehistoric to historic Malta : a discussion of the sources / Anthony Bonanno -- Pure matter : on the ritual-purity status of glass at Qumran / Dennis Mizzi -- Placing coin hoards : a case study of two hoards from Malta / Richard Reece. (OCLC) Supplement 50 of the Peeters Series, "Ancient Near Eastern Studies.".

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Hardcover. Condition: New.

Condition: New.

[9285].

Leather Bound. Condition: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1859. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 4, Pages:- 473, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 4 473.