Matthew Barney Nancy Spector (34 results)

Hardcover. Condition: Very Good +. Very Good + condition Hardcover laminated illustrated boards. Includes numerous color and b/w photographs with Selected Readings, 228 pages. The exception to the condition is soiling on the bottom of the text block. No DJ.

hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Condition: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: New. Celebrated for works blending performance, video, and sculpture, Matthew Barney has created complex narratives that emerge across series since his earliest exhibitions. 'Matthew Barney: OTTO Trilogy' is the first book to trace the progression of three significant early projects 'Facility of INCLINE, Facility of DECLINE, 'and' OTTOshaft ' and to reveal the narrative system that links them. Titled after former football player Jim Otto, the series explores the training, discipline, and physical limits of the body alongside questions of sexual difference and desire. Featuring an illuminating introduction by Nancy Spector; an essay by Maggie Nelson on the works exploration of psychology, bodies, image-making, narrative, and abstraction; and a new text by the artist, this generously illustrated volume includes previously unpublished artist s sketches, behind-the-scenes photographs, research material, and video stills. It is the definitive publication on this important series, and offers a key to understanding many of the themes that thread throughout Barney s oeuvre.' A generously illustrated look at the intricate narrative threads of three of the artist s earliest works, and their continued resonance today' BEAUTIFUL COPY!!!

Condition: Very Good. Hardcover, 228 pages. During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, others. Record # 362307.

Hardcover without dustjacket as issued, 198 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Very good.

Hardcover. Condition: New. 1st Edition. Peggy Guggenheim Collection and Deutsche Guggenheim, 2006. Flexible boards without dustjacket as issued, 164 pages; in English; Still Sealed.

Condition: New. Satisfaction Guaranteed or your money back.

Hardcover. Condition: Good. Good; soil / stains / tarnish to covers and spine; light bumping to edges and corners of covers; spine cocked; silver imprint on spine partially rubbed off. The spine on this book is notoriously weak, so there is fore-edge sag, common in heavy books stored upright on the shelf. Pages xiii through page 7 have tiny creasing in the top corners; pages 487 through 490 have tiny tears on the bottom edges; Else Very Good. Hinges sound; pages bright and clean. No Dust jacket. Presumed First Edition. English version. May require increased shipping price for priority and international orders. Book.

Hardcover - as published. VG+ in a VG transparent plastic DJ, with light wear.

Hardcover. Condition: Used-Very Good. Cloth, dj. Large quarto. 522 numbered pages. Clear jacket with black and green lettering at front. A nice copy with sound binding, clean internals and pristine images. Some external wear present. Rippling to jacket down spine, with small fray at head; additional rippling along edges of panels, occasionally extending to center. Some scuffing. Open tear in rear flap along fore-edge, with slight foxing which occasionally extends to pastedown. Light soiling and discoloration along bottom edge of front and rear boards, with scuffing and attendant discoloration along top edge of rear board. Spine slightly rolled. Else fine. As noted above, an internally bright, clean copy.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. 522 pages. Massive exhibition catalog for a show that ran June 6 through September 1, 2002 in Cologne, October 10, 2002 through January 5, 2003 in Paris and finally February 21 through June 4, 2003 in New York. Features an essay by Nancy Spector and with "The Cremaster Glossary" by Neville Wakefield. Includes numerous color and black and white illustrations. A near fine copy with some of the inevitable pulling to the spine due to the size and weight of the book and with some other very minor wear and in a near fine printed acetate dust jacket that has some light rubbing. An attractive production. This is a heavy and oversized book and will require extra shipping.

Hardcover. Condition: Fine. First Edition. Hardback. Dust Jacket. Large 4to. pp xv, 522. Original publishers grey silk cloth, lettered silver on spine and on front cover. With a small plain white label reading 'Simon Lee' indicating the book came from the art reference collection of the Simon Lee Gallery (2002-2023) dealers in contemporary art in Mayfair, London and Hong Kong. Copiously illustrated in colour and black and white throughout. ISBN: 0810969351 Fine in near fine original acetate printed jacket. Excellent condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Very Good hardcover in a Very Good dust jacket. Overall a bright and attractive copy. First Edition, First Printing with no other printings noted. Small stain on the rear panel of the book, otherwise no signs of wear or aging to the book. The vellum dust jacket is warped along the spine. Illustrated throughout. The binding is square and tight. Reading ribbon bound in. 529 pp.

Hardcover. Condition: Very Good. Nice clean copy with a tight binding!

paperback. Condition: Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Matthew Barney (illustrator). 1st Edition. First edition / First printing. First issue without the notice of the Hugo Boss sponsorship on the copyright page; later printings printed this sponsorship notice. Silvery pale gray cloth. xv, 522 pages. Very fine in very fine dust jacket. A beautiful copy. Please note: This is not available for international orders. The definitive work on Barney's acclaimed cycle of films.

Hardcover. Condition: Fine. Dust Jacket Condition: fine. 1st.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Transparent dustjacket with lettering, white boards with silver illustrations on both covers, lettering on spine. xv, (3) 4-522 pp. features many full color illustrations. CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore as well as its more recent incarnation as host to the Tourist Trophy motorcycle race. When total descension is finally attained in CREMASTER 5 (1997), it is envisioned as a tragic love story set in the romantic dreamscape of late-nineteenth-Century Budapest. The film is cast in the shape of a lyric opera. Biological metaphors shifted form to inhabit emotional states - longing and despair - that become musical leitmotivs in the orchestral score. The opera's primary characters - the Queen of Chain (played by Ursula Andress) and her Diva, Magician, and Giant (all played by Barney) - enact collectively the final release promised by the project as a whole. VG. Light rippling to plastic jacket, otherwise like new.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. "The definitive user's guide and then some to Matthew Barney's epic five-part epic film series, The Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published." Text: Spector Nancy . cm 23,7X32; pp. 530; 725 COL; hardcover. New, still in its shrinkwrap.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. SIGNED on title page by Matthew Barney. With essays by Nancy Spector and Neville Wakefield. Text in English. Published on the occasion of the exhibitions in Cologne, Paris and New York, 2002 - 2003. ; Tight, clean and crisp. No inscriptions. Not ex-library. An excellent copy. ; 2.44 x 12.76 x 9.29 Inche; xv, 546 pages; Signed by Artist.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condition: fine. Matthew Barney (illustrator). Many photographic illustrations. Tall 4to, stiff embossed white silk wrappers. New York: Guggenheinm Museum, 2002. A fine copy, as new in the original shrinkwrap.

Hardcover. Condition: Fine. Matthew Barney (illustrator). Signed by the Artist in black marker on the title page; Cream cloth, silver & black spine title, covers decoration, plastic dust jacket with green & black cover title, pale green endpapers / pastedown + 3.5 illustrated feps marching fore & aft, moderately bizarre illustrations in color throughout, & white satin page marker; A fine copy in a fine dust jacket; 523 pages.

Erste Auflage. 32 x 22 cm. 523 S., 2 Blatt. Leinenkaschierter, illustrierter OKarton. Einband minimalst angestaubt. Sonst sehr gutes Exemplar. Die vollständige Folge des Cremaster Zyklus - zwischen 1995 und 2005 entstanden insgesamt 5 Filme - ist konzeptionell mehr Künstlerbuch als Ausstellungskatalog und dokumentiert sich selber durch Fotografien respektive Filmstills. Mit einer Einführung von Kasper König und einem Text von Matthew Barney. Durchgehend mit farbigen Abbildungen versehen.

hardcover. Condition: Sehr gut. Seiten; *** Top Zustand! M25-09-XX-CC-05-VG Sprache: Deutsch Gewicht in Gramm: 8.

Hardcover. Condition: gut. 2002. Ausstellungskataloge Kunst Guggenheim Museum New York Installation Künstler Museen Musee d'Art Moderne de la Ville de Paris Museum Ludwig Köln Matthew Barney ist zu Recht der "Erzähler des Schöpfungskultes" genannt worden, denn seine extrem assoziativen Arbeiten thematisieren durchgängig die menschliche Reproduktion und den künstlerischen Schaffensakt. Barney selbst hat nach eigener Aussage sein Körper "immer als Instrument und Werkzeug gedient". In seiner Kunst beobachtet er dieses Phänomen und hinterfragt die Instrumentalisierung eines nicht zuletzt auch selbst erschaffenen Körpers. Immer wieder zeigt Barney in seinen sezierenden, fremd und unterkühlt wirkenden Bilderwelten und doch poetischen und humorvollen Filmen deren absolute Ausrichtung auf Leistung und Perfektion. In deutscher Sprache. pages. 32,8 x 24 x 6,2 cm.