Morton Feldman (154 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

CD in Jewel Case. Condition: Fine. Dust Jacket Condition: Fine. Peter Thorpe (cover) (illustrator). WWE 1CD20506. [5099702050623] Three subtly powerful works by the American avant-garde master. REPERTOIRE: Piano and Orchestra (1975); Durations II (1960); Rothko Chapel (1971). CONDITION: A Fine-condition CD (plays beautifully) with Fine booklet, insert, and jewel-case. NOTE: Given that these are "live" performances and that Feldman's music is generally extremely quiet, one hears incidental noises - from the stage as well as the audience, but not so much as to distract from the music. Complimentary upgrade to securely-packed First Class shipping on domestic (USA) orders.

Booklets, Photocopies, etc. Condition: Near Fine. From the pre-internet era, here are the Peters Edition publisher's brochures for three great late-20th-century avant-garde composers: [1] John Cage (1912-92), listing his Peters-published works through 1992; [2] Morton Feldman (1926-87), works published through 1969 [his subsequent works were published by Universal Edition); [3] Christian Wolff (1934---) works published through 1993. The brochures are in uniform format, so I conclude that they were published around the same time in the early 1990s. 12/6/6 pages. CONDITION: All three are unmarked and uncreased, with light shelf-wear and are now nestled in a clear, protective polypropylene bag with archival backing board.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers are clean with light shelf wear. ; Contents: Manheim, Outside looking in: evidences of primal-scene fantasy in Hawthorne's fiction. Hurry, The use of Freudian dream symbolism in William Carlos Willims' Paterson. Spector, Science fiction and the sex war: a womb of one's own. Cowart, Oedipal dynamics in Jane Eyre. Feldman, The longing for death in O'Neill's Strange Interlude and Mourning becomes Electra. ; 10.0" tall; 48 pages.

Wrappers. Condition: Very Good. 67 pages with 55 illustrations, 12 of which are in color. Linen covered stiff paper covers. There is some tanning to the edges and covers, with some minimal fraying along the edges of the covers, consistent with shelving and age, but otherwise in tight, sharp, crisp and clean condition. Introduction by Dominique de Menil. Published on the occasion of the exhibition at the University of St. Thomas, Houston, TX from February 10-April 6, 1967. Size: 9" x 6". Book.

Condition: Very Good. VERY GOOD /CASE VERY GOOD. 2 sound disks (CD1 60:39 min., CD2 47:31 min.)+ booklet (14 pp). CDs and booklet in original jewel case in very good condition. Contents: CD1: Anton Bruckner: Symphony No. 8 C minor. CD2: Morton Feldman: "Coptic Light".

Size: 8vo. [ii], 12pp. Stapled as issued in publisher's printed wrappers.

Hardcover. Condition: Wie New. 2003. Musiknoten Unbenutztes Exemplar aus Messestand. Einband mit aeusserlichen Gebrauchsspuren.Neupreis: 26,95 ((10977(Lwd.10977Lpz., Verlag von S. Hirze 10977 ISBN 9790008059254.

Paperback. Condition: Fine condition. Cage, John (paintings -- cover art & 8 pages in color) (illustrator). First Edition. Evanston, Illinois: TriQuarterly / Northwestern University, 1982. Fine condition. Bright, clean, square, and tight. No store stamp, owner's name or bookplate. No remainder mark. Flat spine. No creases. Pages are fresh, crisp -- apparently never read. No underlining. No highlighting. No margin notes. 6" wide by 9" tall. An International Journal of Art, Writing and Cultural Inquiry. Includes: A JOHN CAGE READER IN CELEBRATION OF HIS 70TH BIRTHDAY (pp. 68-232), with contributions by Paul Zukofsky; Peter Gena; Marjorie Perloff; Natalie Crohn Schmitt; M. C. Richards; Morton Feldman; Christian Wolff; William Brooks; Merce Cunningham; Kathan Brown; Stephen Addiss; Richard Kostelanetz; et al. Also has an interview with Eugenio Montale; plus fiction and poetry by Ray Reno; Grace Mary Garry; Teresa Cader; Jay Wright; Rush Rankin. . First Edition. Softcover. Fine condition. Illus. by Cage, John (paintings -- cover art & 8 pages in color). 289pp. + ads.

Soft cover. Condition: Fine. 3rd edition. Fine. Large 8vo, 224pp, printed wrappers. Revised and Corrected Third Edition of the work originally published as the combined eleventh and twelfth issue of Big Sky, the classic seventies literary magazine from Bolinas, entirely devoted to a book-length tribute to Frank O'Hara with a stellar range of contributors. Uncirculated copy from the publisher's unsold inventory, not a remainder. Not Signed.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, 72pp, stapled wrappers. Second issue of this exceptional magazine of poets and music, edited by David Meltzer and Steve Dickison. Unmarked copy, minor wear. Not Signed.

Softcover. Condition: Wie New. Unbenutzt Einband mit aeusserlichen Lagerspuren. Neupreis: 15,50 .Morton Feldman Score and parts, Neuaufl. 1976. 8 S. + 2 St. ; 30 cmVoice, violin and piano Schwierigkeitsgrad: 3 11025 ISBN 9790008068362.

Softcover. Small Quarto. Softcover. Plain white wraps with black and green titles. 28 unnumbered pages : color illustrations ; 26 cm. VG-. Some small pen markings to the early textblock.

Soft cover. Condition: Fine. UE21177. Fine unmarked Score and Violin Part in soft covers. 12 pages. Shipping Category:Sheet Music.

Size: Folio. [iv], 36pp. Stapled as issued in publisher's printed wrappers.

Condition: Neuf.

Softcover, 224 pages, very good condition, light rubbing to covers; small crease upper right corner of first page; no internal marks. Foreign shipping may be extra.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Condition: Neuf.

Ohne Stempel, 1 kleine Anmerkung, sonst guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations. Sonderangebot: Dieser Verkäufer bietet Kunden einen exklusiven Rabatt von 25% auf sämtliche Preise. Alter Preis: 18,75 EUR.

Softcover. Condition: New. KLAR 2 VL VA VC .

Hard cover. Condition: Very good. No jacket. Includes DvD. In great condition. Binding is tight and inside is clean and unmarked.

Soft cover. Condition: Fine. Book measures 6 x 8 inches. Insightful and humorous writings by Feldman about his friends and contemporaries including Jackson Pollock, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O'Hara, John Cage among others. Give My Regards to Eighth Street is an authoritative collection of Feldman's writings, culled from published articles, program notes, LP liners, lectures, interviews and unpublished writings. Highly recommended reading. A Fine copy in clean crisp wrappers. Binding is square and tight.

Condition: New. for Piano .

Condition: New. Klavier. Partitur .

Unknown Binding. Condition: Very Good. Near mint copy PB Universal.

Sheet music. Condition: Very Good. Near mint copy PB.

Mit Abb. Geheftet. Condition: Gut. 8 Blatt. Einband leicht berieben. - Morton Feldman, Fragments -- Amerique -- Art -- Composition -- Durée -- Instrument -- Judéité -- Kierkegaard -- Matériau -- Motif -- Peinture -- Piano -- Son -- Tapis -- Sur quelques contemporains et sur lui-méme -- Biographie -- Souvenirs et témoignages: Steve Reich -- Joan La Barbara -- Mauricio Kagel -- André Boucourechliev. Sprache: Französisch Gewicht in Gramm: 550.

Geheftet. Condition: Gut. 22,9 x 35 cm, 12 Seiten / p. Aus dem Vorbesitz ( ohne Namenseintrag ) von Prof. Dr. Dieter Schnebel, einem Pionier der Neuen Musik und des Fluxus in Deutschland. - Exemplar Schnebel: Stempel mit "Autorisierte Kopie" , altersgemäß sehr guter Zustand - Morton Feldman (* 12. Januar 1926 in New York City; 3. September 1987 in Buffalo) war ein US-amerikanischer Komponist. Er gilt als einer der Pioniere der grafischen Notation. Weil diese dem Interpreten zu viel Freiheiten ließ, verwarf er sie 1969 wieder und kehrte zur präzisen Notation zurück. -- Manchmal wurde und wird Feldmans Werk als Meditationsmusik" missverstanden. Jedenfalls lassen die Äußerungen des Komponisten in seinen Essays keinen anderen Schluss zu, als dass er dem Prinzip des l'art pour l'art" verpflichtet war und es in vielleicht einzigartiger Weise im Sinne eines quasi schopenhauerischen Nicht-Wollens erreicht hat. Das macht ihn zu einer Ausnahmeerscheinung in der Musik des 20. Jahrhunderts, vielleicht der Musik überhaupt [Wikipedia]. Sprache: Englisch Gewicht in Gramm: 550.

ingenaaid, 32 blz, ill/foto's,.stofomslag.