Maggs Arnaud (25 results)

paperback. Condition: near fine. Arnaud Maggs (illustrator). Illustrated largely with b/w photography throughout. 94 pages. Small, slim 4to, pictorial wrappers. (Toronto): Power Plant Contemporary Art Gallery, (1999). A near fine copy, wrappers slightly dust-soiled.

Condition: as new. Wie neu/Like new.

Softcover. Condition: Very Good. 28 cm. Sound and square binding in cardstock covers. Front edges curling slightly. Edge and corners have minor wear. Inside pages are clean and unmarked. An issue of a printing arts journal also known as The Devil's Artisan. Printed cards and a bookmark laid in.

Softcover, 96 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, staple-bound, 16 pages, very good condition; clean and crisp; no internal marks. (Blank black covers). Foreign shipping may be extra.

Softcover. Condition: Near Fine. 4to. [250 x 185 mm]. 352pp. Twice stapled spine. B/w ills. A few light scuffs and tiny creases otherwise a nice clean copy, with cover art by Arnaud Maggs.

Softcover. 293 pp., B&W Photographs More contributors: Gary Whitehead, Eugene McNamara, Aritha van Herk, William Goede, Rohinton Mistry,bp Nichol, Gerald Lynch, Patrick Lewis, George McWhirter, Derk Wynand, Janice Kulyk Keefer. Geoff Hancock. Light shelf wear, smudges at fore edge, inside v.g.

Soft cover. Condition: Near Fine. No Jacket. Signed by Artist.

Hardcover. Condition: As New. First edition. As new in pictorial boards. No dust jacket, as issued. Still in original shrinkwrap.

Paperback. Condition: Very Good. Spiral-bound stiff card boards. Illustrated with Magg's photographs of French hotel signs. Introduction by Bruce Ferguson. Slightly worn to edges. Large Oblong 4to.

Paperback. First edition. Very Good+ paperback with a light crease to one corner of the front cover, a touch of soiling to the covers, a touch of rubbing to the spine edges, and light signs of handling. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of the photography of Arnaud Maggs, held at The Power Plant Contemporary Art Gallery, Toronto, April 17 - June 6, 1999. "In 1974, Arnaud Maggs abandoned his career as a commercial and fashion photographer to pursue becoming an artist. This thorough survey of his photography examines his achievements from his first portrait works that investigate the typology of the human head to the series based on his photographs of paper ephemera and other items he has found in French flea markets. The early portraits show the work of time on the body, while the later works, apart from any actual images of people, create an overwhelming portrait of life's traces." Essays by Philip Monk and Maia-Mari Sutnik; foreword by Marc Mayer. 96 pages; color and b&w plates + text illustrations throughout; 8 x 10 inches. Checklist, biography, bibliography.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: New. 216 pages, 9.53 x 12 inches.

Softcover. Condition: Near fine. 85 p. 26 cm. B&w and colour illustrations. Softcover. Old price label on rear.

hardcover. Condition: As New. Prima edizione (First Edition). Testi di Edward Burtynsky, Jane E. Nokes, Maia-Mari Sutnik, Sophie Hackett, Rich Waugh. Fotografie a colori e in bianco e nero . Cm 30,5x 24. pp. 216. . Perfetto (Mint). . Prima edizione (First Edition). . L'artista di Toronto Arnaud Maggs è noto per le sue fotografie seriali di volti e collezioni di oggetti vari. Affascinato dai sistemi di classificazione e dai documenti storici, Maggs rivela la profonda distanza tra i simboli e ciò che rappresentano.Maggs ha lavorato come grafico e fotografo di moda prima di decidere, all'età di 47 anni, di dedicarsi alla sua arte. I suoi primi lavori importanti sono stati i ritratti in serie. Nel 1988 ha creato una serie di immagini di insegne di alberghi parigini e, negli anni Novanta, si è concentrato su collezioni di reperti del mercato delle pulci.Maggs ha ricevuto il premio Victor Martyn Lynch-Staunton del Canada Council e il Governor General's Award in Visual and Media Arts o Lifetime Achievement. È il vincitore del premio Scotiabank Photography Award 2012. Questa è la seconda di una serie di pubblicazioni annuali pubblicate da Steidl per celebrare il vincitore dello Scotiabank Photography Award, il più importante premio canadese di fotografia contemporanea per un artista canadese affermato. Arnaud Maggs mette gli spettatori di fronte a libri, ephemera e studi di ritratti, abilmente fotografati, ripresentati e condivisi con grazia come opere d'arte. Book.

Paperback. Condition: Good. Barbara Astman; Sorel Cohen; Suzy Lake; Arnaud Maggs; Ian Wallace (illustrator). First Edition. 48 pages. Oblong 8.5 x 11". Illustrated in colour and black and white. Features the works of Barbara Astman, Sorel Cohen, Suzy Lake, Arnaud Maggs, and Ian Wallace. Original price sticker inside back cover. Unmarked with moderate wear. A sound copy.

Softcover. Arnaud Maggs, Illustr., (illustrator). Signed Edition 94, 2 pp., Illustrations With Director's Foreword by Marc Mayer, Biographical Data, Selected Bibliography. Laid in Globe and Mail review of the exhibition April 1999, also an announcement on cardboard for the exhibition. Signed by the artist with a dedication, name and date. White illustrated card wraps, black spine with title. Very good to fine.

Soft cover. [260 x 210mm]. 75pp. Inscribed and dated by Arnaud Maggs with an original drawing. Essays by R. Desbiens, C. Bedard, and R. Keziere. Light chipping and wear to spine. Scuffing to covers. Book distribution sticker on inside of rear cover. Excellent condition. From the library of Canadian writer Greg Gatenby. Signed for him.

Paperback. Condition: Good. Csakany, Gabriel; Kotulsky, Ivan; Maggs, Arnaud; Ike, Karol; (illustrator). First Edition. 64 pages. Features: Gorgeous Revlon lipstick ad; Like Father, Like Daughter - Princess Anne; Could you live in Kitchener-Waterloo? - article with photos; The Girls Who Leave Home; Day of Storm (story); Former nun Leona A. Brady talks about leaving the convent, her marriage and motherhood; Communes - a new 'family' way of life - with photo of Jim and Pat Wilson and their baby in the Yellow Ford Truck on Toronto's Baldwin St.; Late Summer Fruits; Sew 18 Fashions for Half the Ready to Wear Cost. Average wear. Unmarked. A sound vintage copy.

Single Issue Magazine. Condition: Fair. Illustrated by Maggs, Arnaud (illustrator). First Edition. Features: Pauline Jewett - a department of peace?; William F. Buckley offers a cure for U.S. Disorder; Tenant Power - the high-rise people of Canada's cities complain they are harried by their landlords under antiquated laws; Canadian recreational nautical feature; In Praise of Older Horses - Ian Tyson tells why saddle sores can be fun - his account of a 130-mile prairie trail ride, with photos; The Ann Spiller Case - the bank manager responds; Hands off My Door Knobs - Robert Thomas Allen complains about things that are 'new and improved'; The Great Nutrition Game; The All Canadian Fabrication - fashion feature with colour photos; Robert Weaver - CBC Radio's top literary scout and buyer, an editor, critic, anthologist and best friend Canadian writers ever had; Robert Freedman has brought the ultimate in discotheques to Canada - The Electric Circus; Many nice vintage ads. Unmarked with average wear. Lacking back cover. A worthy reference copy of this wonderful vintage issue.; Photographs; 4to - over 9¾" - 12" tall.

Single Issue Magazine. Condition: Good. Illustrated by Maggs, Arnaud (illustrator). First Edition. 72 pages. Features: Great Volvo photo ad shows six Volvos stacked on top of another!; Two-page Mutual Life shows photos of dozens of their top sales agents from across Canada; Colour photo Canadian Club ad shows Mr. and Mrs. Tony Parkinson firing darts at elephants in Kenya; Alden Nowlan's Canada; What Went Wrong for the Class of '71? - feature article by Barbara Frum with statements from six university valedictorians from across Canada; Three men from three generations talk to Adrienne Clarkson on love, sex, adultery and what marriage is all about; The Guess Who - Canada's richest and raunchiest rock band - article with large photo of band on stage; The radicalization of Robert Lemieux - lawyer for the FLQ; The West is Ready to Revolt - John Barr and Owen Anderson state their case for separatism; The Table Talk of Marshall McLuhan - article by Peter C. Newman with nice photo of McLuhan; It's No Longer Possible to be an Indian - Chief John Henry describes the impact of white man's ways; Paris Smiles Again; Nice full-page CBC Radio/TV colour photo ad shows a group of famous Canadian athletes wearing their gear - including Mel Profit of the Toronto Argonauts and boxer Clyde Gray; and more. Average wear. Unmarked. Binding intact. A sound copy of this great vintage issue.; 4to - over 9¾" - 12" tall; Maclean's - Canada's National Magazine, June 1971 - Chief Dan George Cover Photo SFU Cameron Beck Don Wasylenki University of Saskatchewan Nancy Cook York Rick Williams U of T Michel Mailhot Montreal U of M Bruce Archibald Dalhousie Volvo photo ad shows s.

Condition: Sehr gut. (Arnaud Maggs, geb. 05.05.1926 in Montreal, gest. 17.11.2012 in Toronto, Kanadischer Künstler und Fotograf). Original-Fotografie von Arnaud Maggs auf glänzendem Fotopapier, rückseitig in Schwarz signiert und bezeichnet: "Turning, 1981-83". Blattgöße: 20,3 x 25,3 cm. Provenienz: Aus der Düsseldorfer Sammlung eines ehemaligen Mitarbeiters der Kunsthalle. Sehr guter Zustand. Original photograph by Arnaud Maggs on glossy photographic paper, signed and titled in black on the backside: "Turning, 1981-83". Sheet size: 20.3 x 25.3 cm. Provenance: From the collection of a former employeer at Kunsthalle Düsseldorf. Fine condition.

Condition: Sehr gut. (Arnaud Maggs, geb. 05.05.1926 in Montreal, gest. 17.11.2012 in Toronto, Kanadischer Künstler und Fotograf). Original-Fotografie von Arnaud Maggs auf glänzendem Fotopapier, rückseitig in Schwarz auf einem weißen Aufkleber signiert, darüber typografisch bezeichnet: "Joseph Beuys, 100 Profile Views, 1980. Each image 40.3 x 40.3 cm. Persona exhibition Toronto 1982". Blattgöße: 20,3 x 25,3 cm. Provenienz: Aus der Düsseldorfer Sammlung eines ehemaligen Mitarbeiters der Kunsthalle. Eine winzige Bestoßung im oberen linken Blattbereich, untere rechte Ecke minimalst bestoßen, rechter Blattrand mit 2 winzigen Druckstellen. Sehr guter Zustand. Original photograph by Arnaud Maggs on glossy photographic paper, signed in black on a white label on the backside, above typed details : "Joseph Beuys, 100 Profile Views, 1980. Each image 40.3 x 40.3 cm. Persona exhibition Toronto 1982". Sheet size: 20.3 x 25.3 cm. Provenance: From the collection of a former employeer at Kunsthalle Düsseldorf. One tiny bump at the upper left picture area, lower right corner slightly bumped, right margin of the sheet with 2 tiny pressure marks. Fine condition.

Condition: Sehr gut. (Arnaud Maggs, geb. 05.05.1926 in Montreal, gest. 17.11.2012 in Toronto, Kanadischer Künstler und Fotograf). Original-Fotografie von Arnaud Maggs auf glänzendem Fotopapier, rückseitig in Schwarz signiert und bezeichnet: "Installation View, Nickle Arts Museum, Calgary 1984". Blattgöße: 20,3 x 25,3 cm. Provenienz: Aus der Düsseldorfer Sammlung eines ehemaligen Mitarbeiters der Kunsthalle. Untere linke Blattecke minimalst berieben. Sehr guter Zustand. Original photograph by Arnaud Maggs on glossy photographic paper, signed and titled in black on the backside: "Installation View, Nickle Arts Museum, Calgary 1984". Sheet size: 20.3 x 25.3 cm. Provenance: From the collection of a former employeer at Kunsthalle Düsseldorf. Lower left outer corner slightly rubbed. Fine condition.

Condition: Sehr gut. (Arnaud Maggs, geb. 05.05.1926 in Montreal, gest. 17.11.2012 in Toronto, Kanadischer Künstler und Fotograf). Original-Fotografie von Arnaud Maggs auf glänzendem Agfa-Fotopapier, rückseitig in Schwarz signiert und bezeichnet: "Joseph Beuys, 100 Profiles, 1980, Optica, Montreal 1983". Blattgöße: 20,6 x 25,5 cm. Provenienz: Aus der Düsseldorfer Sammlung eines ehemaligen Mitarbeiters der Kunsthalle. Obere linke Ecke mit 2 winzigen Druckpunkten (1 mm). Rückseite mit 2 kleinen Resten von weißem Nassklebeband aus früherer Montage. Sehr guter Zustand. Original photograph by Arnaud Maggs on glossy photographic paper by Afga, signed and titled in black on the backside: "Joseph Beuys, 100 Profiles, 1980, Optica, Montreal 1983". Sheet size: 20.6 x 25.5 cm. Provenance: From the collection of a former employeer at Kunsthalle Düsseldorf. Upper left corner with 2 tiny pressure marks (1 mm). Backside with 2 small pieces of white wet adhesive tape due to former mounting. Fine condition.