Martin Chew Louise (38 results)

Condition: New. In.

Paperback. Condition: new. Paperback. Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics,Courting Blaknessis a stylish and comprehensive tribute to this innovative project.A celebration of 'Courting Blakness', a groundbreaking exhibition of contemporary Indigenous art.In a bold and unprecedented project, acclaimed international artist Fiona Foley curated a cutting-edge installation in the University of Queensland's sandstone Great Court.Universities have traditionally been elite institutions, overlooking and undervaluing the knowledge contributions of Indigenous thinkers, activists and artists. This history is etched into the walls of the Great Court, with anachronistic concepts of humanity and racial difference revealed in many of the friezes and sculptural reliefs. Fiona Foley and her team of eight Aboriginal artists aimed to challenge these concepts.The 'Courting Blakness' exhibition reclaimed this historically white space, creating a visual dialogue between contemporary Aboriginal art and colonial-inspired architecture. It also sparked important conversations about issues that matter to both Indigenous and non-Indigenous Australians.Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics, Courting Blakness is a stylish and comprehensive tribute to this innovative project. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback or Softback. Condition: New. Fiona Foley Provocateur: An Art Life. Book.

21.0 x 16.0cms 200pp colour illusts very good paperback & cover Foley curated an exhibition of Aboriginal art friezes and sculptural reliefsin the sandstone Great Court of the University of Queensland.

Condition: New.

Soft cover. Condition: Very Good. 1st Edition. Used very good to near fine clean well bound copies. 201 pages text and photographs.

21.0 x 21.0cms 12pp colour & b/w illusts very good+ stapled paperbacks Cook imagines that Aboriginal people were 96% of the Australian population.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition.

paperback. profusely illustrated (illustrator). Catalogue for the Alick Sweet exhibition, 28 October - 28 November 2015 Fireworks Gallery Brisbane; text by Louise Martin-Chew; colour illustrations throughout, including some gate-fold; red stiff-card wraps with titling blind-embossed to front, illustrated dustwrapper. Dustwrapper. unpaginated. 27 x 23cm. Very Good in Very Good dustwrapper Very Good in Very Good dustwrapper.

Kartoniert / Broschiert. Condition: New. &Uumlber den AutorrnrnLouise Martin-Chew has written about the visual arts for thirty years. She has contributed regularly to national newspapers, art magazines, exhibition catalogues and books. This biographical project was part of a PhD at th.

29.0 x 28.0cms 108pp colour illusts very good+ hardback & dustwrapper Brownhall is a realist painter who paints Australia''s urban scenes and recreational spaces (eg The Gold Coast the Sunshine Coast Brisbane Sydney Melbourne) .

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 108 pages, many colour reproductions.

Paperback. Condition: new. Paperback. Dr Fiona Foley is an Aboriginal artist, Badtjala woman and provocateur, part of a highly influential generation of urban Indigenous artists. Over a career now spanning thirty years she has consistently asked questions about hidden histories, the Frontier Wars waged against Aboriginal peoples, and brought the massacres and dispossession into galleries, public spaces and to a broader, societywide debate. In recent years her exploration of the familial threads that join her Aboriginal heritage to the family of white missionaries who came to K'gari/Fraser Island in 1897 emerges as a tour de force.Foley has had exhibitions all over the world. Retrospective exhibitions include Fiona Foley: Veiled Paradise at QUT Art Museum in 2021, Who are these strangers and where are they going? in Ballarat and Sydney in 2019-2020, and Fiona Foley: Forbidden at the Museum of Contemporary Art, Sydney and University of Queensland Art Museum, Brisbane in 2009. Her work is in every major institutional collection in Australia, many private collections, and occupies public spaces all over Australia, including in the State Library of Queensland. At the heart of this book is friendship. It details Foley's meeting with art writer Louise Martin-Chew, the progression of their collegiate relationship, and crucial developments in Foley's art life until her most recent segue into academia. This book was shaped as a biography given the relevance of Foley's life to the work that she makes, and her emotional and historical investment in the disenfranchisement of her Badtjala people-as for all Aboriginal people-as subject matter for her art. At the heart of this book is friendship, together with the relevance of Foley's life to the work that she makes, and her emotional and historical investment in the disenfranchisement of her Aboriginal people. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics,Courting Blaknessis a stylish and comprehensive tribute to this innovative project.A celebration of 'Courting Blakness', a groundbreaking exhibition of contemporary Indigenous art.In a bold and unprecedented project, acclaimed international artist Fiona Foley curated a cutting-edge installation in the University of Queensland's sandstone Great Court.Universities have traditionally been elite institutions, overlooking and undervaluing the knowledge contributions of Indigenous thinkers, activists and artists. This history is etched into the walls of the Great Court, with anachronistic concepts of humanity and racial difference revealed in many of the friezes and sculptural reliefs. Fiona Foley and her team of eight Aboriginal artists aimed to challenge these concepts.The 'Courting Blakness' exhibition reclaimed this historically white space, creating a visual dialogue between contemporary Aboriginal art and colonial-inspired architecture. It also sparked important conversations about issues that matter to both Indigenous and non-Indigenous Australians.Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics, Courting Blakness is a stylish and comprehensive tribute to this innovative project. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condition: Very Good. Catalogue of artwork from both artists. October 2007. Unpaginated. Front cover a little grubby. Top front corner bumped. Illustrated, unpaginated.

Paperback. Condition: new. Paperback. Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics,Courting Blaknessis a stylish and comprehensive tribute to this innovative project.A celebration of 'Courting Blakness', a groundbreaking exhibition of contemporary Indigenous art.In a bold and unprecedented project, acclaimed international artist Fiona Foley curated a cutting-edge installation in the University of Queensland's sandstone Great Court.Universities have traditionally been elite institutions, overlooking and undervaluing the knowledge contributions of Indigenous thinkers, activists and artists. This history is etched into the walls of the Great Court, with anachronistic concepts of humanity and racial difference revealed in many of the friezes and sculptural reliefs. Fiona Foley and her team of eight Aboriginal artists aimed to challenge these concepts.The 'Courting Blakness' exhibition reclaimed this historically white space, creating a visual dialogue between contemporary Aboriginal art and colonial-inspired architecture. It also sparked important conversations about issues that matter to both Indigenous and non-Indigenous Australians.Featuring striking full-colourimages of the artworksas well as essays by artists, curators and academics, Courting Blakness is a stylish and comprehensive tribute to this innovative project. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: Near fine. First Edition. Softcover oblong 24cm x 18cm : pp. [ii] [1] 38 : illustrated throughout : title page inscribed by the author : pale yellow pictorial cover. Remnant of sticker to back cover.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Soft cover. Condition: Very Good. 1st Edition. Former library book in very good condition. 240pp with colour illustrations.

Hardcover. Condition: Fine. First Edition. Kenmore, Sarah Hodges, 2012. Oblong quarto, 108 pages with over 100 colour illustrations (mostly full-page, a few double-page). Cloth; a fine copy with the fine copy.

22.5 x 19.0cms 240pp colour illusts fine paperback with wraparound card cover This book explores Watson''s best seminal canvases works on paper sculptural projects and artist''s books.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 152.

paperback. Condition: Very Good. The Miegunyah Press Melbourne University. 2009. First Edition. "this is number one hundred and fourteen". Book is in fine condition; clean tight and bright - appears unread. Cover is clean and strong.

Soft cover. Condition: Near Fine. 1st Edition. Book is in near fine condition. 240pp with colour illustrations.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: Very Good. 0522856586. Miegunyah Press, Contemporary Indigenous Art series,bright clean copy, no markings, Professional booksellers since 1981.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Judy Watsons hard to find Blood Language is a profusely illustrated book of her aboriginal art. None.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Presumed first edition. No additional dates, editions or printings indicated. Fine hardback in fine unpriced, unclipped dust jacket. Includes DVD. Only trivial, if any signs of age/wear/previous use to book and dust jacket. Signed by artist on half title page "For XXXXX With appreciation & affection & respect Stephen Hart 2012". Signed by Author(s).

Softcover. Condition: Fine. First Edition. Softcover. 238 pages. *** PUBLISHING DETAILS: Melbourne University Press, Australia, 2009. First Edition. *** CONDITION: This book is in fine condition. More specifically: Covers have no creasing or wear. Spine is uncreased. . Pages are clean and unmarked and in excellent condition. *** ABOUT THIS BOOK: Judy Watson is one of Australia's leading contemporary artists. Her art explores territory that includes the dispossessed Indigenous Australians with whom she shares a family history and heritage. Judy Watson's art is intense and sublime in its physicality. blood language is a beautifully illustrated pictorial exploration of some of Judy Watson's seminal canvases, works on paper, sculptural projects and artist's books. Judy Watson imparts the artist's ideas and writer Louise Martin-Chew gives another insight into the artist's practice. Water, skin, poison, dust and blood, ochre, bones and driftnet are defining themes in an empathetic art that seeks to find a broader geography of belonging. Watson creates highly sophisticated works of beauty that are subtly political and intensely personal. *** Quantity Available: 1. Category: Art & Design; ISBN/EAN: 9780522856583. Inventory No: 16100189.