Martin Daniel Howard (14 results)

paperback. Condition: Very Good. Crease on cover*.

Soft cover. Condition: Very Good. 96 pages. Enright, Ralph Robin, Daniel Bell,John Weightman, Tibor Szamuely, Michael Howard, Malcolm Bradbury ('The Novel and Reality'), Rayner Heppenstall, Martin Seymour-Smith, John Holloway, Paul Fussell, Martin Dodsworth, Edward Seidensticker, Shlomo Shoham.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover. Condition: Near Fine. Single issue. Printed cream wrappers. Contains pages 152-272pp. Spine lightly age-toned, near fine. Contributions by René Dubos, Aristides, John Sparrow, Howard F. Stein, Robert F. Hill, John P. Sisk, William Haley, James Stupple, Barnett Singer, David Bergman, Frank Manley, William Stafford, Daniel Hoffman, Mary Oliver, John Balaban, Linda Pastan, Jeanne Murray Walker, Martin Mayer.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. xxvi, 718 / xxvi, 719 - 1543 pp. LCC: 9244271 Very good condition; touches of wear on edges of covers.

Hardcover. Condition: New.

Hardcover. Condition: Good. No Jacket. 314 pages ; OCLC 927145016 (online version); art nouveau design with sunflowers and in green and brown on brown cloth ; no dustjacket ; "Reading with appreciation is a fine art. This volume contains some of the gems of literature which the race has learned to love. Some of the 'old fashioned selections' and some of the most charming new short classics, are offered as a basis for study and appreciation. The average pupil will study his reading lesson with zest if he is given some definite work to do. In these studies, the brief introduction to each selection is intended to whet the pupil's appetite.The exercises following each study make his study definite and to the point. Helpful notes are added wherever necessary, and additional readings are given. ; Selections include: The American Boy -- The Light That Is Felt -- The Tiger The Brahman, And The Jackal -- A Kind Word -- Little Brown Hands -- The Lame Man And The Blind Man -- The Owl And The Pussy-cat -- September -- The Arab And His Camel -- The Shepherd Boy And The Wolf -- Needless Pain -- Because He Loves Us -- Marjorie's Almanac -- The Brown Thrush -- Truth -- God Bless Our Flag -- The Quails -- The Discontented Stonecutter -- The Cloud -- All Things Beautiful -- Labor -- The Matsuyama Mirror -- Work While You Work -- The Pen -- The Quest -- God Bless The Commonplace -- A Bright Chinese Boy -- The Grapevine Swing -- Beautiful Joe -- Forget-me-not -- October's Bright Blue Weather -- Daisies -- So Much Of Goodness -- The Breaking In Of Black Beauty -- The Children's Hour -- The Magic Mill -- The Corn Song -- Daniel Webster's First Case -- The Day Is Done -- The Image And The Treasure -- Somebody's Mother -- Look For Goodness -- The Code Barbarian -- The Discontented Pendulum -- True Success -- Which Loved Best? -- Hope -- The Story Of King Midas -- T Is The Last Rose Of Summer -- Home, Sweet Home -- The Fight -- A Simple Recipe -- The Angels Song -- A Visit From St, Nicholas -- Ring Out, Wild Bells! -- Beauty In Common Things -- Letters Of Recommendation -- A Song For Flag Day -- The Stone In The Road -- Answer To A Child's Question -- Paul Revere's Ride -- The Dream Of Home -- The Choice Of Hercules -- Thomas Jefferson's Ten Rules -- After The Shipwreck -- The Lost Camel -- The Planting Of The Apple Tree -- We Should Smile -- The Humbug -- Sky-born Music -- The Pebble And The Acorn -- The Tree -- Service -- The Sleeping Beauty -- A Wholesome Tongue -- The Village Blacksmith -- Genuine Heroism -- The Legend Of Indian Corn -- Robert E. Lee -- The City Mouse And The Country Mouse -- Our Birth--The First Roses -- A Little Sermon -- Four-leaf Clover -- Love's Nobility -- A Prayer -- Casabianca -- Be What Thou Seemest -- Thor And The Giants -- The Spider And The Fly -- The Mouse And The Moonbeam -- The Schoolhouse And The Flag -- The Snow-image -- Index Of Authors ; Numerous Biblical references appear in Searson's Studies in Reading (1923), but the movement is toward secular stories with a moral emphasizing social values. This reader, published after World War I, begins with a poem, "The American Boy." It is a dialogue between a father and son about patriotism. According to the author of this reader, the influence of the story "The Poor Little Match Girl" "founded many an orphan home and organized hundreds of societies for relief of the worthy poor," which indicates an emphasis on philanthropy and social work during the era of the Social Gospel.80% of selections taught traditional values."-- Sharon Vincz Andrews ; signature of a youthful Gerald Grout, later a Kansas Ophthalmologist ; GOOD. Book.

Softcover. Condition: Very Good. Single issue. Winter, 1954-1955. 67pp. Stapled wrappers. Wrappers lightly age-toned and stained internally, holes in wrapper near staples, small pen mark on rear wrapper, still very good. Many interesting literary contributions including Allen Ginsberg's "Last Stanzas in Denver". "Words to a Young Man" by John McAlpin Berryman. "Bureaucrats: Diggers" by Tom Merton. "Serenade, and Old Songs" by John Erskine. "Identity" by Mark Van Doren. Other contributors are: Brander Matthews, Joyce Kilmer, Alfred A. Knopf, Guy Sommerville, Paul W. Gallico, Henry Morton Robinson, Irwin Edman, Mortimer J. Adler, Whittaker Chambers, Millen Brand, H. Lloyd Frankenberg, Ben Maddow, Corey H. Ford, William Y. Tindall, Clifton Fadiman, Jacques Martin Barzun, Lionel Trilling, Eleazar Lipsky, Milton Rugoff, Herman Wouk, James A. Wechsler, Ralph de Toledano, Daniel G. Hoffman, Herb Gold, Robert Laguardia, John Hollander, Richard Howard, and Stephen Orgel.

No Binding. Condition: Fine. No Jacket. loose-leaf publication ; OCLC: 857088726 ; a six-year run of Old-House Journal, as well as The Old-house journal catalog, with the indexes ; lists over 5,873 products and services, with 525 companies for the renovation of old houses; many articles on various aspects of repair; laid the groundwork for the Public Television series This Old House ; V.1.no.1: An old house is a way of life -- Protecting the aging house from winter storms -- Old-house living: a brownstone in Brooklyn -- Sealing leaky windows -- Quieting a steam heating system -- Flat-roof repairs -- Chimney check up -- The care and cleaning of brass -- v.1 no.2 : Refinishing secrets of the Boston Museum -- The bare-brick mistake -- A schoolhouse in Kentucky -- Restoring shutters to working order -- Surgery on a staircase -- Coping with frayed electrical wiring -- How to apply French polish -- Recipes for reviving and refinishing - v.1 no.3: Teaching a fireplace not to smoke -- Antique wallpaper preservation -- Victorian gingerbread -- The art of getting plastered -- Tricks an old farmhouse plays -- Matching bricks & mortar -- How to paint a cathedral -- v.2 no1: Catalog your house's secret passages -- An Italian villa in New Haven -- Major repairs to plaster surfaces -- Tips on mixing plaster -- Mansard roof -- A tale of two houses -- V.2 no 2: How to stiffen sagging floors -- Let's do away with incentives that destroy old houses -- Wallpaper in old houses -- Where to buy 18th & 19th century wallpaper -- Duplicating plaster cornices -- v.2 no.3: Duplicate plaster castings -- A townhouse in Trenton -- Parts of a staircase -- One way to insulate an attic -- V.2, no4: Drapes & curtains -- A family plantation in Virginia -- Don't get stuck with the wrong glue -- Restoration of sandstone -- V.2 no.5: Repairing old floors -- Octagon house on the Hudson -- Re-creating period window hangings -- v.2 no 6: A restorationist view of windows -- Queen Anne revival in Little Rock -- Repairing & restoring marble mantels -- Windows and parts -- V.2 no 7: Sawn wood ornament -- Pre-Civil War manse on the Mississippi -- Mix your own wood stain -- Running electrical wire -- Restoring and re-creating sawn wood ornament -- V.2 no 8: Eastlake -- Preserving woodworkers' art in St. Paul -- Restoring rotted window sills -- Improved process for stripping paint -- v.2 no 9: Tips on stripping shutters -- in Covington, a riverboat captain's Italianate berth -- restoring a frame house exterior -- Early American roof types -- Victorian fancywork -- v.2 no 10: The domestic architecture of Downing -- Caustic approach to exterior paint removal -- A restored federal enclave in Charlestown -- Detecting & defeating rot in old houses -- Downing on color -- v.2 no2 : Preventing rot in old houses -- How to make an electrical survey -- Greek revival on the immigrant road -- Classical orders -- v.2 no12: Refinishing old wood floors -- Insuring townhouse living -- Tips on sanding -- Painted floors -- Cast iron fences -- Care & repair of ornamental iron -- v.3 no 1: Early American wall stenciling -- Restored, a hopeless 1865 Greek revival ruin -- Selecting the best floor finish -- v.3 no2: Victorian stenciling -- Romanesque revival in the inner city -- The case against removing paint from brick masonry -- Replacing a clapboard -- Glenview, Victorian stencilling restored -- v.3 no.3 Restoring old brickwork -- Dual personality saves 1836 Greek revival -- The peril in Portland cement -- Marbelizing -- v.3 no 4: Late Victorian art movement -- Reviving a 1745 stone manor -- Selecting & using chemical paint removers -- v.3 no5: Greek revival decoration -- Self-supporting shingle-style seaside cottage -- v.3 no6: How to grain like a professional -- Moving story of a Swiss chalet in Vermont -- Locating buried artifacts -- v.3, no.7 : Lighting for the old house -- Victorian charm re-created in San Francisco -- Rebuiling fireplaces -- Adapting old fixtures -- Fancy butt shingles; etc ; a mark or two; else FINE. Book.

JACOBSON, Daniel, Howard N. MARTIN. (Creek) Indians, Alabama-Coushatta. Alabama-Coushatta Indians: Ethnological Report and Statement of Testimony; Documents on the Alabama and Coushatta Tribes of Texas; The History of Polk County, Texas, Indians. New York: Garland Publishing Inc., 1974. 8vo. 361 pp. Orig. cloth. Near fine.