Nasar Hammad (66 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: New.

Paperback. Condition: Good. Paperback. Text is in English and Urdu. Superficial marks on covers. Leading corners, edges and spine ends are slightly worn. Abrasion on spine foot. Binding is intact, contents are clean and clear. AM. Used.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century. AUTHORS: Hammad Nasar is a curator, writer, researcher and strategic advisor. He is presently Senior Research Fellow, Paul Mellon Centre (London). Earlier he was Lead Curator, Herbert Art Gallery & Museum (Coventry); Executive Director of the Stuart Hall Foundation, London; Head of Research & Programmes at Asia Art Archive, Hong Kong; Principal Research Fellow, UAL Decolonising Arts Institute, and co-founded Green Cardamom, London. His most recent exhibitions include British Art Show 9, Turner Prize (2021), Speech Acts: Reflection-Imagination-Repetition (2018-19) and Rock, Paper, Scissors: Positions in Play the UAE's pavilion at the 57th Venice Biennale (2017). He was awarded an MBE for services to the arts in 2023. Sarah Victoria Turner is an art historian, curator and writer. She is Acting Director at the Paul Mellon Centre for Studies in British Art in London, which is part of Yale University, and has taught art history at the University of York and the Courtauld Institute of Art in London. Sarah is a Fellow of the Royal Society of Arts. She is the founding co-editor of British Art Studies, an award-winning digital arts publication. Amy Tobin is associate professor in the Department of History of Art, University of Cambridge and curator, contemporary programmes at Kettle's Yard. Her research addresses histories of collaboration and collectivity in modern and contemporary art. She has published widely, her book on the women's art movement is published by Yale University Press. SELLING POINTS: . The first book to focus on the LYC Museum & Art Gallery, rather than Li Yuan-chia's practice as a whole . A fresh account of 20th century British art centering diverse artists and cultural figures including Li, as well as Audrey Barker, Thetis Blacker, Lygia Clark, Delia Derbyshire, Andy Goldsworthy, Madelon Hookyaas and Elsa Stansfield, dom sylvester houedard, Claire Langdown, Liliane Lijn, David Medalla, David Nash, Winifred Nicholson, Mira Schendel, Takis and Shelagh Wakely . A standalone history of the LYC that accompanies an exhibition of the same name at Kettle's Yard, Cambridge (11 November 202318 February 2024) . This book traces the impact of Li's practice at the LYC, and beyond, on the contemporary moment and in relation to contemporary artistic and curatorial work . Richy illustrated with reproductions of works in the exhibition and beyond, as well as rarely seen archival material . A new approach to an artist who is quickly Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condition: Very Good. Cover and edges may have some wear.

Softcover, 102 pages; in English and Sindhi; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. Making New Worlds: Li Yuan-chia and Friends is the first book to document the extraordinary activity at the LYC Museum and Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts - by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer and Harriet Aspin, Nicola Simpson and Diana Yeh - that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.

Paperback. Condition: New. Making New Worlds: Li Yuan-chia and Friends is the first book to document the extraordinary activity at the LYC Museum and Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts - by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer and Harriet Aspin, Nicola Simpson and Diana Yeh - that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.

Hardcover. Beige boards with color illustration and brown lettering; 112 pp. with numerous color illustrations. The project brings together a series of experimental paintings with individual works by each artist into a collaborative process. The twelve works were first exhibited in Rochdale, UK in 2003-2004. The artists all studied miniature painting at the Lahore National College of the Arts, and are: M. Imran Qureshi, Saira Wasim, Hasnat Mehmood, Nusra Latif Qureshi, Aisha Khalid, and Talha Rathore. Uncommon. VG- (with a few marks on back cover, corners may be bumped.).

Softcover, 80 pages; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover. Condition: Very good. 33 Artists (illustrator). Great condition. Edges are shelf worn. Inside is clean and unmarked.

Condition: New.

Stiff Wrappers. Condition: Near Fine. 33 Artists (illustrator). 240 pages with color illustrations throughout. A minor bump to the top, right-hand corner. Light rubbing and wear to the paper cover and edge. Edited by Iftikhar Dadi and Hammad Nasar. Stiff Illustrated wraps. Cornell University, Ithaca, NY January 21-April 1, 2012. List of Works. Artist Bioographies. Book.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

paperback. Condition: VERY GOOD. 33 Artists (illustrator). Herbert F. Johnson Museum of Art (Green Cardamom), 2012. Lines of Control: Partition as a Productive Space. Unmarked. Clean, unmarked graphics and text. Softcover, clean & bright, light edge, corner, shelf wear. No rips, chips, stains or tears. Binding solid, tight. Ships from USA, quickly & with care.Catalogue of an exhibition at the Herbert F. Johnson Museum of Art, Cornell University, curated by Hammad Nasar, Iftikhar Dadi, Ellen Avril, and Nada Raza, with 12 essays, profiles and full color photographs of works by 33 artists. Lines of Control: Partition as a Productive Space explores the legacy of partition through essays and full-color artworks by 33 contemporary artists. This exhibition catalog interrogates borders, displacement, and postcolonial identity across South Asia and beyond.

Hardcover without dustjacket as issued, 112 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Rock, Paper, Scissors: Positions in Play This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condition: New.

Paperback. Condition: Good. 33 Artists (illustrator). No marks. Light cover wear. Excellent text.

Condition: New. In.

Condition: New. 2024. paperback. . . . . .

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.