Maggi Bennett (8 results)

Condition: Good. Good Condition. Five star seller - Buy with confidence.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. Hardcover edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condition: Good. Page edges are very lightly discoloured with the odd miniscule spot. Free endpapers and pastedowns are lightly thumbed and lightly foxed, so too page edges. Covers bear the odd scuff and scratch, head and tail of spine bumped, so too corners. Binding is strong and sturdy. This book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound. This book weighs over 1kg and will attract extra postage to destinations outside of Australia. Please contact bookseller for postage quote. …

Laminated Boards. Condition: Very Good. Laminated Boards. Very Good. Illustrated h/c. 12"x 9". P48, colour illustrations, unobstrusive repair to lower edge of spine. mark from old price sticker on cover. internally very clean. Crayon is a very versatile medium and the coloured wax variety lends itself to many different techniques such as: crayon resist, crayon etching, batik and combinations of media. This book was designed to include the range of varying degrees of advancement in the use of crayon. Illustrated h/c.…

First edition (per publisher's "First published . . . " statement upon copyright page). 223 pages. Hardcover: H 33.5cm x L 29.25cm. Dust jacket lightly rubbed with slight bumping at edges; slight soiling to white front flap. Black cloth boards slightly bowed. Two small slender stains at upper fore-edge with some leaves fractionally affected at margins; interior pages are otherwise clean. Binding is firm. Else a very good copy in a very good+ dust jacket. With Editor's Preface, color and b/w illustrations, Acknowledgements/Contributors, and Index. Contents: "Gee's Bend: The Architecture of the Quilt" by William Arnett; "A History of the Work-Clothes Quilt" by Joanne Cubbs; "'Avocado Leaf' Corduroy, Remnant of the Seventies" by Lauren Whitley; "Bending Geometry" by Maggi McCormick Gordon; "A Dirt Road in Rehoboth" by Dilys Blum; "The Living Legacy of Dinah the Slave" by Amei Wallach; "Dinah, Sally, Tank, Mother, and Me" by Loretta P. Bennett; "Mama's Song" by Mary Lee Bendolph; "A New Generation of 'Housetops'" by Louisiana P. Bendolph; and "Architectural Definitions" by Bernard L. Herman. Published on the occasion of the exhibition organized by the Museum of Fine Arts, Houston and Tinwood Alliance. Please note that this large book has an approximate shipping weight of 5.5 pounds (2.49 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 9780971910454.…